Comme des Garcons

The Comme des Garcons collection was an eerie take on the Spring season. The show was a casting for the murderous family in “The Strangers” sequel.

The fashion house has gone from haute couture to household name in a mere year, with help from a diverse range of celebrity faces including Naomi Campbell, Lady Gaga, and most recently, Kate Middleton.

The new head of the fashion house, Sarah Burton, has done an unabashedly good job of pairing McQueen’s unique whimsy with a shrewd business sense, and this new venture is sure to be a successful one.  Plus, FashionIndie would never pass up a possibility for turbans!

Link Love:

http://www.styleite.com/media/alexander-mcqueen-scarves/

And by terribly familiar, I mean it’s a knock-off of Chinatown proportions. The only noticeable differences are the length and the last minute substitution of phoenices (at least I think that’s the plural of phoenix) over peacocks.

According to costume designer, Jenny Temime, she chose the phoenix “because, like love, it is eternal.” Or, it was just easier to copy than one of those hippogriffs.

I will say this for the dress, however: Daniel Radcliffe looks really good as a bride. So glad he and that redhead finally got it together.

LINK LOVE: Refinery 29

The show started off with a Glee-themed fagtastic bang with Tina Fey, Jane Lynch, Jon Hamm and last living Golden Girl Betty White (some say she’s overexposed, but she’s 800 years old and could go any minute so I’ll take as much as I can, thank you) joining the Glee kids and Fallon for a cover of “Born to Run.” It was pretty much downhill from there, but it was a gentle and slow descent, made more comfortable by getting all the fun awards out early.

Proving that there is a god somewhere, Jane Lynch (woefully sans a pantsuit yet again) picked up the Emmy for Outstanding Supporting Actress in a Comedy. Eric Stonestreet won a well-deserved Outstanding Supporting Actor for Modern Family, which also went home with the Outstanding Comedy Series trophy at the end of the night.

Edie Falco won her fourth Emmy, this time for Lead Actress in a Comedy Series. A controversial choice, perhaps, but Carmine Soprano literally shits Emmys . I’m holding out hope for Amy Poehler next year, though, that is if Parks and Rec makes it that long. And some guy from some show on CBS I will continue to ignore, I mean, Jim Parsons won Lead Actor.

My frequent nemesis January Jones might have lost to Kyra Sedgwick for Outstanding Lead Actress in  a Drama, but she won best dressed in my book, wearing a gorgeous Atelier Versace gown. Though I wish she had done her hair in a chignon and left the messy bed head hair to Cammy Diaz.

Aaron Paul -- Wrap him up, I'll take him to go.

Bryan Cranston picked up his third consecutive Emmy for Lead Actor for Breaking Bad and his hottie of a co-star Aaron Paul won for Supporting. Newcomer Archie Panjabi took home Outstanding Supporting Actress for The Good Wife. Then Mad Men sauntered off with the Outstanding Drama Series for the third year in a row.

Newly-minted Emmy winner, NPH and wife

Though Betty White and Neil Patrick Harris won for their guest starring roles on SNL and Glee, respectively, their trophies were handed out at the Shmemmys earlier, thus robbing us of what would surely have been a hot and heavy make-out session everyone…?…the gays…?…okay, that I have been anticipating since the nominees were announced.

That was one of a few disappointments in an otherwise — dare I say it? — great show. The awards, for the most part, went to the right people and I got to scream at Brittany Murphy and Rue McClanahan one more time during the In Memoriam slideshow. The fashion at the Emmys, however, left a lot to be desired.

Kim Kardashian in Marchesa. Shock.

The big theme of the night was Greek/Egyptian, with a lot of one shoulders, goddess gowns and geometric necklines, heavy on the jewelry and metallics.

Rose Byrne going Grecian

The red carpet was a big snore, except for a few bright spots, such as Anna Paquin in Alexander McQueen and the aforementioned Betty Draper.

From what I’ve been reading, most people hate both of these looks, but that’s the price you pay for bringing high fashion to American TV sets.  There were, admittedly, some horrible missteps and yes I am looking at you Heidi Klum.

Hot tranny mess, working that tired drag for all its worth

The usually flawless supermodel and Emmy nominee (?) opted for a Marchesa mini. Meanwhile, if I never see another Marchesa gown on the red carpet I could die happy. The amazing Lauren Graham also faltered a bit in Yigal Azrouël, riding that damned Grecian theme straight into hell.

Is that bracelet bulletproof?

Lea Michele went overboard with the ruffles in Oscar de la Renta and her boobs always looked as if they were about to jump ship as well.

She should have taken a cue from co-star Dianna Argon who looked beautiful in  Carolina Herrera.

I would have liked the dress to be a little shorter, however, about mid-calf,  to play off a 50s silhouette. But, as the New Directions kids put it, you can’t always get what you want. Then again, at least Lea didn’t follow in the tranny footsteps of her other castmate, Naya Rivera, who apparently thought she was going to a quinceañera.

God bless her for trying.

I can’t wait to hear what Joan Rivers has to say about all this, but until then, what’s your opinion? Who looked stunning and who just looked stunned?

Vogue Paris pays tribute to the genius Alexander McQueen with this great “Erotica” spread featuring Lily Donaldson and styled by Carine Roitfield. I’m speechless!

Entire gallery on Envy

LINK LOVE: Fashion Gone Rogue

Alexander McQueen Moth on Pedder

Shot for accessories ezine Pedderzine, the editorial Supernatural mocks all National Geographic conventions by making the bugs part of haute couture with tongue n’cheek sassyness and leggyness!

More on Wicked Halo

Antonio Berardi Platform No Heel

Yves Saint Laurent Heel

Alexander McQueen Platforms

Thanks The Newbury Diaries! 

ASOS Tiered Ruffle Dress: £45 or about $70 (Available at Asos.com)

Firetrap Body Con Dress: £55 or about $85 (Available at Asos.com)

Quontum Bow Halter Dress: £65 or about $100 (Available at Asos.com)

Kookai Cornelli Embellished Dress: £75 or about $115 (Available at Asos.com)

French Connection Full Skirted Prom Dress: £120 or about $185 (Available at Asos.com)

Filippa K Black Boob Zip Up Dress: $399 (Available at Ssense.com)

Designers Remix Prettystar Black Bubble Dress: $427 (Available at Ssense.com)

Mint Jodi Arnold $475 (Availabe at Net-a-porter.com)

Valentino Red Mock Neck Tie Back Dress: $550 (Available at Ssense.com)

Alexander McQueen Piped Trim Dress: $2,130 (Available at Net-a-porter.com)

Visit Asos, Ssense and Net-a-Porter today! 

This month’s issue of UK Vogue not only features that amazing Roald Dahl shoot, it also features an avant garde tribute by Nick Knight. Entitled ‘Unbelievable Fashion’ this editorial goes through the most mind blowing garments of the last years. Viktor & Rolf, Issey Miyake, Thierry Mugler, Galliano and Alexander McQueen are just a few of the names whose frocks make an appearance.

Thanks Wicked Halo

Hats aren’t just for costumes, to keep your ears warm or to block out the sun anymore! Thanks to designers like Marc Jacobs and Alexander McQueen, hats have made a major comeback, not only on the runways, but on celebrity heads and in the fashion world in general. Granville Millinery has given hats a total 360…from accessories to essentials. With dramatic head toppers like these, you now have a reason to go out and buy an outfit to match you hat! 

Merci Beaucoup NYLON!

Thanks Vogue and Net-a-Porter!

Here are the upcoming Spring collections from the big names in fashion.
Thanks to The Fashionisto for the images

Balenciaga

Judging by the latest spring/summer collections, the fashion industry has taken a deliberately ugly turn. Dowdy or even monstrous silhouettes, discordant combinations of fabrics and colors along with unsightly hair and makeup ruled the runway, while show-goers frequently hid behind oversized glasses in a mock-display of concealment.

Fendi

An abundance of looks featured odd shapes, such as Hussein Chalayan’s fierce molded latex spikes and Alexander McQueen’s skirts with colossal hips and body suits set off by sharp winged shoulders. Many collections also featured grossly oversized garb—a bulky, rigid white dress at Calvin Klein draped over the model as naturally as a cardboard box, a bulbous top at Fendi shifted stiffly from side to side with the model’s steps and a model swimming in a huge top and cuffed capris at Isaac Mizrahi resembled a little girl dressing up in her mother’s clothes.

Hussein Chalayan

Alexander McQueen

Jumbling together unexpected materials was another trend: Junya Watanabe layered rich African-print skirts over baggy cuffed jeans; Gaultier mixed things up by showing a body suit worn on top of a pair of pants; and Christopher Kane had a garish, transparent pumpkin-orange dress trimmed in black fur. Some styles were more sinister in their hideousness. The unsettling, aggressive silhouettes at Comme des Garàons featured cutouts that revealed a misshapen, unattractive portion of the model’s stomach. Maison Martin Margiela’s spectacular and spooky collection featured decidedly unsexy nude-and-white body suits, and disturbing looks such as models bound in ribbons of fabric, their faces concealed by stockings or a cascade of hair.

Commes des Garcons

Calvin Klein

The unsightly trend even extended to accessories and beauty. Gaultier featured a fur stole, complete with all four legs, while Rick Owens had his models’ feet wrapped in trash bag like leather fabrics. Behnaz Sarafpour and Balenciaga showed models who looked like they hadn’t slept in days, their eyes rimmed in shiny brown shadow. At Fendi, runway mane had been teased into spikes, and a rats nest was the hairstyle of choice at Alberta Ferretti.

Christopher Kane

Rick Owens

This ugly aesthetic is also reflected in everyday society. Too—chipped nails are being flaunted on the streets of Manhattan as well as the fingertips of celebrities, while dentists report that patients are requesting their veneers appear less-than-flawless (adding a rounded corner or slight rotation of a tooth here and there, gradating their shade instead of making them snow white). More women are also opting to go sans makeup, wearing baggy tops or pants that disguise rather than show-off their shape.

It doesn’t take more than an awkward smile from Ugly Betty to prove that perfection is pretty boring in its stagnant singularity. The real intrigue sets in when you let yourself branch out from the paragon and explore more multifaceted possibilities. Even if the look isn’t “pretty,” it grabs attention and penetrates the surface—you can’t just glide blissfully by.

Written by Molly Triffin of JC Report

What do you think indies, has fashion gone UGLY?

Louis Vuitton: The Bags, The Shoes, The Jewelry

Louis Vuitton: The Arm Jewerly, The Feathered Garments

Stella McCartney: The Dresses

John Galliano: The Hair, The Makeup

Chanel: The Jewelry

Alexander McQueen: The Hair, The Silhouettes

Christophe Decarnin: The Metallics

Alexander McQueen‘s Fall 2008 ad campaign (his first since 2003). The campaign, shot by Craig McDean in New York and styled by Tabitha Simmons, features Alice McGibb as gothic bird, tangled among the sticks of a giant bird nest.

Thanks Fashionologie