"Work It Out" (2002) Beyoncé's love for the 70s and giant hair was evident from her first single and video as a solo artist. Channeling her Foxy Cleopatra character from that Citizen Kane of shitty sequels, Austin Powers in Goldmember, Bey sported a sequined shift and her never-again-seen afro.

"Crazy in Love" (2003) Bey announced her arrival to superstardom with "Crazy in Love"'s thunderous horns and her birth as a fashion icon with a series of outfits -- such as the always appropriate fur coat and a bikini -- as well as some serious posing.

"Me, Myself and I" (2004) Could always use more Bey in a bob.

"Naughty Girl" (2004) The song itself features an interpolation of Donna Summer's "Love to Love You Baby" and combined with a very Diana-esque fur shawl and a little nod to Bob Fosse's choreography -- something she would mine time and time again -- Beyoncé was getting in touch with her inner Studio 54 ...by way of the Harlem Renaissance.

"Upgrade U" (2007) While talking a mean fashion game, Bey dons an even meaner braid.

"Kitty Kat" (2007) Though the video for "Kitty Kat" was only a minute long and served really as an intro to "Green Light," how the hell can we not talk about this makeup? Following the theme of the song, Beyoncé also wears a leopard-print catsuit. It's called commitment.

"Get Me Bodied" (2007) An homage to Bob Fosse's Sweet Charity, Bey sports another memorable pony and is joined by former Destiny's Children Michelle Williams and Kelly Rowland -- and -- beginning to step out of her sister's ginormous shadow -- Solange as they enter a party the only way acceptable: like a bunch of drag queens.

"Single Ladies (Put a Ring on It" (2008) The leotard worn 'round the world. Who knew such a simple concept would be the watershed moment in Beyoncé's career? Inspired once again by Fosse -- this time "Mexican Breakfast" -- but with the added touch of a Lorraine Schwartz robotic titanium glove. If Gwen Verdon had had that...let's just say Liza wouldn't be alive today.

"Diva" (2008) Just in case there were any lingering doubts, Beyoncé is a fucking diva. But for anyone questioning her female hustler status, Bey pulled some diva antics like blowing up a car of mannequins and wearing the hell out of some Gareth Pugh and vintage Thierry Mugler. Sasha Fierce was not playing around.

"Video Phone" (2009) By this point in her career, Bey had really stepped up her sartorial game, eschewing mom Tina Knowles' House of Dereon creations for haute couture. And I think we all know fellow pop queen Lady Gaga may have had a little something to do with that. The two paired up for "Video Phone" then got all Thelma & Louise for Gaga's similarly-titled "Telephone."

"Why Don't You Love Me" (2010) Betty Page met Betty Draper in the martini-swilling, chain-smoking, mascara-running incarnation of B.B. Homemaker. Foxy Cleopatra she certainly is not. Shazam!

"Run the World (Girls)" (2011) Beyoncé's style evolution pretty much peaked when she decided to wear Givenchy Haute Couture while brandishing two jackals on a leash. You don't go up from there, I'm sorry. Alexander McQueen dress and thigh-high boots, a Giuseppe Zanotti harness, an incredible disco-ball of a Gareth Pugh dress and heels, a Jean Paul Gaultier couture gown, an Emilio Pucci dress. In Beyonce's post-Apocalyptic world, haute couture is the only armor you'll need.

Diana Ross and the girls were impeccable. They are The Beatles of the girl group realm. Simply, and sparkly, the greatest.

Sluts. All of them. Even the ginger, in the palazzo pants. Dolls, go get dressed.

The Spice Girls inspired a generation of little girls to buy blue plastic skirts and platform sneakers. And it was GOOD! With each their own personality, we learned that an athlete and a diva can be bff, and that leopard print is wildly acceptable. Girl power.

Never ever have I ever seen such snoozy outfits. Jeans. T-shirts. Come on. If you want to be pop stars, dress like it! One hit wonder... then we saw them.

Yes, ladies, we're calling this a best. Pants that could fit a family of four were everything, EVERYTHING then. This look may make you feel unpretty right now, but it was THE height of cool.

These girls. From spelling all of their song titles wrong, that one on the left looking like a hot self-tanned train-wreck, haters, they gon' hate.

Here I go, here I go, here I go again, girls what's my weakness? Leather jackets and chains.

Say you will, say you won't, say you'll never wear that again. The music bopped, but looks were atrocious. C'est La Vie

Thanks to Beyoncé's mama Tina Knowles who made their matching outfits in the early years, B, Kelly and Michelle always had their toes powerfully on the line between classy and scandalous. We say, yeah yeah yeah yeah.

1. Madonna - Blond Ambition Tour (1990) Always lauded, and at times harshly criticized, for her chameleon-like reinventions, she is nevertheless the artist who most brilliantly illustrates -- and has done the most to encourage -- the symbiotic relationship between music and fashion. Madge reached her sartorial high point during her wildly successful Blond Ambition Tour, featuring costumes by Jean Paul Gaultier who designed the now legendary cone bra.

2. Michael Jackson - "Beat It" music video (1983) Perhaps the most iconic single article of clothing in pop music history, MJ's red leather jacket was a cultural watershed moment because it became almost synonymous with Thriller, i.e. the biggest album of all time. The ankle-baring trousers -- a nod to Fred Astaire -- white socks and black shoes were also trademarks of the 80s and still loom large over the singer's incredible legacy.

3. The Beatles - The  Ed Sullivan Show (1964) When the Beatles invaded America, they brought along with them enduring and generation-defining trends such as the Beatle boot, collarless suits and the mop top -- not to mention hysteria the likes of which Justin Bieber could only dream.

4. David Bowie - Ziggy Stardust Tour (1973-74) Without Ziggy, Elton John would never have discovered his love of feathered headdresses, LaBelle wouldn't have strutted around New Orleans in their silver lamé and simply put, there would be no Lady Gaga. A high-concept album with a high-concept look, David Bowie introduced androgyny to the pop culture masses, and decades later his seminal faux rocker is still a fashion favorite.

5. Diana Ross and the Supremes - "Come See About Me" on The Ed Sullivan Show (1964) Three black girls from Detroit became the epitome of style, grace, beauty and glamor in the midst of social upheaval and racial injustice. Oprah said it best (as she does with everything): it was life-changing.

6. Ramones - Ramones (1976) While the Beatles inspired bands to dress up, the Ramones' relaxed, almost comalike coolness influenced other bands to keep it simple -- years later their pared down style still feels like quintessential New York. Especially with all the hipsters dragging their Converses, skinny jeans and leather jackets around.

7. George Michael - "Freedom! '90" video (1990) George Michael's identity crisis led to the zenith of the supermodel explosion. Cindy Crawford, Naomi Campbell, Linda Evangelista, Christy Turlington and Tatjana Patitz took the place of the singer -- reluctant to appear in his own video -- and  lip-synched their way to iconic status in the clip directed by future friend of Facebook, David Fincher.

8. Nirvana -  "Smells Like Teen Spirit" music video (1991) Marc Jacobs' landmark Grunge collection for Perry Ellis in 1992 may have led to his dismissal, but it also cemented the enormous cultural impact Kurt Cobain and Nirvana had inadvertently etched out for themselves thanks to the success of "Smells Like Teen Spirit." Till this day the sight of plaid inspires those famous first notes and the image of zombie cheerleaders dancing through my head.

9. Run-D.M.C. - "My Adidas" (1986) Hip hop has long been obsessed with fashion and material goods, but we wouldn't have Kanye "The Louis Vuitton Don" West rapping about haute couture if we didn't have Run D.M.C. extolling the virtues of their shell tops.

10. Lady Gaga - "Bad Romance" music video (2010) Gaga went from popstar to phenomenon on the heels of her Alexander McQueen armadillo shoes. The video stands as an homage not only to McQueen and his legacy, but to the woman most responsible for Gaga's amazing aptitude for reinvention: Madonna. And she's been paying homage ever since.

What a feeling Whit's having as she sports the off-the-shoulder Flashdance look.

Whitney began her affair with hair crimping and accessorized it with a quintessentially 80s accessory, the hair bow.

America's then-sweetheart glammed it up to brag about how much she loved herself.

The hair crimping was taken to new heights -- all the way to the sky. And can we talk about this stunning makeup story and matching earrings?

Whitney payed homage to fashion icons Marlene Dietrich, Diana Ross and Audrey Hepburn as she danced her way through Harlem Renaissance, Motown and Funny Face.

The shoulders make a triumphant return, this time jazzed up by some well-placed rhinestones.

A lesser-known Houston hit, Whitney donned a blond wig in an ode to Alfred Hitchcock's Vertigo.

It may look like she's wearing a beaded curtain on her head, but it was only after she was forced to close one more door.

Before Beyoncé was putting rings on things and Lady Gaga rolling around with paparazzi, Whitney was rocking Thierry Mugler.

Who says you can't wear a fur coat on the beach? When you're a diva, you can wear whatever the hell you want wherever the hell you want. It's part of the job.

Hands down my favorite Houston hairstyle, Whitney's smart and sassy flip was perfect for the dominatrix look she's shutting down.

Rachel Zoe's fingerprints are all over Whitney's final video, from the fur jacket Whitney rocks in the beginning to the silver sequined gown she stomps away in at the end. A fitting and fitted finale.

Photo: Los Angeles Times

Hudson’s emotional performance was one of several poignant moments during the telecast, including Alicia Keys and Bonnie Raitt paying tribute to the late Etta James and Amy Winehouse‘s parents accepting their daughter’s trophy with Tony Bennett for their duet, “Body and Soul.”

While Adele had to hitch a U-Haul to her limo to take home her six trophies, the Foo Fighters walked away with five including Best Rock Album for Wasting Light while Kanye West won four, including Best Rap Album for My Beautiful Dark Twisted Fantasy and Best Rap Song for “All of the Lights.”

Last but certainly not least, one Ms. Diana Ross was honored with a Lifetime Achievement Award, her first Grammy after 800 years in the business. The supreme diva took to the stage in a cloud of hair at the end of the night to present Adele with her Album of the Year award. And while the show featured countless moments that would best be forgotten — I’m looking at you Katy Perry and Taylor Swift — the symbolic passing of the torch from Whitney to Jennifer and Ms. Ross to Adele made this a night to remember.

Check out the full list of winners here.

- “You think gay people love Gaga? You should hear when a Robyn song comes on at a gay bar. Then it is fucking over.” Truer words have never been spoken. I’ve burned down several dancefloors to “Dancing On My Own” and have been practicing my backwards roll for “Call Your Girlfriend.” These and other alleged truths, courtesy of “The Secrets Gay Men Don’t Want Straight People to Know.” [Gawker]

- Fellow Greendale fans, rejoice! Community is returning after all. However, a fourth season is still up in the air. Because god knows we need more Whitney in our lives. [E!]

- Justin Bieber got a tattoo of his lord and savior Jesus Christ on his calf. Shortly after getting inked, the Biebs downed a 40, smashed it on the sidewalk, hopped in his low-rider and got high in the parking lot of a Taco Bell with his other cholo buds. [Huff Po]

- Catherine, Duchess of Cambridge, née Kate Middleton may be having an 80s-themed 30th birthday party. Meaning Will can once again bust out his sweet dance moves to the delight of sassy black girls everywhere. [The Cut]

- Absolutely Fabulous finally returns this Sunday on the BBC. Get excited, Sweetie Dahling. [Vogue]

- Brad Goreski and Rachel Zoe still aren’t on great terms it seems, despite Brad’s olive branch to the Baby Skyler. Zoe made it perfectly clear, via a retweet that has since disappeared (so SUPER perfectly clear) that she wants It’s a Brad, Brad World to fall on its bespectacled face. [WWD]

- In addition to all things crotchless, American Apparel is now specializing in vintage scarves, including Yves Saint Laurent, Calvin Klein and Kenzo. [Racked]

- And why not shouldn’t AA class it up a bit? According to CEO/repeat sex offender Dov Charney, American’s getting “its groove back.” thanks to a recent influx of  consumer dollars. [Fashionista]

- Bridesmaids is snatching up trophies and nominations left and right, and while it seem ripe for a sequel, star and writer Kristen Wiig is not interested. But a sequel might happen, nonetheless, focusing on breakout star Melissa McCarthy‘s brash and ballsy character. Two words of advice: Evan Almighty. [NYT]

PETA has these snarky comments for their Grinches:

“Filmmaker and former visionary Cameron Crowe went retro in the wrong way for his new flick, We Bought a Zoo, which relied on the performing-animal industry—in which the “actors” are routinely neglected and even abused—instead of using state-of-the-art computer imaging. Exploiting live animals to tell a story about saving animals? At least Elizabethtown won’t go down as his worst creative flop.”

“Some have speculated that Kim Kardashian’s wedding to NBA forward Kris Humphries was fake. Too bad the socialite princess doesn’t have the same enthusiasm for faking her fur. Unlike her sweet sister Khloe, who starred in her own PETA anti-fur ad, Kim just can’t seem to divorce herself from fur and say ‘I do’ to a kind and kompassionate wardrobe.”

“When Janet Jackson had her infamous “wardrobe malfunction” during the Super Bowl, at least the flesh that popped into view was her own—unlike the stolen animal skins that she drapes herself with, which are as dead as her taste in fashion (not to mention her career). Ms. Jackson, you’re just plain nasty.”

PETA’s outrage over Janet stems from her Blackglama‘s “What Becomes a Legend Most?” campaign, which has featured a host of other legendary ladies including Diana Ross, Audrey Hepburn, Lucille Ball, Lena Horne, Barbra Streisand, Judy Garland, Elizabeth Taylor and Bette Davis. Now I can abide by ridiculing Kim Kardashian. In fact, I even fully support it. As for Cameron Crowe, so sue the guy for wanting to use real animals — that’s not to say they weren’t treated humanely on set. Plus, how bad could he possibly be? He did Almost Famous (and almost convinced the world Kate Hudson could act).

But you don’t just go around insulting divas like that. Sure she may have flashed a few hundred million people. Sure she hasn’t had a hit in god knows how long. Sure, she’s been relegated to starring in Tyler Perry movies and Nutrisystem commercials. But what about the good times? What about the parade of hits and classics over the past 25 years? And more importantly, what about her hot billionaire boyfriend who probably keeps her up to her wigs in all the stolen animal skins she wants?

It’s time someone stood up to people like PETA, which makes me proud to announce the formation of my new charity, PETD (pronounced: petted) — People for the Ethical Treatment of Divas. Divas are not ours to eat, wear, or experiment on — just to use for entertainment and in drag shows.

- Among the other Grammy honorees is the late Steve Jobs who will be posthumously awarded one of the Special Merit Awards. [E!]

- A brief history of glitter: from Neanderthals to World War II and Haitian voodoo. [Etsy on Vimeo]

- Details on Madonna’s Truth or Dare line have come flooding, including news that Madge will be recycling photos from a 2010 shoot with Mert and Marcus for Interview Magazine for the ad campaign. And the commercials will feature her classic 80s ballad, “Lazy for You.” [Madonnarama]

- Prince William and wife Catherine, Duchess of Cambridge may be of royal stock, but that don’t mean they don’t like to put it down on the dancefloor. At a charity event, Will ran into a sassy black girl — who probably said something along these lines — and the result was this priceless moment of shoulder-dusting. Kate lovingly looks on as if to say, “Oh, Will, you’re so hood in your comtempo-casual sweater and mom jeans.” Meanwhile the Prince should use this angle for every photo op from here on out. We haven’t been this attracted to him in ages. [Styleite]

-  London Fashion Week, known for gently nurturing young, emerging designers, apparently didn’t feel like breaking in a new class of Fashion East-sponsored designers and are re-using the same up-and-comers from last LFW. [Elle UK]

- The Kardashians have been accused of selling and endorsing products manufactured in Chinese sweatshops using child labor, an allegation that caught the klan unawares. Kim and co. claim that they are taking the accusations “very seriously,” but the head of China’s foremost human rights organization thinks they’re just a bunch of greedy liars. ”If they [the Kardashians] don’t stop endorsing these products or do anything to improve the conditions in the factories,” said Li Qiang, executive director of China Labor Watch, ”they are sending a message to the public saying, ‘We will do anything to make money.’” I think they sent that message a while ago. [Radar]

LONDON, ENGLAND - DECEMBER 21: Prince William, Duke of Cambridge (L) dances with Vanessa Boateng (C) as his wife Catherine, Duchess of Cambridge (R) looks on during a reception at Centrepoint's Camberwell Foyer on December 21, 2011 in London, England. The national charity, Centrepoint, provides housing and support to improve the lives of homeless young people aged 16-25. (Photo by Ben Stansall-WPA Pool/Getty Images)

1. Paris Is Burning (1990) Set amidst the backdrop of 80s New York ball culture, Paris Is Burning is an exploration of beauty, race, sexuality, capitalism and the American Dream, all wrapped up in a dragtastic homage to the transformative powers of fashion. Also, where do you think Madonna learned to Vogue? See Also: To Wong Foo -- Thanks for Everything! Julie Newmar (1994) Drag queens, yes; acute social commentary, not so much...but how can you argue with this? Oh, that's right, you can't.

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2. The September Issue (2009) Step inside the hallowed halls of the fashion Bible that is U.S. Vogue. We get a rare glimpse of the woman behind the bob and Chanel sunglasses, as Anna Wintour admits with a palpable hint of regret that the distinguished members of her family think what she does is "quite funny." But it's Grace Coddington's bleeding artistic heart that stays with you throughout. See Also: Bill Cunningham New York (2010) Bill Cunningham, legendary streetstyle photographer for the New York Times has a Puritanical simplicity to his life but a couturier's eye for trends and detail that is documented in this tender portrait, featuring the likes of Wintour, Carmen Dell'Orefice, Anna Piaggi and Michael Kors.

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3. Breakfast at Tiffany's (1961) Though not necessarily a film about fashion, Breakfast at Tiffany's is the quintessential fashion film. Audrey Hepburn as Holly Golightly continues to teach and inspire girls and certain boys everywhere on how to be chic, how to be urbane and how to live fabulously in New York -- or at least how to pretend. And there has never been a more iconic Little Black Dress ever put on screen. See Also: Darling (1965) Darling's Diana Scott is the British, unapologetically wanton version of Holly Golightly. A morally-suspect fashion model who sleeps her way to the top, Diana still manages to come off as a naïve and sympathetic character -- despite exhibiting behavior to the contrary -- thanks to Julie Christie's Oscar-winning portrayal.

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4. Unzipped (1995) Sure, there are other backstage, behind the curtain, beneath the bustle documentaries of fashion designers, but none are as stylish as Isaac Mizrahi's Unzipped. When Isaac was the new, young It designer on the block; when Naomi, Cindy, Christy and Linda ruled the catwalks; when Eartha Kitt was still alive and purring -- Unzipped documents the height of 90s fashion, right before the balloon went bust. See Also: Valentino: The Last Emperor (2008) Whereas Unzipped follows a designer in the earlier stages of his career, The Last Emperor observes a master -- Valentino Garavani -- as he takes his final bow with his partner of 50 years by his side, Giancarlo Giammetti.

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5. Funny Face (1957) Audrey Hepburn makes a return to the list, but this time she is the unlikely model Jo Stockton, a bookworm with an unconventional look that inspires love in photographer Dick Avery, played by Fred Astaire. A fantastic set of photoshoots and gowns by Hubert de Givenchy are the main attractions, but Kay Thompson as salty editrix Maggie Prescott could give Miranda Priestly a run for her money. See Also: The Women (1939) Though Funny Face features a climactic runway show, The Women spared no expense in shooting its nearly 10-minute fashion show in color, despite the entire film being in black and white. Do not mistake this classic with that awful remake Diane English regurgitated a few years ago.

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6. Mahogany (1975) Arguably Diana Ross's greatest cinematic achievement -- if only for this -- Mahogany chronicles the rise of supermodel Mahogany from the slums of Chicago to the runways of Paris and finally to international acclaim as a designer in her own right, only to give it all up for the man she loves...a move Ms. Ross would openly spit upon, but which she plays with considerable believability. See Also: Gia (1998) While Mahogany is a fictional supermodel who dabbles on the dark side, Gia Carangi was the real thing whose excesses eventually got the best of her. The film is best remembered, however, for launching Angelina Jolie to stardom, thus ensuring Jennifer Aniston's lifelong ire.

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7. Clueless (1995) What can one say about Clueless? The perfect teen movie, it's infinitely quotable -- "You're just a virgin...who can't...DROIVE." -- and is there a character with as enviable a closet as Cher Horowitz? Bonus points for first introducing me and perhaps a majority of the world to Azzedine Alaïa. See Also: The 2nd Season of Gossip Girl (2008-2009) With the possible exception of Mean Girls, there hasn't come along a teen movie as smart or as witty as Clueless. But in terms of style, the second season of Gossip Girl rose to the challenge, making fashion icons of Blair Waldorf and Serena Vanderwoodsen, as well as their real-life counterparts, Leighton Meester and Blake Lively.

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8. Blow-Up (1966) Michelangelo Antonioni captures the mod mood of 60s Swinging London as a hedonistic fashion photographer -- played by David Hemmings -- tries to figure out whether or not he accidentally snapped a murder. In the film's most famous scene, 6'1 supermodel Veruschka writhes around the set of a photoshoot as Hemmings makes love to her with his camera. See Also: La Dolce Vita (1960) If Blow-Up swings, La Dolce Vita sways. Federico Fellini's romantic portrait of Rome is as sleek and stylish as protagonist Marcello Rubini's suits.

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9. The Devil Wears Prada (2006) It's a matter of public record that Lauren Weisberger's roman à clef was based on Anna Wintour -- who famously wore Prada to the film's opening -- but what the film accomplishes (okay, let's be real, what Meryl Streep accomplishes) is creating not only one of the greatest villains, but also one of the greatest fashion icons, in modern cinema. See Also: Sex and the City: The Movie (2008) A completely unnecessary production and by the loosest definitions an actual "movie," Sex and the City also benefited from Pat Field's brilliant styling. But unlike The Devil Wears Prada, there was no Oscar nomination for attiring Carrie and Co.

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10.Zoolander (2001) Everything benefits from a parody -- rather, everything benefits from a good parody, Though Zoolander is far from perfect, it's a fun and funny romp through fashion's ridiculous playground; complete with walk-offs, an evil Galliano-esque designer in Jacobim Mugatu and the introduction of Blue Steel into the cultural lexicon. And lucky for us, there's a sequel in the works thus righting everything with the world. See Also: Brüno (2009) Taking off where Ben Stiller catwalked off, Sacha Baron Cohen's flamboyant character traipsed through America, spreading his questionably fashionable and gratuitously gay, booty-shorted self from sea to shining seaman.

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And what would a dramatic weight-loss story be without a cover of Us Weekly? Bam! And what would a comeback be without an inspiring song to shove down people’s throats (and just in time for the holidays, whaddya know?)

Boom! Mimi’s recorded a new track, “Make It Happen,” not to be confused with her old “Make It Happen,” which I still dust off and jam to when the occasion strikes me. The new “MIT” will appear in Mariah’s new Jenny ads, since she’s signed on as their latest spokesman.

Congrats, Mariah! Now, you can focus on mounting a proper comeback to support your family because I think we all know Nick Cannon‘s paper route isn’t going to pay the bills. [iVillage]

Meanwhile, Brad Goreski of The Rachel Zoe Project fame and Tracee Ellis Ross of Girlfriends and Diana Ross‘ daughter fame will co-host this year’s Fashion Forward, held at the Metropolitan Pavillion on November 17th from 7-10 pm. The evening will consist of a cocktail reception (as if there’s any other kind of reception), an auction and of course what fashion event would be complete without a runway show? Tickets are available for purchase here.  [WWD, GMHC]

Draped in a dark palette of mostly blacks and navy blues with the occasional neon hair statement, Klein is channeling a little film noir by way of Alfred Hitchcock — Vertigo especially comes to mind…for obvious reasons.

CHT167969 Maxim's, c.1901 (pen & ink and w/c on paper) by Sem (Georges Goursat) (1863-1934) pen and ink and watercolour on paper Bibliotheque des Arts Decoratifs, Paris, France Archives Charmet French, out of copyright

Photo: Milk Studios

In addition to his own brand, NICOLA’S will showcase 12 young designers from China, “cool stuff from Japan,” Uniqlo, a performance space as well as creations he’s done for Mugler and go-to muse Lady Gaga. NICOLA’S will be open from September 8-21 at 57 Walker St in Tribeca.

Meanwhile, Formichetti also describes his vision for Mugler:

I want Mugler to become a digital global brand. I want to create a new kind of fashion brand, a new way of looking at fashion and take a step into digital communication. A kind of brand that hasn’t been seen before, something new for our next generation. 

The future of fashion:

For me, the digital approach is very important, it’s the future. But we should not forget about our reality, the physical world. We always need to embrace new things, but never be dependent on them. There will be fashion magazines on paper and on-line. The fashion industry as a whole will shift towards digitalism too. I don’t really know how, but it’ll be great! I love change!

And his trials and tribulations at Starbucks:

 I used to hate my name, I always thought, Nicola sounds a lot like a girl..And Formichetti is just weird.. kind of like Spaghetti! I always wanted to change it to Nick, and my surname to Williams.. or Smith.. Nick Smith. I always got embarrassed at Starbucks, when they asked my name..I said its Nick..didnt want them to make weird faces. I guess I got used to it now.

I used to feel the same about my name, then one day I woke up and thought, Lester Leon Talley Ross is not so bad after all. [Milk Made]

Sarah Jessica Parker‘s departure was a tiny little mention in her Vogue cover story:

When Sex and the City, to her own surprise, made her a fashion star, she launched her own design label and perfumes, as well as signing on to run the Halston Heritage label, a relationship that recently came to an end.

Days after that story broke, Harvey Weinstein has followed SJP out to pasture, leaving the company in which he had equity stake for the past few years. Well, the good news is Halston’s parent company, Hilco, is still confident in the label — at least someone is — as its seen recent growth in retail.

And also, Liza picked Diana up in the Beemer  and they’re on their way with Elton riding bitch. Happy days are here again! [WWD]

“‘One picture is worth ten thousand words’* and these carefully selected images are set to inspire anybody fascinated by either fashion, foibles, or simply the photographs themselves,” Elizabeth Walker says in the book’s introduction. “It is all about stylish contrasts, strange situations and rarely glimpsed pictures; all set to get the mind buzzing and the creative juices flowing.”

*Frederick R. Barnard 1927 Printer’s Ink

It’s difficult to put this amazing book into words when the story in-between the covers are told through photographs. And so, here are some of the coolest images that will surely inspire your wardrobe this week.

Rolling Stones Brian Jones sports a striped suit in 1967.

Lauren Hutton rocks a menswear-inspired look at Studio 54 in 1978.

Kate Moss wears a white fox wrap at Mario Testino’s London exhibition in 2002.

Diana Ross wearing a graphic black and white jumpsuit in 1983.

Joan Collins looking gorgeous in high-waisted jeans in 1955.

And there is more where that came from. Walker explores 13 trends that have been relevant since the 19th century until modern times.

What owning this book says about you: I love fashion history and the evolution of trends throughout the years. I’m a classic girl always looking for ways to update a definitive dressing movement.

What your dinner guests will say upon seeing this book on your coffee table: This book goes so well with the vintage clothes in your closet. I love Oscar Wilde in that fur coat!

How this book will make your fashion brain grow: By learning where trends came from and how they’ve evolved throughout the years, you’ll find new ways to recycle your classic pieces. True style comes through knowing the art and adaptation of fashion through time.

If you like this, you’ll love: American Fashion, Special Edition by Charlie Sheips

LONDON - JANUARY 30: Kate Moss attends the Mario Testino Exhibition at The National Portrait Gallery on January 30, 2002 in London. (Photo by Dave Benett/Getty Images) *** Local Caption *** Kate Moss

American soul singer Diana Ross wearing a striped all in one outfit, 1983. (Photo by Dave Hogan/Getty Images)

1. Paris Is Burning (1990)

Set amidst the backdrop of 80s New York ball culture, Paris Is Burning is an exploration of beauty, race, sexuality, capitalism and the American Dream, all wrapped up in a dragtastic homage to the transformative powers of fashion. Also, where do you think Madonna learned to Vogue?

See Also: To Wong Foo — Thanks for Everything! Julie Newmar (1994) Drag queens, yes; acute social commentary, not so much…but how can you argue with this? Oh, that’s right, you can’t.

Photo: People.com

Prabal Gurung

Prabal Gurung really knows how to make a woman feel like a lady; something Sheen usually undoes in a matter of minutes, but a pastel pink can soften anyone’e edges.

Donna Karan

Sheer-ly you jest! I’m sure Charlie’s angels are used to anything see-through, particularly pornogal Rachel Oberlin aka Bree Olson. However, Donna Karan shows how to class up that look while still giving off  a whiff of that all-important “whore” vibe; the Charlie Sheen catnip, as it were.

Jason Wu

It’s important to make a statement whenever entering a room and Jason Wu’s finale gown makes that statement loud and clear: “I’ve arrived now kill yourself.”  Which is something that Charlie’s been known to utter to more than a few hookers in the past.

Giles

Every goddess has her dark side — even Aphrodite could be a ruthless, conniving bitch — but that’s not to say they still can’t look heavenly. Also, I wouldn’t be surprised if Charlie loves a little leather (or a lot).

Alberta Ferretti

Some goddesses deign to walk the earth with mortals, while some come alive in nature. And for some, like Chronic Girl 2010, Natalie Kenly, nature holds the promise of some really choice bud. What better way to answer that age-old question “how green was my valley?” then with this floral-inspired number from Alberta Ferretti.

Prada

Besides ancient Greece, the greatest goddesses resided in the 70s: Diana Ross, Cher, Liza, Bianca Jagger, Elton John. Prada took a page out of that glittery era’s chapter with this sequined fur number that would look great hunched over a pile of cocaine on Charlie Sheen’s coffee table.

Versace

The bodice of this gown is positively Grecian, but the skirt says fiesta. A goddess can really kick up her tranny heels with this gam-bearing confection, whether they’re dancing vertically, or more likely, horizontally in a pool of tiger blood.

Dries Van Noten

If anything, a goddess loves to feel powerful. What’s the point of all those Sheen-baiting gifts if you don’t show ‘em off once in a while, am I right? And nothing says “power” like a gold lamé pantsuit. Business-fabulous.

Gareth Pugh

This one’s for good ole Chuck Sheen, for whenever he grows tired of those baseball caps and poly blend button downs and wants to feel pretty while showing off that Adonis DNA

Mugler

Monster Mother Goddess, Lady Gaga, can certainly share some tips on dressing the part: after walking in the Mugler show she subsequently bought the entire collection. It’s doubtful that Natalie and Rachel could walk in these towering platforms, but they’re on Team Sheen and Team Sheen is all about winning. And winners don’t fall, except perhaps from grace.

Runway Photos: Style.com

From the performers – impersonators of David Bowie, Diana Ross, Tina Turner, Barbra Streisand, and Michael Jackson – to the random appearance of Isabelle Huppert to the break-dancing twins, it’s clear this was a party that won’t be outdone for quite sometime.”

WWD: You go way back with Kate.

J.G.: I’ve known her since she was 14. She threw a fantastic surprise birthday for me. You shouldn’t write that. But it was so genius I have to tell you. I was going to have a birthday party in Paris.

WWD: When?

J.G.: It was last week. I’m like all the old actresses who have an official birthday and an unofficial birthday. This was my unofficial one. I started to organize it with a friend in Paris but it got all out of hand. It was going to turn very corporate, so I said, “Uh-uh-uh.” It’s just not the birthday you want to start bragging about. The big 4-0. [He exaggerates the number, to indicate that he has shaved off a few years.] So I said, “OK, we’ll move it to London.” I said, “I just want to do something quiet. Could we just go under the radar? Maybe to someone’s house?” Anyway, Kate and my friend Francesca [Cutler] arranged it, a surprise. We went to the new bar that just opened at the Savoy. It’s very Deco, very beautiful. I arrive and there were fantastic creatures there that I hadn’t seen for like twenty years, the London posse. And then they introduce the acts. David Bowie had come over to perform for me followed by Diana Ross followed by Tina Turner and then Barbra Streisand.

WWD: Oh stop!

J.G.: No, you stop! And then the last person who came on was Michael Jackson! They were all impersonators! It was so English and so tawdry! It was fantastic!

WWD: We can’t put this in the story?

J.G.: Of course you can. — it’s a true story! So I go outside for a cigarette with Kate, OK? She has this little jumpsuit on with little sequins. She looked gorgeous. Some dirty old man walks by and goes, “Oh, you do that really well. You could be a model.” She goes, “F— off! I’m too short!” Then this limousine turns up, this shiny limousine and this fantastic, chic woman gets out with the shades on and the bodyguards. Me and Kate look each other and we’re like, “Oh!” You don’t do that in London. Unless you’re Elvis Presley, you don’t do that. So this wonderful creature comes up to me, takes the glasses off and goes, “John!” And I go, “Hi…” I still didn’t quite know what was going on. She goes, “It’s Isabelle.” It was Isabelle Huppert, one of France’s greatest actresses, who had been giving a press conference and just turned up. So she goes, “What are you doing here?” and I said, “Oh we’re just having a little party celebrating my 40th. Would you like to join us?” And I’m like, “Shit, how do I get out of this one?” “Lexie, Lexie, it’s Isabelle! You’ve got to look after her.” She had the best time because I kept asking her if she was OK and she would say, “Laissez-moi! Laissez-moi! C’est une scene que ne j’ai jamais vue!” [“Let me be! Let me be! It’s a scene I’ve never seen before!”] Because the English posse were really going for it that night. She loved it. There were these kids who were break dancing to Michael who were twins. [Galliano extends an arm to approximate their height — perhaps that of an average eight-year-old.] One’s blonde, one’s brunette. They were break dancing, diving. But there was like a time lapse of something like six seconds. Twins do that apparently. It was the most weird thing to see. It was incredible.

… In a perfect world we would all have best friends like supermodel Kate Moss.

(Credit: WWD)

You cannot be a black model and not know the story of Mahogany’ said Tyra Banks of the 1975 film starring Diana Ross at the height of her career.

No doubt the model-turned-presenter-turned-entrepreneur identifies with lead character Tracey, a Bronx-born girl who makes it big as a world-famous model and fashion designer.

It is fitting then that the cult movie was the inspiration behind these striking images published in US fashion glossy, V Magazine.

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