Stephanie Seymour (July 23, 1968) As a muse for the late Richard Avedon, Stephanie Seymour created some of the best fashion photographs of the 90s, then upped the iconic ante when she strolled down the aisle as Axl Rose‘s bride (the two were dating at the time) in Guns and Roses‘ classic “November Rain” video. Though supermodels appearing in music videos was nothing new in 1992, very few looked as perfect as Seymour in that epic wedding dress. Perhaps a little too rock & roll for a royal wedding, but I would at least consider it, Kate Middleton.

Claudia Schiffer (Aug. 25, 1970) Reminiscent of a young Bridget Bardot, Claudia Schiffer’s sultry good looks catapulted her to supermodeldom in the early 90s. Though she made a comeback in a series of gorgeous ads for Salvatore Ferragamo in 2007, don’t expect to see Schiffer on a runway anytime soon; the German stunner maintains that she’s “very shy.” I’m the same way until I get a little liquor in me, hence, we just need to booze up Claudia and throw her — heels first — onto that catwalk. ASAP.

Heidi Klum (June 1, 1973) The ultimate Victoria’s Secret Angel, Klum hung up her wings for good in 2010 to focus on her thriving businesses: in addition to producing the Peabody Award-winning Project Runway (yeah, Heidi Klum has a Peabody), Klum has tried her hand at design, acting, painting not to mention re-populating the world with the help of her virile husband Seal…seriously, Heidi’s been pregnant nonstop for like the past ten years. I’m just going to say it, someone needs to separate those two.

Kate Moss (Jan. 16 1974) The kittenish face of “Heroin Chic,” Kate Moss’ arrival in 1990 sparked a sweeping change in the world of modeling. The glamazons of the 80s and early 90s now seemed outdated compared to the 5’7 Moss when she appeared in The Face magazine, shot by the late Corrine Day. Notoriously private — she rarely gives interviews — Kate Moss is still the most ubiquitous face in modeling of the past twenty years. As a regular in ad campaigns and a favorite muse for many photographers, Moss also practically owns the cover of British Vogue. Despite her amazing career, Kate has had her share of ups and downs…both fueled heavily by cocaine.

Photo: Harper's Bazaar

Tyra Banks (Dec. 4, 1973) Tyra Banks started off a rail-thin high fashion model before morphing into a voluptuous swimsuit cover girl, then a Victoria’s Secret Angel, then a fat-ass Emmy-winning talk show host and the professional smizer/creator of the now international Top Model series; in short, she is the ultimate model as mogul. And while I and a generation of other girls have learned everything we know about modeling from Ms. Banks (admittedly it took me a while to figure out how to find my light), she still has a few tricks up her sleeve (or in this case, turban), such as this shot from Vogue Italia’s iconic “Black Issue.”

Gisele (July 20, 1980) The last of the true supermodels, Gisele came along during the wave of Brazilian bombshells in the late 90s. With her athletic body and distinctive horse trot, she’s stayed at the top of the model heap for the past ten years, earning the one-name recognition to which all supers are entitled. Though there are several heirs to the throne (Karlie Kloss, Chanel Iman, Coco Rocha, Hilary Rhoda, Agyness Deyn, Anja Rubik, Jessica Stam, the list goes on and on…), the queen is not abdicating anytime soon.

Photo: Models.com

There really has been a dearth of funny ladies in Hollywood for a while…at least until recently. Women were usually the straight man, the eye candy, there for the lead guy to pursue, to impress, to harry and confound. Or, god forbid, the plucky sidekick.

Then an Emma Stone comes along. Or a Mila Kunis. Or an Anna Faris. Young, attractive girls who won’t stand around while the boys get all the laughs. So thank you Tina Fey, for making it okay for ladies to laugh again.

Though earning rave reviews (but disappointingly no Oscar nod) for Black Swan, Mila still loves doing comedies, saying:

“They’re just as hard, if not harder, to make work, compared with a drama. You work 17 hours a day, and you have to try to make things different and funny and relatable onscreen all at the same time.”

You’ve hit the nail on the head, Kunis. Comedy is hard — just think of the last time someone won an Oscar for a comedic performance. Though I heard The Blind Side was funny for all the wrong reasons.

Mila will next flex her comedic muscle alongside Emmy-winning actor and occasional popstar Justin Timberlake in Friends with Benefits, directed by Easy A‘s Will Gluck.

But before then we’ll see Mila on fashion’s biggest stage, the Oscar red carpet. I hope her gays are at work securing the best look…because I’m ready to slip in at a momen’t notice. Just sayin’.

*(Behag – befriend, but concerning a fag and his hag; see also hetero male equivalent, bestag)

Link Love: Los Angeles Times Magazine

Coisas que notei nas roupas femininas: Acho que Hollywood não está sabendo lidar direito com a crise e muitas celebridades (leia-se seus stylists e agentes) ficaram na dúvida entre ir no “glamour total” ou ser “simpatizante” com o resto da nação. O resultado foi interessante e apareceu através de três diferentes versões de vestido: os “cheguei”, os minimalistas e os vestidos “para gente normal”.

• Os “cheguei” (que, na maioria das vezes, não tem nada de cafona) eram os vestidos intricados, com uma quantidade razoavelmente grande de informação. Bordados, brilho, rendas… qualquer fosse o material, dava pra ver que ele era rico e com bastante informação. 
• Já os minimalistas contrastavam – e se destacavam – pela sua falta de detalhes, deixando o foco principal para o corte e o caimento do vestido. Alguns podem achar que são vestidos “pobres”, mas são vestidos ricos em informação – ela só é sutil e discreta. Além disso, são vestidos dificílimos de serem feitos porque seu corte tem que ser impecável e a escolha do material é quase sempre um desafio.
• E os vestidos “para gente normal” foram eleitos pela maioria das mulheres no Emmy. São vestidos que no tapete vermelho não se destacam; não são feios muito menos “erros”, mas tampouco são os showstoppers que se espera de uma cerimônia de premiação. Poderiam ser confundidos com “minimalismo”, mas não são. Muitos deles tem informações como babados, rendas ou brilho, mas em quantidades menores ou de forma mais discreta. Foi um Emmy “chato” pra quem viu o tapete vermelho, mas um Emmy bem rico em informação para quem trabalha com roupa de festa.

Coisas que notei nas maquiagens/cabelos:

• o calor deveria estar infernal em Los Angeles, porque muito poucas celebridades escolheram ir com seus cabelos soltos – algo que estava acontecendo bastante em red carpets anteriores. O problema é que quase todo mundo resolveu usar o mesmo estilo de coque – aquele preso de forma soltinha, com muito laquê pra segurar e alguns fios correndo pelos lados (em algumas). 
• A maquiagem também foi unanimidade e a escolha foi o minimalismo. 11 entre 10 celebridades escolheram a “falta de maquiagem” como a maquiagem da noite, salvo raras exceções que deram um enfoque maior (porém pequeno) nos olhos ou na boca. Batons escolhidos para esse feito foram os vermelhos (destaque para o vermelho alaranjado de Maria Menounos) e rosa pink (destaque para o de Lo Bosworth).
• influência anos 60: tem alguma coisa no ar meio anos 60. Vi alguns olhos marcados com delineador, essa coisa de usar batom nude que já vem de algumas estações… mas o que me chamou mais a atenção foram os cabelos de Tina Fey, Julie Bowen, Paula Abdul, Edie Falco, Jayma Mays, Lo Bosworth e Stephanie Pratt. Todos super armados com Bump it e exalando uma vibe retrô-60s. Alguns mais, outros menos, mas todos definitivamentes com a influência!

Depois que fizer o post sobre os meninos escrevo o que achei das tendências deles.

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After:

Thank God for stylists or else Christina Applegate would have gone from Married With Children to Single With a Restraining Order. Sex hair is always appreciated but not when paired with torn mom jeans and endangered animals. Give her 20 years and a lucrative career and now the cancer-free, Emmy Award winner is looking glamourous as ever!

Thanks for the photos Contact Music!