Fair ladies, embrace your Nordic tendencies that render you positively innocent when the makeup goes away. Use a pale pink that ebbs nude and a lengthening mascara. To get the Dolce & Gabbana look, mix a touch of their two

Purity Pink

What prevailed throughout all of Fashion Week culminated on the crystal cased Chanel runway with embroidered brows by the famed atelier de broderie, Lesage. If you don't have overgrown eyebrows, or just have fair hair, try like Pat McGrath did at Alexander Wang to give a boyish straight shape by brushing on dark eye shadow. You could also try an eyebrow palette with angled brushes. The

Raised Brows

Cold and angular eyes stared runways down to the chill of midnight.

Cool Night Eyes

Wing tips take flight again in both multiple lines like at Altuzarra, and with an electric blue shock like at Anna Sui. To get Pat McGrath's look for Anna Sui, you're going to use a liquid eyeliner and flick it up at the end. Draw the outline and fill it in using

Wingin' It

Like in Rick Owen's show "Offset the Scary", the brightest red will make a look iconic. Try a look-at-me lip of your own:

Bursting Red Lips

Burning in the fiery shadows of your lids is an orange or red taking up the whole space. You need to span big or else it runs the risk of looking like you've been crying. Not chic. And keep the rest of the face clean, obviously. Go big or go home in tears. Peter Phillips used several variations of orange at Dries Van Noten. From Make Up For Ever, he used no. 66, a mustard and no. 78, a rusty mandarin. Though those are both discontinued, you can try his third shadow,

Fiery Shadows

This look says power bitch in the sweetest way possible. How to get it: Spray the brush with hairspray and brush it back. DVF's hair stylist Orlando Pia used

Deep Sleek Side

Adding a dab of white to your cornea brightens the whole eye and makes them look bigger. Try some Sex to get the look. It's hot.

White Inner Eye

Hot mess dream trend! This look encourages us to fall asleep with our makeup on, roll outta bed and rock the refined raccoon eye. Marc Jacobs approves twice.

Smudged Down

Blackberries haven't gotten this much attention since iPhones hit Verizon. Unfortunately for the smartphone-makers, we're talking color. Perhaps it's the Rooney Mara effect, but oxblood-burgundy lips were everywhere. On the Gucci runway, Pat McGrath used

Vampy Lips

Gareth Pugh

Prada

Numêro / Models.com

W's "Transformers" by Steven Meisel

Pop Magazine Fall/Winter 2011 by Gillian Wearing / Models.com

Versace x H&M

Versace spring 2011

cK One spring 2011

Balenciaga spring 2011 runway

Barney

Harper's Bazaar Australia November 2011 / Models.com

Models.com

Vogue September 2011 / Fashion Gone Rogue

Give a gown a plunging neckline, hip cutouts and some serious bling for maximum head-turning effect.

Be the belle of the feast in a sheer, delicate pattern and contrasting bondage heels.

Not too sheer but just sheer enough, fiery orange leaves the right amount to the imagination.

The walk of shame has never looked this fun, just make sure not to leave your bra behind.

If you're convinced a woman's suit can't be sexy, one look at this will change your mind.

Give us a sheer, pantless, fringed robe-bodysuit any day.

Granted there's only a centimeter of fabric between the neckline and thigh-high slit, this purple number still looks sophisticated.

His signs were precise lines, sweeping in motion first in pencil, then in ink, filled with marker. Each mark has purpose. He was an architect, trained meticulously as such. Thus every millimeter matters when it blossoms in the third dimension. Because of his unique perspective, he was hired by Bernard Arnault in 1986 to be the Stylistic Director of Christian Dior, where he remained for a decade.

Within the pages of this book, you see the evolution of his work through the late 70s to the late 90s. What begins with simple strokes of the pencil and pen black and white, soon explodes with stripes, color, embellishments on ever more abstract bodies.

Though the figures are stylized in his highly exaggerated high hip, the detail is impeccable. See for yourself.

It’s an illustrated journey through the late 20th century via the pen point of one of the world’s finest designers.

What owning this book says about you: You are captivated by the art behind the designs.

What your dinner guests will say upon seeing this book on your coffee table: Ah, Ferré, an intellectual.

How this book will make your fashion brain grow: The sketch is rarely seen, only the finished garments, so this takes you deeper into the creative process of design. You will also see how fashion aligns with architecture through precise lines.

If you like this, you’ll love: Fashion Illustration by Fashion Designers by Laird Borrelli

- Lauren Conrad is launching her own beauty site, The Beauty Department, which purports to help “anyone who’s ever had a beauty question or gotten into a fight with a hair brush and lost.” On my behalf, I will say that I didn’t lose the fight since the hairbrush ended up handle first in my vanity mirror. [Fashionista

- Gianfranco Ferré's new owner, Paris Group, has given the label's creative directors, Tommaso Aquilano and Roberto Rimondi the proverbial boot, citing sluggish sales. A retailer admitted they bought " a minimal amount of the collection for the sake of carrying the brand" but noted that "[t]here was almost no daywear and eveningwear was fairy tale, like something for the Oscars. It may work for a small, niche brand, but not for such a global brand.” Ferré is expected to skip a season until Paris Group  finds it bearings, though those bearings could also be found in the John Galliano label, which the Group may consider purchasing from LVMH. [WWD]

Source Benjamin Kanarek Blog

Haider Ackermann for W Magazine © Inez van Lamsveerde & Vinoodh Matadin

I have been observing the evolution of Haider Ackermann for several seasons, as he is one of my favorite new designers when it comes to womens’ clothing. In my humble opinion, his last two seasons in Paris outclassed all of the other Designers’ Women Collections by a long shot.

Haider Ackermann’s Amazons

Haider Ackermann reveals a contrasted silhouette, nomadic, romantic and yet is strong and assertive. His fashion does not scream out loud, it is strong and confident enough to drive all of the attention by it’s solemn and majestic design in to the new Amazon. He is a master of cut and volume. This is apparent when it comes to emphasizing long silhouettes and hemlines which gives an impression of an endless line with deconstructed layers as well as strong Japanese and Yves Saint Laurent influences. His U-Slit line for skirts and dresses has become one of his trademarks as well as his recurrent usage of silk and leather.

Haider Ackermann, Franco-Colombian, is a world citizen with a unique mix. Born in Sante Fe de Bogotta, Colombia, were he was adopted by French Parents (his father works for Amnesty International), he grew up living in various countries throughout Europe and Africa (Tchad, Ethiopia, Algeria, The Netherlands, Belgium where he studied at The Royal Academy of Fine Arts in Antwerp and won the Swiss Textile Award in 2005). His background transpires in his fashion full of contrast. “I’m looking for a luxury that’s a bit négligé, that can be rich but doesn’t look rich” (From W Magazine’s Interview W Magazine).

He started working for different designers the likes of Bernhard Willhelm, Patrick Van Ommeslaeghe and in March 2001, he started to show his collections in Paris for the Autumn-Winter 2001-2002 season. In 2002, the Italian Luxury Leather House, Ruffo asked him to collaborate on the Ruffo Research Collection and in 2005, he signed with the Belgian Groupe 32 and moved to Paris.

Haider Ackermann’s ascension to… Christian Dior?

The recent rumors about him going to Christian Dior to replace John Galliano are persistent and I have noticed quite a few interesting signals over the last 6 months. Implying that Galliano’s departure was known within some circles for quite a while, I would rather not speculate.

Mr. Ackermann’s style would be a good fit for Christian Dior, injecting a romantic and flamboyant style for the assertive Dior woman. The Artistic Direction would change from that of the Galliano era, but perhaps the brand was in need of a more tempered and chic approach. For ten years, Galliano had a profound conspicuous effect on the brand. The younger generation may not remember that he was preceded by GianFranco Ferré, Marc Bohan (for almost 30 years) as well as Yves Saint Laurent prior to him creating his own brand, after Christian Dior passed away. Haider Ackermann has all of the creative assets to express himself in both areas i.e. Couture the “Tailleur ” (tailoring) and “Flou” (gowns) and Ready-To-Wear.

Troubling synchronicity

The recent endorsement by Anna Wintour in American VOGUE’s March issue featuring Haider Ackermann’s fashion worn by Lady Gaga on the cover as well as the editorial within, is a rather troubling synchronicity.

His recent refusal to Martin Margiela to replace him as the head of Maison Martin Margiela and  Karl Lagerfeld’s declaration in Numero, November 2010  “I have a contract for life so it all depends who I would like to hand it to. At the moment I’d say Haider Ackermann”. Lagerfeld had invited Ackermann to attend the last Chanel show and Ackermann responded, by stating, “What can one possibly say to such a phrase?! Such a compliment! How honored I feel, how can one not be?! In all honesty, tremendously, immensely touched especially coming from Monsieur Lagerfeld”. Then again, two days ago, he declared in L’Express Style : “I would not mind confronting myself to codes from another Fashion House”.

Some recent celebrity endorsement’s from Actress and fashion muse Tilda Swinton on the red carpet of the 2009 Cannes Film Festival and Janet Jackson attending his October 2010 show in Paris are just a small sample of some of the artists excited by his work.

One of the observations I have made is that his internet presence via advertising banners by one of his distributors has been very heavy since the beginning of 2011. These ad banners are being shown with a frequency that generally only occurs as a build up to a huge product launch.

Very troubling facts or positive synchronicity?

Will Haider Ackermann’s ascension lead him to… Christian Dior? Is that a guess? No, I would rather call it wishful thinking. I would not like to see Riccardo Tisci move from Givenchy where he does great work. It would become systematic that all of the designers going to Givenchy would end up at Christian Dior. Galliano, McQueen who left for PPR group and not for Dior and then Tisci? Givenchy is not a footstep for Dior, it is a brand with a great legacy that deserves more consideration.

By Frédérique Renaut and to Watch Video’s

The fashion Industry was in uproar last week after John Galliano was dismissed as Creative Director from Christian Dior following numerous anti-Semitic allegations made against the designer. Galliano has denied all allegations made against him and claimed that he is of partial Jewish ancestry, although this has not been verified. The dismissal on 1^st March came immediately following the release of a video clip of the designer, who was unquestionably inebriated, stating, “I love Hitler”.

When I first heard the news and watched the video post that was made public over the World Wide Web, I was unsurprised by his behavior and by the reaction from Dior.

I was introduced to the designer after the 2009 Spring-Summer Haute Couture Dior show, in January 2009 and while he was polite, my lasting impressions of him were not favorable. I found him to have a thick and unattractive façade. It has long been known within the fashion industry that Galliano was prone to living a hedonistic lifestyle that resulted in drink and drug related addictions and although it seemed he had been clean for some time, there were rumors circulating that he had relapsed, partly due to the pressure of producing 12 collections a year. He was responsible for six collections for Dior, including the bi-annual Haute Couture, and six collections for his own label. Recent speculation that he had been increasingly less involved with the design process for Dior over the past few years was also starting to emerge.

Christian Dior is the largest holding company within LVMH (Louis Vuitton Moet Hennessy) the world’s leading luxury goods conglomerate. Billionaire financier, Bernard Arnault owns 48% of LVMH and in turn, the company, which creates billions of dollars in revenue every year, can easily afford to ensure video clips such as these never see the light of day. Yet, on this occasion, they chose not to.

The fact that Dior fired the designer so promptly, confirmed a personal prediction that the company had been looking for a way to let him go for some time due to repeated displays of inappropriate behavior. The leaked footage, which was not the first of its kind, was the final piece of evidence needed to terminate their chief designer without a pay off that would have been in the region of $25 million.

After all, Christian Dior was established as a couture house post World War II and was considered to represent a new beginning. Given this legacy, Galliano’s comments were as much anti-Dior as they were anti-Semitic.

While I accept that there are people in this world who, through lack of education or for their own reasons, are racially intolerant, Galliano’s words were inarguably appalling. However, given the encouragement from the amateur filmmaker, on this occasion, they may well have been for shock value. Galliano’s personality, like his work, is known for being theatrical and provocative. Even accepting this possibility, one can’t help but wonder what might have been behind his hateful comments. In the video, Galliano tells the woman, “You are ugly”. Since the designer does not possess model good looks himself, most viewers have inferred that his remarks were an attempt to cover his deep-rooted depression and insecurity.

More than the reason behind the tirade, I have been intrigued by the mixed reactions. Academy Award winning actress, Natalie Portman, who had an endorsement contract with Dior for its fragrance Miss Dior Chérie, made this statement, “I am deeply shocked and disgusted by the video of John Galliano’s comments. I hope at the very least, these terrible comments remind us to reflect upon these prejudices that are the opposite of all that is beautiful.”

Meanwhile, costume designer Patricia Field, defended Galliano’s tirade as being “misunderstood theatre.” While there are mixed opinions within the fashion elite, many insiders have refused to comment, other than to suggest, “It is a shame.” I was interested to pinpoint what precisely people felt was a shame. Is it the fact that he is no longer Creative Director of Dior? Or that he would make such remarks? A general consensus seemed to indicate that editors felt it was a shame this incident had tarred the fashion Industry while Karl Largerfeld stated, “It is a horrible image for fashion.”

While it clearly isn’t a positive reflection, I hardly feel that the general public looks upon the directors of the fashion world as saintly. For many outsiders, who have never met a designer in their life, the closest image they have to relate to, are the characters from ‘The Devil Wears Prada.’

Rather more, because of this attention, accounts of Galliano’s achievements have been highlighted in the media. Galliano’s design talents were noted at a young age, while he was still a student at Central Saint Martin’s College in London where he graduated with a first class honors degree. His first collection, inspired by the French Revolution, was bought by London boutique, Browns. Shortly after, he was able to start his own label. A few seasons later, he moved to Paris, where his talents were recognized by Anna Wintour and Andre Leon Talley. In 1995 he was appointed as the designer for Givenchy, also part of LVMH, and within two years, he replaced Gianfranco Ferre as the chief designer at Christian Dior. Many have cited his great attention to detail as playing a large factor in his success.

Galliano’s suspension came before he was able to complete work on the Dior Autumn/Winter 2011/2012 Collection. Consequently, the Paris Fashion Week show, held last Friday, was preceded by a formal announcement from Dior Chairman, Sidney Toledano, confirming the termination and apologizing on behalf of the company, for Galliano’s comments. Since the designer was not present, the final walk was taken by the Dior atelier, walking out to a standing ovation from the tearful audience.

Over the past few years, Dior has produced some incredible collections, notably in 2008 and 2009. Dresses that are timelessly chic and reminiscent of Dior’s famous New Look. This last collection could not have been more different. It was a tribute production, characteristically John Galliano, with the first model wearing a long cape and tall boots, looking distinctively like the designer himself. Could Galliano have known this would be his last collection for the label?

While I consider that a possibility, I do not share the view that many seem to have taken that this is the end of the road for him professionally. He has reportedly now checked into a rehabilitation facility in Phoenix, which will hopefully give him the opportunity to address his inner demons. This is exactly where he needs to be right now. Many in the fashion Industry may be fair weather friends, but there are equally as many who I am sure will be there to offer him the strength and encouragement that he so obviously needs.

While emotions are running high, many are speaking as if he has retired or worse, as if he has died. I would not be so quick to write him off. Audiences love a comeback and I have every faith that Galliano is capable of quite the encore.

As he faces trial from both Paris Police and from public opinion, reporters are already speculating as to who will take over as chief designer of Dior. One name being repeatedly mentioned is Riccardo Tisci, the current Creative Director at Givenchy. No doubt, this will be an extremely well considered decision. As it stands, LVMH stock has been strong for the past year and there has not been a noticeable decrease in value over the past week. If anything, stock value is more likely to be affected by the current rising price of oil than a changeover of staff. To put it succinctly, Dior was strong before Galliano and will continue to be, long after Galliano.

Post written by Kirsten Lea & Watch the Video’s Here

Roslyakova is wearing looks from Giorgio Armani, Etro, Gianfranco Ferré and more in this opulent spread.

LINK LOVE: Fashion Gone Rogue

A very thin black and white version of Sean O’pry stars in the current Gianfranco Ferré shot by Inez van Lamsweerde and Vinoodh Matadin.

LINK LOVE: Design Scene

Find more photos like this on ENVY. THE FASHION NETWORK

LINK LOVE: GQ

GF by Gianfranco Ferré gets an update from photographer Emilio Tini for the Spring/Summer 2010 campaign, which features Mina Cvetkovic and Jakob Wiechmann.

LINK LOVE: Design Scene

Marc by Marc Jacobs is always my fave sale, even though the items always sell out quickly. Click here to join, all sales start at noon.

LINK LOVE: Refinery 29

Amazing! I love this leather jacket, and since I’m in the market for one, I’m even more intrigued by this collection. There is something so simple about this lookbook that makes it brilliant. I’m not focused on the models or the background simply the looks.

Gianfranco Ferre’s F/W ’09-10 campaign, simple and sophisticated. A+!

SOURCE: Frillr

Steven Meisel shot Viktoriya Sasonkina and Viggo Jonasson for the GF by Gianfranco Ferré S/S 09 campaign. I absolutely love these images, they are so delicately sexy, and still show the details in the clothing. AND I love the short in the last photos, I would totally do anything for those…

LINKAGE: fashiongonerogue

These Gianefranco Ferre are so fucking hot!!! According to Jak & Jill gawkers were stalking this woman just to get a glimpse of the shoes. Not surprising. Of course, you know she wasn’t having fun as she tried to prevent her heels from hitting the cobblestone cracks.

LINKAGE: CRACK ATTACK//

White boys have won the runways of Milan. Blacks, hispanicals and asians are completely missing. Thank god for the recession, hopefully a few more of these brands will go under and take their 1940′s segregation based practices with them.

“While Giorgio Armani notably cast some black models for his Emporio Armani show, as did Donatella Versace for hers, there was not a single black (or Asian or Latino) face to be seen on the runways at Jil Sander, Missoni, Burberry, Trussardi, Bottega Veneta, Gianfranco Ferre, Roberto Cavalli or Prada.”

LINKAGE: In Milan, Models Still Come in Only One Color

Gianfranco Ferre (designers Tommaso Aquilano and Roberto Rimondi of 6267), Gareth Pugh, Roland Mouret, Carlos Miele, Christophe Decarnin and Matthew Williamson, all announced their transition into men’s wear.

LINKAGE: Fashionista