Comprised of five fragrances, each a different bloom from the original illustration, the Flora Collection is as youthful and contemporary as it is classic. “Creating The Flora Garden collection allowed me to express the depth of emotions of every woman,” Giannini said. “Each fragrance is distinct, yet together all the scents embody the beauty and allure of this muse.”

We have fallen in love with these beautiful fragrances, and you will too. There is one for your every mood.

The Flora Garden Collection, from left: Gorgeous Gardenia, Glamorous Magnolia, Gracious Tuberose, Generous Violet and Glorious Mandarin

The iconic Flora print, designed for Princess Grace Kelly

Make like Grace Kelly and steal off like a Thief into the sun in a convertible and a pair of summer driving gloves with your own Carey Grant.

- Thank you for tweeting a friend. Betty White has joined Twitter! [Twitter]

- Madonna has set yet another Billboard record…this time for the biggest second week drop in chart history. Madge hasn’t seen a fall like that since she bent over to look at her face in the mirror. [Paper]

- Let it be fierce, Daphne Guinness. The heiress cum style icon tweeted that she was recording at Abbey Road, leading to speculation that she may be coming out with an album.  [Elle]

- Nicole Kidman is in talks to play Grace Kelly in new biopic, Grace of Monaco  by Olivier Dahan, the guy who directed Marion Cotillard to her Oscar for La Vie en Rose. While the Academy warms up its trophy-throwing arm, Nikki Kids can warm up her face to start moving again. [Vogue UK]

- Marc Fisher, the CEO of Guess‘ footwear licensee grew so frustrated at the barrage of questions from Gucci‘s lawyer over the similarities between the shaded patterns over the two brand’s shoes he reportedly said, “I don’t understand why we’re spending 45 minutes discussing shading.” Ease up, Fisher. Gucci’s not being shady…just fierce. [WWD, sub req'd]

- Vogue may be taking a trip to Southeast Asia and this time it’s not to source tranny child brides. Rumor has it Vogue Thailand is happening. [The Cut]

- Kim Kardashian sent out printed cards to guests of her over-the-top wedding informing them that their gifts will be donated to charity, prompting one disgruntled guest to ask, “What is a charity going to do with a Tiffany picture frame or an onyx vase? And, this is nine months after the wedding. Why is she doing it now?” Clearly because she’s getting ready to assault us with another whirlwind fauxmance. [NY Post]

Modern-day princess Charlotte Casiraghi is an equestrian and journalist by trade, but Gucci won’t be her first modeling gig — she covered Vogue Paris just last September. She inherited her royal good looks from grandmother/legendary style icon Grace Kelly and her mother Princess Caroline – a model in her own right.

As Gucci’s “Equestrian Ambassador” the Italian luxury house has outfitted the horsewoman’s competitive wardrobe for the past few years so it only makes sense that the two should continue riding into the sunset together. [Huff Po]

So what is a great Oscar gown? It’s a dress that is memorable, history-making, scene-stealing or just plain fucking perfect. With that, I just don’t get the fuss over Gwyneth Paltrow’s pink prom dress and refuse to even acknowledge that gown or the fact that she has an Oscar.

Audrey Hepburn (1954) Auds became a star and a fashion icon that night when she wore Givenchy, beginning a lifetime collaboration between the star and designer. Along with America's heart, she took home the Best Actress trophy for her debut performance in Roman Holiday.

Grace Kelly (1956) This was no doubt the look Gwyneth was going for when she strolled the red carpet in that wrinkled princess confection in 1999, but make no bones about it, this is how it's done kids. Kelly beat out some major competition the year before -- including Judy Garland and Dorothy Dandridge -- to nab her Best Actress Oscar for The Country Girl, but she really stole the show in this Helen Rose stunner.

Elizabeth Taylor (1961) In the pantheon of great movie stars, few shone brighter or longer than Liz Taylor, thus a list of the greatest Oscar gowns could barely be considered legitimate without Liz throwing her white diamonds into the mix -- I hear they've always brought her luck. Taylor won her first of two Oscars for BUtterfield 8 and wore this gorgeous Christian Dior number to claim her statuette. It's generally accepted  -- even by Liz herself -- that Taylor won the award through a vote of sympathy after losing her husband Mike Todd in a plane crash -- only to seek comfort with Debbie Reynolds' then-husband Eddie Fisher --  and suffering a life-threatening illness during filming - at one point she was actually pronounced dead. Six years later she took home a well-deserved trophy for Who's Afraid of Virginia Woolf?

Barbra Streisand (1969) Eschewing tradition and helping to usher in a new generation of movie star, Babs wore a see-through sequined sailor pantsuit by Arnold Scaasi. It was a big gamble but La Streisand came out the winner and made history by tying for Best Actress with Katharine Hepburn when they won for Funny Girl and Lion in Winter, respectively. Kate chose not to attend because, honestly, it was her third (of four) Oscars and she couldn't have been bothered.

Cher (1984) Cher might have proved that she was a serious actress with her Oscar-nominated turn as Meryl Streep's lesbian lover in Silkwood, but she's still fucking Cher. The icon wore Bob Mackie (natch) to the 1984 ceremony but lost only to win three years later for Moonstruck. And that gown was no less show-stopping, but didn't have this amazing headdress.

Nicole Kidman (1997) Nikki Kids was a greenhorn on the red carpet before this Dior gown and became one of its reigning queens thereafter. Though she gave an incredible performance the previous year in To Die For, she was denied a nomination only to finally win once dumping that lilliputian husband of hers for her brilliant portrayal of Virginia Woolf in the saddest movie ever made, otherwise known as The Hours.

Sharon Stone (1998) I usually spell "batshit crazy" S-H-A-R-O-N-S-T-O-N-E, but Stone looked the picture of elegance in a Vera Wang skirt paired with a Gap button down. The marriage of high and low was made in heaven that night, though I still couldn't tell you why she was at the ceremony that year. But like most things with Sharon Stone, I don't question it.

Céline Dion (1999) Was it a stroke of genius that caused Céline Dion to turn her Christian Dior blazer back-to-front or just an actual stroke? Either way, Celine was memorable the year after her heart went on and on to win Best Original Song (though the award itself went to the songwriters, I. Dunno and No-one Cares).

Björk (2001) The dress that launched a thousand jokes, Björk's Marjan Pejoski swan dress was perhaps the last epic thing to stroll down the Oscar red carpet. Nommed for Best Original Song that year, Björk may have left empty-handed but no one will ever forget that she was there.

Halle Berry (2002) Halle Berry not only became the first African American to win a Best Actress Academy Award that night, but she also launched Elie Saab into the sartorial stratosphere. This was Berry's and Saab's shining moment and everything since then has been an enormous letdown. On both their parts.

Prince Pierre Casiraghi

At Double Seven, a club in the Meatpacking District — New York’s most elegant dumpster —  Monaco’s Prince Pierre Casiraghi, third in line to the throne and grandson of Grace Kelly, was poppin’ bottles with pals Diego Marroquin, noted Carine Roitfeld scion Vladimir Restoin-Roitfeld, Paris Hilton‘s ex-boyfriend Stavros Niarchos and his current girlfriend, model Jessica Hart.

In the other corner, Adam Hock  owner of the now-defunct Hawaiian Tropic Zone — okay, “man of the people” might have been a stretch –was livin’ it up with supermodels Anja Rubik and Natasha Poly, ordinary model Valentina Zelyaeva and Poly’s husband Peter Bakker at the table of Double Seven owner, Jeffrey Jah.

Accounts vary on who instigated the confrontation and why. In one version of the story, Casiraghi and co. were upset they weren’t seated at Jah’s table, presumably the best table in the house, and rolled up on team Hock. There they started getting all kinds of aggressive and even dared to drink from Hock’s $500 bottle of Grey Goose — I mean, people have died for less.

The Incredible Hock

Another version has it that Hock just hulked out for no reason and started throwing haymakers. Still another chalks it all up to everyone being too drunk and not knowing what the hell was going on.

What is clear, however, is that Prince Pierre Casiraghi got his shit seriously rocked. Hock knocked him across the room, broke his jaw, leaving him — as one witness puts it — “disfigured” — and sending him to the hospital. At one point, someone even tried to hit Hock with a bottle of vodka, but that just made Hock angry. Then he beat up the prince’s three friends before the models — god bless them — broke it up.

Of course that act of altruism didn’t stop Jessica Hart from reportedly screaming at Natasha Poly later on the street: “Your husband’s a loser! Fuck you!” But that’s neither here nor there.

After spending two days in jail and being charged with four counts of assault, Hock still claims that he’s the real victim here: “I acted 100% in self-defence. I felt I had to defend the honor of the women I was with,” he told the Daily News. A point that Jessica Hart openly — via Twitter — denies.

Hock for his part is playing the role well:

“I feel I was victimized by several drunk, entitled guys who felt they deserved the prime table with the most beautiful girls. They expected to be treated like the royalty they are. They didn’t get what they wanted, and it pissed them off.”

Perhaps a little too well:

“I am concerned these guys will make my life difficult. I imagine they are sitting with their parents strategizing how to destroy me. I am getting married in June. I want to start a family. I don’t want enemies like this.”

Well, you gotta point there, Hock. Carine Roitfeld can have Karl Lagerfeld on the phone in one second and from there it’s a slippery, Chanel-upholstered chute straight to hell.

The Incredible Hock

Photos: Fashion Gone Rogue

Grace Kelly

Briggitte Bardot in Burberry

Gabrielle "Coco" Chanel in Chanel (natch)

Audrey Hepburn

Jacqueline Kennedy Onassis in Salvatore Ferragamo

Marilyn Monroe in Gucci

*Kate Middleton‘s Alexander McQueen was a late addition and Rubenstein had to cut one of the dresses to keep the list to 100. So it was sayonara Nancy Reagan and her white one-shoulder inauguration ball gown. Michelle Obama‘s Jason Wu, however, remained in tact. [WWD, sub req'd]

Reese Witherspoon in Olivier Theyskens for Nina Ricci, 2007 Golden Globes: “Witherspoon’s slimmer figure, now snugly zipped into a strapless, canary-yellow silk brocade Nina Ricci cocktail dress, screamed, ‘Screw you, buddy!’”

Chanel RTW spring 2011: “Models rarely smile these days, but you can sense when they enjoy what they’re wearing. Kass could barely contain her delight.”

Rita Hayworth in Jean Louis, 1946,“Gilda”: “Strapless dresses owe their enduring popularity to Rita Hayworth.”

Julia Roberts in Marilyn Vance-Straker, 1990, “Pretty Woman”: “No matter how many times you have seen the film, the moment you can clearly recall is when you fell hopelessly in love with Julia Roberts — and that moment is marked by a dress.”

Michelle Obama in Jason Wu, 2009 Inaugural Ball: “Wu and the three women on his team set to work, spending more than three hundred hours making the gown.”

Halle Berry in Elie Saab, 2002 Academy Awards: “Because the gown was so right on her, it is the only one we ever imagine her in, regardless of how many premieres she graces.”

Princess Diana in David and Elizabeth Emanuel, 1981: “Let’s be honest. The gown is hideous…but it became one of the most copied Big Day gowns in history.”

Charlize Theron in Vera Wang, 2000 Academy Awards: “’We came real close,’ said Wang about the how-low-as-you-can-go open back.”

Marilyn Monroe in William Travilla, 1955, “The Seven Year Itch:” “Why the continued frenzy for an almost 60-year-old summer halter? Because of how it looked on the woman who wore it.”

Nicole Kidman in John Galliano for Dior, 1997 Academy Awards: “This wasn’t merely a sensational creation. This was haute couture-claiming turf.”

Kate Middleton in Alexander McQueen, 2011: “The legendarily loose-lipped House of Windsor became so close-mouthed it was as if there’d been a run on duct tape.”

Jennifer Lopez in Donatella Versace, 2000 Grammys: “No single outfit has ever caused more commotion on any red carpet anywhere.”

Madonna in Dolce & Gabbana, 2009, premiere for “Nine”: “The Sicilian dress is the essence of Dolce & Gabbana, the brand’s sartorial touchstone.”

Tilda Swinton in Alber Elbaz for Lanvin at the 2008 Academy Awards: “Amplifying Swinton’s translucent alabaster complexion, vibrant titian hair and knowing exoticism is a fashion sense that revels in her own singularity.”

Prada RTW spring 2004: “This Prada dress was striking for its level of ease.”

All photos from Style.com.

With a big focus on tailoring for Spring 2012, Riccardo Tisci designed one of the most wearable Givenchy collections to date. The makeup was very on par with this idea as nude eyes and a lightly glossed lip let the models' true beauty shine through. Tiny, shiny, heart-ish shaped bits placed directly beneath the lower lash lines reflected Tisci's mermaid inspiration for the line.

It was ring around the rosy at John Galliano with eyes smudged in a reddish-pink shadow and nude lips blushed ever so slightly. Whimsical, if not slightly freakish, the face matched the clothing designed by former pattern maker for the house Bill Gaytten. Mary Poppins would oblige.

The nude lip trend continued in Paris with Pat McGrath's fresh dewey face for Lanvin. The makeup artist is "feeling really pared-down makeup for Spring," a look designer Alber Elbaz was completely on board with for the show. Clean skin and a smokey brown eye rounded out the look, creating day-to-night beauty that's absolutely flawless.

Ah-ha! And a bold lip steps forward. Makeup artist Pat McGrath mixed three hues to create this perfectly matte, pinkish crimson pout, reminiscent of the late great Grace Kelly. Flawless skin with a rosy cheek was the backdrop for the look, and a pretty bronzed eye complemented without taking away or overpowering a simply beautiful face.

“It was incredibly glamorous and fantastic. I don’t think I’ll experience something like that again in my lifetime,” said the Oscar-winner of filming the commercial, which debuted Sunday night at www.dior.com.

Adding to the surreal glamour are digital recreations of the late Grace Kelly, Marlene Dietrich and Marilyn Monroe. The three movie legends just happen to be hanging out backstage of the Dior show when Theron storms in, every inch the movie star — giant sunglasses and all — throwing her purse at the first person, place or thing she sees. Then she’s stripped, be-gowned and thrown down the runway to Gossip‘s “Heavy Cross.”

In other words, it’s pretty fucking epic. Click through to the next page to take a look at the mini movie and let us know what you think! [WWD, Telegraph]

The idea behind this new fashion adventure is “to remodel the styles of classic icons from the past, for example, Marilyn Monroe, Grace Kelly, and Katherine Hepburn.” Well, you can never go wrong with old Hollywood, I always say, and it would be interesting to see Kitty Hep’s trouser-loving style translated by someone not really known for wearing pants.

Natali, a Parsons grad, is already outfitting an off-Broadway show and will presumably handle the lion’s share of design duties; especially since big sis is stretched thin as it is, what with the demands of being a global phenomenon and all — something I can identify with (no big deal). Gaga the Younger is rumored to be “coming up with a slew of design options” and rest assured, “everything will have their twist on it.”[Grazia Daily, Daily Telegraph]

The bride doll above wears a replica of Grace’s iconic wedding dress worn when she married Prince Rainier III. Available now is the To Catch a Thief doll, who is wearing a blue chiffon gown reminiscent of a dress worn in Alfred Hitchcock‘s 1955 film. And coming in October is the Romance doll, wearing a floral, full-skirted black dress, replicating what the Princess first wore upon meeting her future husband Prince Rainier III at Cannes Film Festival in 1955.

You can shop and see the collection on barbiecollector.com. A portion of the proceeds will go towards the Princess Grace Foundation, which helps raise money for emerging dancers, actors and actresses through apprenticeships, scholarships and fellowships.

LINK LOVE: Vogue UK

For the Cowboys & Aliens premiere at the 64th Festival del Film di Locarno in Locarno, Switzerland, Babaii wanted Olivia to rock a classic bun a la Grace Kelly with a modern twist. He applied Couture Colour Pequi Oil Treatment before blow-drying, curling and sweeping her hair back to elongate her neck and highlight her stunning features. Soft and lovely, we love the contrast between her hair and ultra-loud custom Gucci gown.

LOCARNO, SWITZERLAND - AUGUST 06: Actress Olivia Wilde attends Cowboys & Aliens photocall during the 64th Festival del Film di Locarno on August 6, 2011 in Locarno, Switzerland. (Photo by Vittorio Zunino Celotto/Getty Images)

Olivia Wilde Cowboys & Aliens - UK film premiere held at the O2 Arena - Arrivals. London, England - 11.08.11 Credit: (Mandatory): WENN.com

Photo: Daily Mail

“I’ve been collecting for 45 years and I’m only 40,” Reynolds told the auction audience, followed hopefully by a well-timed rimshot. The dress, acquired by Reynolds in 1971 when 20th Century Fox sold off all of Marilyn’s wardrobe, was expected to sell for $2 million.

The actress amassed some 3500 items over those four decades in an effort to preserve the luster of Hollywood’s Golden Age. However, failing to find a museum ready to take the collection as a whole and driven into debt by its upkeep, Debs sold over 600 of the collection’s effects off this weekend during a 12-hour auction.

Among other items sold:  the red sequined gown and feather headdress Marilyn wore in 1953′s Gentlemen Prefer Blondes for $1.47 million; Elizabeth Taylor‘s riding clothes from 1944′s National Velvet for $73,800; Charlie Chaplin‘s bowler hat from the “Little Tramp” films for $135,300; Gary Cooper‘s uniform from 1941′s Seargent York for $67,650; Grace Kelly‘s dress from 1955′s To Catch a Thief for $450,000; Judy Garland‘s dress and ruby slippers from a screen test for 1939′s The Wizard of Oz for $1.75 million; Rudolph Valentino‘s matador outfit from 1922′s Blood and Sand for $258,000; and Audrey Hepburn‘s ascot dress from 1964′s My Fair Lady for $3.7 million. [Guardian, Vancouver Sun, CNN]

FILM. 'THE SEVEN YEAR ITCH'. (1955) MARILYN MONROE Dir: WILDER, BILLY Ref: SEV002FR Credit: [ 20TH CENTURY FOX / THE KOBAL COLLECTION ]

1. Princess Diana – Diana Spencer

Title: Princess of Wales
Prince Charming: Friend, confidante and designer of choice, Gianni Versace, particularly since Prince Charles proved more frog than prince.

2. Princess Grace – Grace Kelly

Title: Princess of Monaco
Prince Charming: Longtime BFF, Josephine Baker, whom she met in 1951 after standing up for Baker against The Stork Club’s racist practices

3. Princess Jasmine – from Disney‘s Aladdin

Title: Princess of Agrabah
Prince Charming: Street urchin turned Prince Ali, Fabulous He Ali Ababwa

4. Princess Ann – Audrey Hepburn in Roman Holiday (1953)

Title: N/A
Prince Charming: Co-star Gregory Peck and Hubert de Givenchy whom she wore to accept her Best Actress Oscar for her performance

5. Princess Charlotte – Charlotte Casiraghi

Title: Princess of Monaco (she’s Princess Grace’s granddaughter)
Prince Charming: Gucci’s Frida Giannini who exclusively designs Princess Charlotte’s equestrian wardrobe.

6. Princess Sirivannavari – Sirivannavari Nariratana

Title: Princess of Thailand
Prince Charming: Fashion. She’s designs her own fashion line and is a regular at Jean Paul Gaultier‘s shows.

7. Miss Chi Chi Rodriguez – John Leguizamo in To Wong Foo

Title: Drag Princess, “P to the R to the In to the Cess”
Prince Charming: Julie Newmar, who crowns the princess a queen while wearing a Mugler catsuit.

8. Princess Leila – Leila Pahlavi

Title: Princess of Iran
Prince Charming: Barbiturates. A former Valentino model, Leila had her share of demons including anorexia, depression and drug abuse, which ultimately claimed her life.

9. Mia Thermopolis – Anne Hathaway in The Princess Diaries

Title: Princess of Genovia
Prince Charming: Julie Andrews, whose spoonful of sugar helped make the royal medicine go down as Mia’s grandmother, Queen Clarisse.

10. Princess Catherine – Kate Middleton

Title: The Duchess of Cambridge, Her Royal Highness Princess William of Wales
Prince Charming: Sarah Burton, whose Alexander McQueen wedding gown propelled Kate from lady to Lady.

Meet our Princesses here.

Princess Elizabeth of Geisler: Princess Jasmine, those harem pants are to die, and then I could wear that ring with the turquoise in the center and pink around the outside and it would perfectly match my ensemb!

Princess Katherine of Jurado: I would most want to be Princess Grace. A beautiful screen actress and a princess? She had the career and life every little girl dreams of. Plus, she had gorgeous style that is still relevant despite decades of change and trends. Princess Grace’s style and elegance has lasted the test of time. Who wouldn’t want to be known as a fashion icon and a princess?

PrincessTashur of Frink: I would definitely want to be Disney Princess Tiana, mainly because she was determined to pursue her dreams and motivated to do so. I feel I am the same way and I will never stop to get to where I need to be in life! Also, when I see Tiana, I see myself. A strong black woman.

Congratulations to our beautiful princesses. Long live the Ring!

A lot of words sprung to mind when I saw Kate Middleton — now officially Princess Catherine, Duchess of Cambridge —  in Alexander McQueen: Stunning. Beautiful. Perfect. Breathtaking. Classic. Modern. Grace Kelly. And most importantly: Toldyaso.

Princess Kate wore Sarah Burton for Alexander McQueen, thus ending months of speculation as to her wedding dress and providing a wholly satisfying conclusion.

Featuring a 9-foot train, an ivory lace bodice, lace sleeves and satin skirts made with individual-cut flowers hand-worked onto ivory silk tulle, the gown was a fitting tribute to the late designer and a major moment for Burton, who may now be the front-runner for Dior.

What do you think of the new princess’s wedding dress? Loved it or LOVED it?

- Passover just got blinged the schul out. Jewelry designer Young&ng is selling Swarovski-encrusted Yarmulkes for the price of your first born, or roughly $1,495. [Refinery29]

- Karl Lagerfeld wants you to smell like a bestseller. The Kaiser has a fragrance in the works, Paper Passion, inspired by the scent of books. I’ve always wanted an Eau de Moby Dick. [Bellasugar]

- The Fab Lane apparently no longer has room for car pooling. Kimora Lee Simmons has lost some weight, she’s looking good, she’s turning it, she may even get rid of those rings around her neck, but she wants you to know that she does not have an eating disorder, despite kind of hinting at that earlier. [The Cut]

- Kanye West is not your typical rapper. No, Ye is a man after my own heart as he too loves a good woman’s blouse. La West closed Coachella in a Spring 2011 Céline top, heavily accessorized with layers of chains, bracelets and a tampon. He has a really heavy flow. [Elle UK]

- Mirror, mirror, on the wall. Who’s the fairest of them all. Not Kate Middleton (today’s Muse of the World is brought to you by the letter ‘K’). Prince William‘s future princess was voted the third most beautiful royal in history, behind Princess Grace (Kelly) of Monaco and Queen Rania of Jordan. But good news, she came out one place ahead of the late Princess Di. At least that’s one less shadow of Di’s she has to live in…though it’s going to be nothing but darkness for years to come. [Daily Mail]

- Tom Ford may look smarmy, but not used car salesman smarmy. However, an Ontario dealer begs to differ and is using Ford’s swarthy, sultry, smarmy image to move some product with the provocative tagline: ”You know you’re not the first. But do you really care?” I can’t say that I do. Tom Ford may have been around the block a few (hundred) times, but he’s still looks good under the hood.  [Racked]

“I guess it [having style] helped more than anything else. I’m glad I grew up during the last vestige of cool, in the 1990s, when everything wasn’t blogged and on the Interwebs, when things were more on the downlow and underground.”

She’s kind of got a point about the whole underground thing, but the 90s were far from the last vestige of cool – that was the 80s. The 90s were more like the last whimper and final death of cool before the mid-90s took over and America sunk into a capitalist coma.

“I guess I am stylish, but I would rather have people come up and say ‘I really liked your performance in this or that’ than ‘I really like the way you dress.’ That irks me. Anyway, the term It girl gets used too loosely…”

So she’s irked by people respecting her fashion sense over her acting ability; meanwhile, that never hurt Audrey Hepburn or Grace Kelly, both beloved Oscar-winning actresses whose style is arguably more influential than their film catalog.

Then Sevigny turned her ire to Peaches Geldof:

“Today the term is used to describe, say, Peaches Geldof—a girl who doesn’t do anything but is just sort of around.The original It girl was the 1920s movie star Clara Bow; then, in the 1960s, with Edie Sedgwick and Warhol, It girls turned into socialites, ladies of leisure—people who had ‘it’ just for being ‘fabulous.’ But Edie was just a rich drug addict, and when I got called the It girl everyone thought I was that too. I looked like a junkie because it was the 1990s and grunge was the fashion. But I felt I was doing stuff, not just being a socialite.”

Oooh, snap, Geldof! Chloé Sevigny said as far as rich, fabulous drug addicts go, you’re in the same league as Paris Hilton. Buuuuuuurrrrnnn.

When asked if drugs played a part in her personal liberation, Sevigny answered thus:

“It wasn’t like I was a big druggie; it was just kind of a side thing, something that went hand in hand with me falling in with that crowd, the rejects. I don’t think I ever bought anything; it was just sort of there.”

That’s my excuse whenever I end up doing drugs. Yeah, occifer, that coke was just sort of there on my nostrils and I just inhaled. Somehow, that excuse rarely works.

LINK LOVE: Playboy

1. The Golden Compass- Nicole Kidman is so killer in this movie. All of the floor length, fur-lined coats and the glamourous dresses are to die for.

 

2. Loser- So much 90s grunge, so much goth from Mena Suvari, so many motorcycle pads. We love it.

3. Once Upon A Time In Mexico- Enrique pre-mole removal days+Johnny Dep post 21 Jump Street days = good movie. This is a great good cop, bad cop flick with Spanish-infused styling.

 
4. Romeo and Juliet- The prime Leo days, the costuming for this modern-day Romeo and Juliet film is flawless. Minus the sole patch

 

5. Rear Window- This is one of my favorite films ever, detection at it’s finest, and tons of old-school glamour (Grace Kelly is a dream!). This trailer isn’t too good, check out the film for the full effect

 

6. Black Dahlia- Old school glam, total pinup style. We love Scarlett Johansson in red lipstick.

7. Gangs of New York- Leo does it again! (and how sweet is that part when all of those guys have top hats on)

8. Cruel Intentions- Ultimate country club kids, plus Sarah Michelle Geller wears a ton of sexy lingerie.

9. Sky Captain- I’m a huge fan of women being badasses. Gwenyth is still total glam and sexy while being a badass, and Angelina is just, well, being as hot as she is in every other movie.

 

10. Domino-Kiera Knightly as a bounty hunter that still wears red lipstick despite being a total badass? Win.

 

11. Hedwig and the Angry Inch- We had to include one more on this list because Hedwig has the craziest rock-tranny style ever! Not only that, the members of ‘her’ band make great rock stars (for the 80s), and then there is her little goth boyfriend.  All sorts of styles going on in this film, and all sorts of greatness

What films do you think have the best style?

LINKAGE: jezebel via people