From: Benjamin Kanarek Blog

With a touch of a ’60s feel in her Vidal Sassoon and Peggy Moffitt haircut, Amber Anderson Model and Actress is posing for Benjamin Kanarek in Harper’s BAZAAR en Español, May 2011 presenting the major Ready-to-Wear Fashion Trends of the Spring-Summer 2011 Collections. (You can also read more about Amber Anderson: here).

Sensational Graphic Prints of Stripes and Waves from Diane Von Furstenberg, Azzedine Alaïa, Moschino, Playful Polka Dots from Moschino and Marni Scuba and Cycling look, Titillating Tribal Prints from Etro to Cacharel that makes you want to dance all night long, Savory Solid and Block Colors from Jill Sander long tube line dress and Louis Vuitton jumpsuit, as well as an Abstract Illusion leather vacuum-packed dress from Maison Martin Margiela.

Take bold and brash risks this season in Mixing and Matching. “Melange” is the key in coming up with your own delightfully invigorating new look. Don’t be Afraid and Mix It Up!

Hipnosis Optica

The unique furniture pieces from Designers and Fine Artists featured at La Galerie Italienne in Paris, immerse us in a graphic, vitaminized color, contemporary shaped universe which defines the fashion ambiance of the Season.

The Behind the Scenes Video

Hipnosis Optica with Amber Anderson by Benjamin Kanarek in Harper’s BAZAAR en Español –  May 2011 issue

Watch the Behind the Scene’s Video

The Team

Photography and Co-Creative Direction by Benjamin Kanarek
Co-Creative Direction & Video Direction by Frédérique Renaut
Model: Amber Anderson @ Oui Management
Fashion Editor: Alexandra Elbim
Make Up by Angelik Iffennecker @ Marie-France Thavonekham
Hair by Sébastien le Corroller @ Airport
Manicure by Kamel @ B Agency
Digital Retouching by Freddy Baby, Paris

Assitants
Benjamin Kanarek’s Assistant: Timothée d’Arco
Alexandra Elbim’s Assistants: Marie Dehé
Angelik Iffennecker’s Assistant: Véronique Reina

Special Thanks to Thierry Bys for his help & support

Special Thanks to La Galerie Italienne

Soundtrack Credits

Stereophonics, Pedalpusher
N*E*R*D, Baby Doll
The Kills, I Call It Love

The fashion Industry was in uproar last week after John Galliano was dismissed as Creative Director from Christian Dior following numerous anti-Semitic allegations made against the designer. Galliano has denied all allegations made against him and claimed that he is of partial Jewish ancestry, although this has not been verified. The dismissal on 1^st March came immediately following the release of a video clip of the designer, who was unquestionably inebriated, stating, “I love Hitler”.

When I first heard the news and watched the video post that was made public over the World Wide Web, I was unsurprised by his behavior and by the reaction from Dior.

I was introduced to the designer after the 2009 Spring-Summer Haute Couture Dior show, in January 2009 and while he was polite, my lasting impressions of him were not favorable. I found him to have a thick and unattractive façade. It has long been known within the fashion industry that Galliano was prone to living a hedonistic lifestyle that resulted in drink and drug related addictions and although it seemed he had been clean for some time, there were rumors circulating that he had relapsed, partly due to the pressure of producing 12 collections a year. He was responsible for six collections for Dior, including the bi-annual Haute Couture, and six collections for his own label. Recent speculation that he had been increasingly less involved with the design process for Dior over the past few years was also starting to emerge.

Christian Dior is the largest holding company within LVMH (Louis Vuitton Moet Hennessy) the world’s leading luxury goods conglomerate. Billionaire financier, Bernard Arnault owns 48% of LVMH and in turn, the company, which creates billions of dollars in revenue every year, can easily afford to ensure video clips such as these never see the light of day. Yet, on this occasion, they chose not to.

The fact that Dior fired the designer so promptly, confirmed a personal prediction that the company had been looking for a way to let him go for some time due to repeated displays of inappropriate behavior. The leaked footage, which was not the first of its kind, was the final piece of evidence needed to terminate their chief designer without a pay off that would have been in the region of $25 million.

After all, Christian Dior was established as a couture house post World War II and was considered to represent a new beginning. Given this legacy, Galliano’s comments were as much anti-Dior as they were anti-Semitic.

While I accept that there are people in this world who, through lack of education or for their own reasons, are racially intolerant, Galliano’s words were inarguably appalling. However, given the encouragement from the amateur filmmaker, on this occasion, they may well have been for shock value. Galliano’s personality, like his work, is known for being theatrical and provocative. Even accepting this possibility, one can’t help but wonder what might have been behind his hateful comments. In the video, Galliano tells the woman, “You are ugly”. Since the designer does not possess model good looks himself, most viewers have inferred that his remarks were an attempt to cover his deep-rooted depression and insecurity.

More than the reason behind the tirade, I have been intrigued by the mixed reactions. Academy Award winning actress, Natalie Portman, who had an endorsement contract with Dior for its fragrance Miss Dior Chérie, made this statement, “I am deeply shocked and disgusted by the video of John Galliano’s comments. I hope at the very least, these terrible comments remind us to reflect upon these prejudices that are the opposite of all that is beautiful.”

Meanwhile, costume designer Patricia Field, defended Galliano’s tirade as being “misunderstood theatre.” While there are mixed opinions within the fashion elite, many insiders have refused to comment, other than to suggest, “It is a shame.” I was interested to pinpoint what precisely people felt was a shame. Is it the fact that he is no longer Creative Director of Dior? Or that he would make such remarks? A general consensus seemed to indicate that editors felt it was a shame this incident had tarred the fashion Industry while Karl Largerfeld stated, “It is a horrible image for fashion.”

While it clearly isn’t a positive reflection, I hardly feel that the general public looks upon the directors of the fashion world as saintly. For many outsiders, who have never met a designer in their life, the closest image they have to relate to, are the characters from ‘The Devil Wears Prada.’

Rather more, because of this attention, accounts of Galliano’s achievements have been highlighted in the media. Galliano’s design talents were noted at a young age, while he was still a student at Central Saint Martin’s College in London where he graduated with a first class honors degree. His first collection, inspired by the French Revolution, was bought by London boutique, Browns. Shortly after, he was able to start his own label. A few seasons later, he moved to Paris, where his talents were recognized by Anna Wintour and Andre Leon Talley. In 1995 he was appointed as the designer for Givenchy, also part of LVMH, and within two years, he replaced Gianfranco Ferre as the chief designer at Christian Dior. Many have cited his great attention to detail as playing a large factor in his success.

Galliano’s suspension came before he was able to complete work on the Dior Autumn/Winter 2011/2012 Collection. Consequently, the Paris Fashion Week show, held last Friday, was preceded by a formal announcement from Dior Chairman, Sidney Toledano, confirming the termination and apologizing on behalf of the company, for Galliano’s comments. Since the designer was not present, the final walk was taken by the Dior atelier, walking out to a standing ovation from the tearful audience.

Over the past few years, Dior has produced some incredible collections, notably in 2008 and 2009. Dresses that are timelessly chic and reminiscent of Dior’s famous New Look. This last collection could not have been more different. It was a tribute production, characteristically John Galliano, with the first model wearing a long cape and tall boots, looking distinctively like the designer himself. Could Galliano have known this would be his last collection for the label?

While I consider that a possibility, I do not share the view that many seem to have taken that this is the end of the road for him professionally. He has reportedly now checked into a rehabilitation facility in Phoenix, which will hopefully give him the opportunity to address his inner demons. This is exactly where he needs to be right now. Many in the fashion Industry may be fair weather friends, but there are equally as many who I am sure will be there to offer him the strength and encouragement that he so obviously needs.

While emotions are running high, many are speaking as if he has retired or worse, as if he has died. I would not be so quick to write him off. Audiences love a comeback and I have every faith that Galliano is capable of quite the encore.

As he faces trial from both Paris Police and from public opinion, reporters are already speculating as to who will take over as chief designer of Dior. One name being repeatedly mentioned is Riccardo Tisci, the current Creative Director at Givenchy. No doubt, this will be an extremely well considered decision. As it stands, LVMH stock has been strong for the past year and there has not been a noticeable decrease in value over the past week. If anything, stock value is more likely to be affected by the current rising price of oil than a changeover of staff. To put it succinctly, Dior was strong before Galliano and will continue to be, long after Galliano.

Post written by Kirsten Lea & Watch the Video’s Here

… and the Fanning takeover begins.

Taylor Momsen is living the rock’n'roll dream life: The 17-year-old Gossip Girl star’s new band, the Pretty Reckless, have just finished a successful run on the Vans Warped Tour and will drop their debut album, Light Me Up, later this year.

SPIN recently hooked up with Momsen in New York City to shoot photos for our September issue and talk about her rockin’ fashion style, the “bad experiences” she’s had, and why Rihanna annoys her.

“I’m Not a Role Model”—-

That’s what Momsen told SPIN over lunch in a New York City diner, after arriving dressed in thigh-high black nylons and itty-bitty jean shorts with her bleached-blonde hair cascading over skinny shoulders, a look she describes as “high-class hooker.”

“I dress for myself,” she says. “Clearly, it’s provocative, but it makes me feel good. And if the only reason it makes someone uncomfortable is because I’m 17, then that person’s a scumbag because it shouldn’t matter.”

What She’s Not—-

A “drug addict,” a “crazy fuckin’ psycho who’s gonna end up in the gutter next week,” or a rebel.

“I’m figuring out who I am and what I want to be doing,” she says.

A Provocateur—-

On the Pretty Reckless’ debut, Light Me Up, Momsen wails about getting damaged (the dive-bar anthem “My Medicine”), disrobing (the propulsive “Goin’ Down”) and fessing up to some “not-okay” urges (“Light Me Up”). Elsewhere, she sings, “I’ll let you in through the back door” on a song that could just be about a house party. Right?

“I’ve Had a Lot of Bad Experiences”—-

When asked about the basis for these suggestive lyrics, the otherwise chatty Momsen chooses her words carefully.

“I’m not really sure how to answer properly yet,” she admits. “I’ve had a lot of bad experiences, and whether that’s from sex or drugs or something else, they are adult experiences that would fuck anyone up.”

Rihanna Does Not “Rock”—-

Momsen is very protective of what she considers “rock,” a word she uses frequently.

“People think pop is rock, and the lines are getting blurred. Now Rihanna’s wearing fuckin’ leather jackets, and it’s really annoying.”

“Music Keeps Me Young”—-

“I was at a point where I was getting up and going to work, but I was drained,” she says. “Gossip Girl gave me a platform to make this happen faster, and I’m grateful, but if I’m not doing something that makes me happy, then I’m dying. Music keeps me young.”

She’s Not Just Another Actress-Gone-Singer—-

“I know nobody wants to like our music. Online, people said, ‘I really wanted to hate the EP but I like it.’ I hope things continue on that path. But I’ll be making more records whether people are listening to them or not.”

Light Me Up is out later this year. Watch her video for “Miss Nothing” below:

SOURCE 1

SOURCE 2

Taylor’s hooker heels thank you for your time.

LINK LOVE:Taylor Momsen describes herself as a high-class hooker.

The big celebrity news and gossip for today is that yesterday in LA, Judge Marsha Revel sentenced 24-year-old Lindsay Lohan to 90 days in jail to be followed by a 90-day alcohol rehab program after learning of compliance problems with her probation for a DUI arrest in 2007.

Lohan pleaded with the judge, saying, “I did do everything I was told to do and did the best I could to balance jobs and showing up. I was taking it seriously. I wasn’t expecting any special treatment.”

The judge, however, wasn’t hearing any of it, telling Lohan, “I couldn’t have been more clear about my orders. There are no excuses.” This latest celebrity gossip has the internet abuzz over whether the sentence was fair. Lohan is to report to jail July 20.

LINK LOVE:Lindsay Lohan Bound for Jail

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ge 29, Vidisha pavate: All time favourite!

Age 27, Dusky Diva Carole

Age 28 Pia Trivedi Oh so gorgeous Indian Model, Actress, VJ

Age 25, Garima Parnami Sexiest Indian Model

Age 19, Ashleysha Ashok Yesugade The Hottest and Most Beautiful Model

Age 21, Neha Dalvi Again most beautiful Indian Model

Riya Ray – Perfection

Heres the proof Indian women are the most beautiful women in the world.

LINK LOVE:Gorgeous Indian Women With International Appeal

Robin Wright Penn to me will always be Buttercup. You know, “Farm boy, polish my horse’s saddle” Buttercup, the Princess Bride, most beautiful girl in the world (or at least in the top 20, anyway). In Peter Lindbergh‘s portrait of the actress as she is now, she’s far from being that youthful beauty. But the still-striking figure, the character lines on her face, the world-wise expressions, make up an honest, candid portrait that – in its perfect naturalness – is so far from the over-airbrushed celebrity spreads we’ve come to expect.

Click on the image to see the full shoot

Entire Article: Read it by clicking Robin Wright: Buttercup no more.

Related Pictures (17 in total): See them by clicking Robin Wright: Vogue Italia June 2010 or read up on 2010 hair trends if you’re not keen on the pictures.

_{Click for more pictures}

Tags: Robin Wright,Robin Wright Penn,Vogue Italia,Peter Lindbergh

LINK LOVE:Robin Wright: Buttercup no more

LINK: Vanessa Hudgens: Planet Blue, Malibu

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