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BACKSTAGE, BEAUTY, GIRLS, Mens / May 3 2010 6:59 AM

"Perfectly Booted"

Edited by

"Perfectly Booted" Utility-inspired boots have taken a feminine turn for fall, with hiking and combat references leaving a major mark on high-heeled women’s styles. Here Dolce & Gabbana’s sexy ankle boots.

"Perfectly Booted" Nicholas Kirkwood for Erdem’s multicolored hiking inspired boots. Dress and scarf by Rebecca Taylor, sweater by Tracy Reese, fur vest by Adrienne Landau, bag by Jerome Dreyfuss, bracelet by Stephen Webster, ring by Dannijo, stirrup socks by Ports 1961.

"Perfectly Booted" Burberry’s lined ankle boots with antiqued leather. Blouse and belt by Nanette Lepore, fur vest by Adrienne Landau, jeans by Seven for All Mankind, bracelet by Osanna Visconti, ring by Stephen Webster, socks from J.Crew.

"Perfectly Booted" Christian Louboutin’s peep-toe bootie; Jean Michel Cazabat’s peep-toe combat boot; Andrew GN’s front-zip bootie; Laurence Dacade’s rabbit lined boot; Jimmy Choo’s fold-over zipper boot; Brian Atwood’s suede lace-up boot; Be&D’s shearling-lined ankle boot.

"Perfectly Booted" Barbara Bui’s flannel lace-up boots with fur lining. Dress and scarf by Tommy Hilfiger, bag by Jerome Dreyfuss, fox earmuffs by Lola, bracelets and ring by Stephen Webster, socks by Leg Resource.

"Perfectly Booted" Giuseppe Zanotti’s embellished suede boots. Sweater dress by Rebecca Taylor, jeweled vest by Bea Valdes, necklace by Stephen Webster, ring by Dannijo, socks by Leg Resource.

Utility looks are coming on strong for fall, but with ladylike twists. Designers turned to combat and hiking styles for inspiration, and set them on sexy stilettos, giving the season’s best boots the perfect balance of strength and beauty.

(WWD)

Beautiful photos by George Chinsee….not to mention the bevy of gorgeous booties for fall.I especially love the display in picture four.

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BACKSTAGE, Mens / May 3 2010 6:39 AM

Fall 2010 Trend: Seeing Spots

Edited by

Fall 2010 Trend: Seeing Spots Line

Fall 2010 Trend: Seeing Spots Lafayette 148

Fall 2010 Trend: Seeing Spots Maurie & Eve
Fall 2010 Trend: Seeing Spots L’Agence

Fall 2010 Trend: Seeing Spots Viktor & Rolf

Fall 2010 Trend: Seeing Spots Andy The-Anh

Fall 2010 Trend: Seeing Spots Cynthia Rose

Fall 2010 Trend: Seeing Spots Rebecca Taylor

Fall 2010 Trend: Seeing Spots Stuart Weitzman

Fall 2010 Trend: Seeing Spots White & Warren
Fall 2010 Trend: Seeing Spots Teri Jon

Fall 2010 Trend: Seeing Spots Longchamp (great with the gloves and a fab coat)

Fall 2010 Trend: Seeing Spots Longchamp
Fall 2010 Trend: Seeing Spots St. John

Fall 2010 Trend: Seeing Spots Maurie & Eve

Fall 2010 Trend: Seeing Spots Talbots
Fall 2010 Trend: Seeing Spots Maria Sharapova for Cole Haan
Fall 2010 Trend: Seeing Spots 3.1 Phillip Lim
Fall 2010 Trend: Seeing Spots Sergio Rossi

Fall 2010 Trend: Seeing Spots Seventy Two Change

Fall 2010 Trend: Seeing Spots Dallin Chase
Fall 2010 Trend: Seeing Spots Rebecca Taylor

Fall 2010 Trend: Seeing Spots Just Cavalli
Fall 2010 Trend: Seeing Spots Gryphon

Leopard and cheetah prints are spot on for fall as designers splash the pattern on everything from chic coats to quirky accessories.

(WWD)

This is certainly no surprise, as classic Leopard and Cheetah prints have long been popular fall and winter staples. The thing to avoid is “leopard overload,” as too much appears gaudy.

_____________________________________________________________________________

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BACKSTAGE, Mens / May 3 2010 6:39 AM

Fall 2010 Trend: Seeing Spots

Edited by

Fall 2010 Trend: Seeing Spots Line

Fall 2010 Trend: Seeing Spots Lafayette 148

Fall 2010 Trend: Seeing Spots Maurie & Eve
Fall 2010 Trend: Seeing Spots L’Agence

Fall 2010 Trend: Seeing Spots Viktor & Rolf

Fall 2010 Trend: Seeing Spots Andy The-Anh

Fall 2010 Trend: Seeing Spots Cynthia Rose

Fall 2010 Trend: Seeing Spots Rebecca Taylor

Fall 2010 Trend: Seeing Spots Stuart Weitzman

Fall 2010 Trend: Seeing Spots White & Warren
Fall 2010 Trend: Seeing Spots Teri Jon

Fall 2010 Trend: Seeing Spots Longchamp (great with the gloves and a fab coat)

Fall 2010 Trend: Seeing Spots Longchamp
Fall 2010 Trend: Seeing Spots St. John

Fall 2010 Trend: Seeing Spots Maurie & Eve

Fall 2010 Trend: Seeing Spots Talbots
Fall 2010 Trend: Seeing Spots Maria Sharapova for Cole Haan
Fall 2010 Trend: Seeing Spots 3.1 Phillip Lim
Fall 2010 Trend: Seeing Spots Sergio Rossi

Fall 2010 Trend: Seeing Spots Seventy Two Change

Fall 2010 Trend: Seeing Spots Dallin Chase
Fall 2010 Trend: Seeing Spots Rebecca Taylor

Fall 2010 Trend: Seeing Spots Just Cavalli
Fall 2010 Trend: Seeing Spots Gryphon

Leopard and cheetah prints are spot on for fall as designers splash the pattern on everything from chic coats to quirky accessories.

(WWD)

This is certainly no surprise, as classic Leopard and Cheetah prints have long been popular fall and winter staples. The thing to avoid is “leopard overload,” as too much appears gaudy.

_____________________________________________________________________________

LINK LOVE:Fall 2010 Trend: Seeing Spots

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BACKSTAGE, GIRLS, Mens / May 3 2010 5:46 AM

Costume Institute’s Ode to American Women

Edited by

What a breathtaking display….one can certainly see the influences of these stunning looks on fashion as we know it today. The era of the flapper is one of my personal favorites. The gilded decadence of the beautifully sequined and embellished dresses were amazing! Many of those styles would serve well in today’s fashion arena without looking dated. There are a few that I would love to get my hands on, maybe not so much to wear, but to display them as lovely works of art. Enjoy the view!

Costume Institutes Ode to American Women The first two dresses appear as though they were taken from this season’s designer offerings. The first could easily be Marchesa or Carolina Herrera and the second, Vionnet, Halston, or Donna Karan, just to name a few.

Costume Institutes Ode to American Women This is an impeccable twosome! While both are gorgeous, the first is my favorite….such delicate and painstaking details. Another which would translate well with today’s styles.
Costume Institutes Ode to American Women
Costume Institutes Ode to American Women
Costume Institutes Ode to American Women
Costume Institutes Ode to American Women This magnificent work of art is my absolute favorite…..it screams Alexander McQueen! When I see dresses such as this, I’m reminded of why I love to watch the old black and white movies of the 20′s and 30′s.
Costume Institutes Ode to American Women The second dress is beautiful and also appears as one that we might see from today’s designers.
Costume Institutes Ode to American Women
Costume Institutes Ode to American Women The dress on the right is another delicate and feminine lovely with a Vionnet or Halston Heritage look.
Costume Institutes Ode to American Women Ah……both are equally lovely. In the two of these, I see Valentino; especially the dress on the right.
Costume Institutes Ode to American Women The dress on the right is interesting looking, almost as though there is a story attached. In this one I see Anna Sui.
Costume Institutes Ode to American Women Nice and simple, yet beautiful. I would love to see the outfits without the vests.
Costume Institutes Ode to American Women
Costume Institutes Ode to American Women These appear as versions of the booties that we wear today….perhaps Louis Vuitton and Miu Miu.

NEW YORK — From a visual of Washington Square Arch framing the entrance to Lenny Kravitz’s “American Song” serving as the soundtrack to the finale photo and video installation of America’s female icons then and now, the Costume Institute’s “American Woman: Fashioning a National Identity” exhibit feels like a journey through this country’s past through the fashion lens.

In a series of atmospheric oval and circular rooms, the Metropolitan Museum of Art brings to life the different stages of the American female identity, from “The Heiress” in a room inspired by Mrs. Astor’s Newport mansion and garments by Charles Frederick Worth, to “The Gibson Girl” exploring sports in all seasons, and “The Bohemian,” who seems right at home in environs inspired by the Tiffany Studios.

The exhibit strikes a political note in a gallery devoted to “Suffragists” and “Patriots” with actual footage of the movement marches and banners from the era, which is followed by “The Flapper,” which represents the sexual and economic emancipation of women in a skyscraper backdrop loosely inspired by Tamara de Lempicka’s Art Deco paintings, according to curator Andrew Bolton.

Perhaps the most quintessential symbol of America to the world could well be the “Screen Siren.” It features mannequins in glamorous gowns set against screens showing scenes from famous Thirties movies, and including Hollywood icons such as Marlene Dietrich, Greta Garbo, Jean Harlow, Joan Crawford and Rita Hayworth.

(WWD)

_____________________________________________________________________________

LINK LOVE:Costume Institute’s Ode to American Women

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BACKSTAGE, GIRLS, Mens / May 3 2010 5:46 AM

Costume Institute’s Ode to American Women

Edited by

What a breathtaking display….one can certainly see the influences of these stunning looks on fashion as we know it today. The era of the flapper is one of my personal favorites. The gilded decadence of the beautifully sequined and embellished dresses were amazing! Many of those styles would serve well in today’s fashion arena without looking dated. There are a few that I would love to get my hands on, maybe not so much to wear, but to display them as lovely works of art. Enjoy the view!

Costume Institutes Ode to American Women The first two dresses appear as though they were taken from this season’s designer offerings. The first could easily be Marchesa or Carolina Herrera and the second, Vionnet, Halston, or Donna Karan, just to name a few.

Costume Institutes Ode to American Women This is an impeccable twosome! While both are gorgeous, the first is my favorite….such delicate and painstaking details. Another which would translate well with today’s styles.
Costume Institutes Ode to American Women
Costume Institutes Ode to American Women
Costume Institutes Ode to American Women
Costume Institutes Ode to American Women This magnificent work of art is my absolute favorite…..it screams Alexander McQueen! When I see dresses such as this, I’m reminded of why I love to watch the old black and white movies of the 20′s and 30′s.
Costume Institutes Ode to American Women The second dress is beautiful and also appears as one that we might see from today’s designers.
Costume Institutes Ode to American Women
Costume Institutes Ode to American Women The dress on the right is another delicate and feminine lovely with a Vionnet or Halston Heritage look.
Costume Institutes Ode to American Women Ah……both are equally lovely. In the two of these, I see Valentino; especially the dress on the right.
Costume Institutes Ode to American Women The dress on the right is interesting looking, almost as though there is a story attached. In this one I see Anna Sui.
Costume Institutes Ode to American Women Nice and simple, yet beautiful. I would love to see the outfits without the vests.
Costume Institutes Ode to American Women
Costume Institutes Ode to American Women These appear as versions of the booties that we wear today….perhaps Louis Vuitton and Miu Miu.

NEW YORK — From a visual of Washington Square Arch framing the entrance to Lenny Kravitz’s “American Song” serving as the soundtrack to the finale photo and video installation of America’s female icons then and now, the Costume Institute’s “American Woman: Fashioning a National Identity” exhibit feels like a journey through this country’s past through the fashion lens.

In a series of atmospheric oval and circular rooms, the Metropolitan Museum of Art brings to life the different stages of the American female identity, from “The Heiress” in a room inspired by Mrs. Astor’s Newport mansion and garments by Charles Frederick Worth, to “The Gibson Girl” exploring sports in all seasons, and “The Bohemian,” who seems right at home in environs inspired by the Tiffany Studios.

The exhibit strikes a political note in a gallery devoted to “Suffragists” and “Patriots” with actual footage of the movement marches and banners from the era, which is followed by “The Flapper,” which represents the sexual and economic emancipation of women in a skyscraper backdrop loosely inspired by Tamara de Lempicka’s Art Deco paintings, according to curator Andrew Bolton.

Perhaps the most quintessential symbol of America to the world could well be the “Screen Siren.” It features mannequins in glamorous gowns set against screens showing scenes from famous Thirties movies, and including Hollywood icons such as Marlene Dietrich, Greta Garbo, Jean Harlow, Joan Crawford and Rita Hayworth.

(WWD)

_____________________________________________________________________________

LINK LOVE:Costume Institute’s Ode to American Women

_____________________________________________________________________________

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BACKSTAGE, Mens, SCENTS / May 3 2010 4:58 AM

My Life: A New Fragrance from Mary J. Blige

Edited by

My Life: A New Fragrance from Mary J. Blige

My Life: A New Fragrance from Mary J. Blige

Over the decades, much has been made of what is in a fragrance bottle — hope or science? For Mary J. Blige, it’s transformation.

“I wanted my fragrance to be something special for my female fans,” said Blige of her new fragrance with Carol’s Daughter, My Life, named for her landmark 1994 recording of the same name. The album represented a major turning point in Blige’s life and by using it as a reference, she is attempting to encapsulate her decadelong transformation and triumph.

While the My Life scent may be meant to represent everyday life, Blige and Carol’s Daughter are breaking the bonds of traditional prestige fragrance retailing by choosing to launch My Life solely on HSN on July 31. Blige is an investor in Carol’s Daughter, which also is a break with industry practice.

Blige, who worked with Firmenich to create the scent, concedes fragrance development was new to her, but she did have a secret weapon: Pamela Baxter, president and chief executive officer of LVMH Perfumes & Cosmetics North America. Blige’s husband and manager, Kendu Isaacs, has an uncle who is married to Baxter, who Blige affectionately calls Aunt Pam.

“We’ve been family for years,” Blige said, before adding about developing a fragrance, “I’ve never done it, but it was so much fun because I have a keen sense of smell. I knew exactly what I wanted and would ask for an incense smell, a musk smell, a wood smell. I also wanted florals, but edgy florals. Every day they would bring me blotters to test — after a while, everything started to smell the same, so I had to pull back.”

Once she got the juice to an early stage, Blige shared it with Baxter. “Aunt Pam came to our house for Christmas during that time, and I said, ‘Pam, I love it, but something’s causing me to hate it.’ What is that smell — there’s too much of it. And Pam said it was wood. I got on the phone right away and said ‘take the wood out!’” Blige said with a laugh.

Baxter noted that Blige is studious about every task she tackles. “She likes to know what she is talking about,” said Baxter. “She is not one to let anyone manage her life. She wants to learn everything from top to bottom.”

Despite the assist from Baxter, Steve Stoute, lead investor in and chairman of Carol’s Daughter, is quick to stress that Blige had free rein to create whatever she wanted to. “No one said to Mary, ‘this is what the industry likes, this is what will sell.’ It was completely Mary’s creation, and she went through six different iterations before it was perfect. And that way, it really has become her fragrance. The endorser becomes the author.”

The scent’s top notes are of gardenia petals, Bartlett pear and white freesia; the heart is of tuberose, blooming jasmine, gold lily and apricot flower, and the drydown is of cashmere woods, praline, sesame and incense. It will retail for $46 for 1.7 oz. and will be sold with a clutch purse.

While some high-profile names are fine with smelling a final scent and cashing a check, Blige isn’t one of them. “I have to be involved,” she said. “Because when your name is attached to something, and it’s not good, that’s your name. So I prefer a good name rather than vanity and riches.

“At the end of the day, it’s for me,” she continued. “So if I look ridiculous and not know what I’m talking about and not know what’s in my own fragrance, it doesn’t look good to people. When I was doing the [public service announcement for her charity, filmed earlier in the day on set] out there, I was saying education is power. That’s what I mean. It is powerful to sit here and talk to you and tell you I know what’s in my fragrance. I was there, putting it together.”

(WWD)

From what’s stated here, it sounds as though this is going to be one of those soft, floral fragrances. It contains two of my favorite elements, Jasmine and gardenia. I’m actually surprised that it’s has taken Mary so long to throw her hat into the ring with regard to fashion or another venture. She is well known for her chic and stylish fashion sense, and I personally thought that she would have developed a clothing line at some point.

I’m sure she didn’t want to just jump into to anything without the necessary research and processes. This very well could be the beginning of things to come, as she has cemented her place as a well loved artist, so I can imagine that the time is right for her to segue into something new. Being a lover of floral scents, I look forward to getting my hands on a bottle!

_____________________________________________________________________________

LINK LOVE:My Life: A New Fragrance from Mary J. Blige

_____________________________________________________________________________

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BACKSTAGE, Mens, SCENTS / May 3 2010 4:58 AM

My Life: A New Fragrance from Mary J. Blige

Edited by

My Life: A New Fragrance from Mary J. Blige

My Life: A New Fragrance from Mary J. Blige

Over the decades, much has been made of what is in a fragrance bottle — hope or science? For Mary J. Blige, it’s transformation.

“I wanted my fragrance to be something special for my female fans,” said Blige of her new fragrance with Carol’s Daughter, My Life, named for her landmark 1994 recording of the same name. The album represented a major turning point in Blige’s life and by using it as a reference, she is attempting to encapsulate her decadelong transformation and triumph.

While the My Life scent may be meant to represent everyday life, Blige and Carol’s Daughter are breaking the bonds of traditional prestige fragrance retailing by choosing to launch My Life solely on HSN on July 31. Blige is an investor in Carol’s Daughter, which also is a break with industry practice.

Blige, who worked with Firmenich to create the scent, concedes fragrance development was new to her, but she did have a secret weapon: Pamela Baxter, president and chief executive officer of LVMH Perfumes & Cosmetics North America. Blige’s husband and manager, Kendu Isaacs, has an uncle who is married to Baxter, who Blige affectionately calls Aunt Pam.

“We’ve been family for years,” Blige said, before adding about developing a fragrance, “I’ve never done it, but it was so much fun because I have a keen sense of smell. I knew exactly what I wanted and would ask for an incense smell, a musk smell, a wood smell. I also wanted florals, but edgy florals. Every day they would bring me blotters to test — after a while, everything started to smell the same, so I had to pull back.”

Once she got the juice to an early stage, Blige shared it with Baxter. “Aunt Pam came to our house for Christmas during that time, and I said, ‘Pam, I love it, but something’s causing me to hate it.’ What is that smell — there’s too much of it. And Pam said it was wood. I got on the phone right away and said ‘take the wood out!’” Blige said with a laugh.

Baxter noted that Blige is studious about every task she tackles. “She likes to know what she is talking about,” said Baxter. “She is not one to let anyone manage her life. She wants to learn everything from top to bottom.”

Despite the assist from Baxter, Steve Stoute, lead investor in and chairman of Carol’s Daughter, is quick to stress that Blige had free rein to create whatever she wanted to. “No one said to Mary, ‘this is what the industry likes, this is what will sell.’ It was completely Mary’s creation, and she went through six different iterations before it was perfect. And that way, it really has become her fragrance. The endorser becomes the author.”

The scent’s top notes are of gardenia petals, Bartlett pear and white freesia; the heart is of tuberose, blooming jasmine, gold lily and apricot flower, and the drydown is of cashmere woods, praline, sesame and incense. It will retail for $46 for 1.7 oz. and will be sold with a clutch purse.

While some high-profile names are fine with smelling a final scent and cashing a check, Blige isn’t one of them. “I have to be involved,” she said. “Because when your name is attached to something, and it’s not good, that’s your name. So I prefer a good name rather than vanity and riches.

“At the end of the day, it’s for me,” she continued. “So if I look ridiculous and not know what I’m talking about and not know what’s in my own fragrance, it doesn’t look good to people. When I was doing the [public service announcement for her charity, filmed earlier in the day on set] out there, I was saying education is power. That’s what I mean. It is powerful to sit here and talk to you and tell you I know what’s in my fragrance. I was there, putting it together.”

(WWD)

From what’s stated here, it sounds as though this is going to be one of those soft, floral fragrances. It contains two of my favorite elements, Jasmine and gardenia. I’m actually surprised that it’s has taken Mary so long to throw her hat into the ring with regard to fashion or another venture. She is well known for her chic and stylish fashion sense, and I personally thought that she would have developed a clothing line at some point.

I’m sure she didn’t want to just jump into to anything without the necessary research and processes. This very well could be the beginning of things to come, as she has cemented her place as a well loved artist, so I can imagine that the time is right for her to segue into something new. Being a lover of floral scents, I look forward to getting my hands on a bottle!

_____________________________________________________________________________

LINK LOVE:My Life: A New Fragrance from Mary J. Blige

_____________________________________________________________________________

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BACKSTAGE, Mens / May 3 2010 1:05 AM

Rupa ‘Air’ vests that feels light & fresh as air

Edited by


Rupa Air vests that feels light & fresh as airRupa & Co. Ltd., India’s largest hosiery manufacturer with a turnover of over Rs. 500 crores, brings another cutting-edge
innovation that will change the way men dress and feel within.

Rupa, the manufacturer of Frontline – India’s highest-selling brand of
vests – now introduces Rupa AIR. For the first time in India, a vest
that is made of 100% American Pima Cotton, one of the most exclusive and luxurious natural yarns in the world.

American Pima Cotton is
Extra Long Staple (ELS) cotton cultivated in Texas, USA. This
specially-bred fiber has finer texture and superior strength. Garments
made from American Pima Cotton are lightweight, having a silky finish,
and allow moisture and air to pass freely. Extremely wearer-friendly,
such garments let the skin breathe easily and keep it fresh all day.

Rupa, which has always been a leader in innovation and R & D, now
brings this wonderfully sumptuous and superior fabric to India. Mr.
Mukesh Agarwal, Director, Rupa & Co. Ltd., stated, “At Rupa, we
believe in constantly improving our quality and range. We are always
sourcing international-quality yarns to make world-class products.

“For us, the focus is always on the customer. All our efforts are
oriented towards giving the customer a never-before experience. Rupa
Air lives up to its name. For the first time in India, we have a range
of cotton inners that feel as light and fresh as air.”

Read More..

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LINK LOVE:Rupa ‘Air’ vests that feels light & fresh as air

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