Featuring Amanda Lear

Featuring Twiggy

Featuring Jerry Hall

Photographed by Herb Ritts

Photographed by Annie Leibovitz

Photographed by Helmut Newton

Photographed by Herb Ritts

Photographed by Bruce Weber

Photographed by Richard Avedon

Photographed by Jean Baptiste Mondino

Photographed by Juergen Teller

Photographed by Jean Baptiste Mondino

Photographed by Patrick Demarchelier

Photographed by Herb Ritts

Photographed by Ellen Von Unwerth

Photographed by Steven Meisel

Photographed by Mario Testino

Photographe by Steven Klein

Photographed by David Lachapelle

Photographed by Inez & Vinoodh

Photographed by Patrick Demarchelier

Photographed by Nick Knight

Photographed by Ellen Von Unwerth

Photographed by Terry Richardson

Photographed by Mario Sorrenti

Photographed by Peter Lindbergh

Photographed by Hedi Slimane

Featuring Kate Moss

Designed by Givenchy's Riccardo Tisci

Photographed by Mert & Marcus

Knightley discusses her two new films with David Cronenberg, who recently directed the 27-year-old in last year’s A Dangerous Method. First there’s June’s Seeking a Friend for the End of the World, co-starring fellow fashion plate Steve Carell, and an adaptation of Anna Karenina, in which she plays Tolstoy’s legendary literary heroine — out just in time for awards season in December.

Seriously, just throw that girl in a period piece and watch the Oscars fly.

Photos: Interview

[Fashion Gone Rogue]

Photos: Out Magazine

Andrej Pejic

Brad Goreski

Tim Gunn

Marios Schwab and Jonathan Saunders

Nicolas Ripoll

Peter Som

Nicola Formichetti

Jack Calhoun, President of Banana Republic

Gareth Pugh

Wilhelmina Cooper (1939-1980) Before starting her own modeling agency in 1967 (yes, that Wilhelmina), the Dutch-born Cooper appeared on some 300 magazine covers, and still holds the record for most covers of American Vogue: 27. Though Gwyneth Paltrow is slowly sneaking up on her.

Photo: The Fashion Spot

Marisa Berenson with many shell headdress is worn to complement the warm Mediterranean make-up up colors, like the different shades of blue circling the eyes. She is also wearing a light blue sheer dress

The granddaughter of one of the pillars of Italian couture, Elsa Schiaparelli, Marisa was “invented” by legendary Vogue editor Diana Vreeland at the age of sixteen, and became one of the most prolific models of the 60s and 70s. She graced every cover from Vogue and Harper’s Bazaar to Newsweek and Time and worked with the greatest photographers of the 20th century including Irving Penn, Richard Avedon and Helmut Newton. Then in the 70s, she embarked on a successful film career, along the way becoming, as Yves Saint Laurent dubbed her, “the girl of the seventies.” Featuring an introduction by aspiring popstar Hamish Bowles and a conversation with BFF for the last four decades or so, Diane von Furstenberg, Marisa Berenson: A Life in Pictures, gives insight into one of the most fabulous women to step in front of a camera lens.

What owning this book says about you: “I like my ‘It’ girls the way I like my drugs: pure, uncut and from the 70s.” Marisa Berenson’s rise to “It” status was pre-destined — glamour is literally in her blood — and she did it so effortlessly and so well that any girls aspiring to “It” today are but pale imitations. I’m looking at you, every socialite/DJ with a fashion fixation.

What will people say?!: “Someone loves them some artistic nudes and/or just loves a good boob shot.” True, Marisa Berenson had no problem flaunting what her mother, The Countess Maria Luisa Yvonne Radha de Wendt de Kerlor — a.k.a. Gogo — gave her, though her grandmother certainly did. After seeing a nipple-bearing photo by Arnaud de Rosnay, Schiap, according to Berenson, “was so furious that she practically threw me out of the house and disowned me.” But as DVF so astutely pointed out, “to show your tits was not a big deal at the time. To be young in the seventies was quite different.” Different i.e. awesome.

How this book will make your fashion brain grow: Berenson’s dynamic and daring photos offer a master class in brilliant fashion photography and moreover, in brilliant fashion photographers.

If you like this, you’ll love: Death in Venice (1971), Cabaret (1972), Barry Lyndon (1975) and I Am Love (2009) – Marisa’s work as an actress is almost as impressive as her modeling, particularly her first few films from the 70s. And 2009′s I Am Love proved that, even well into her 60s, she’s still an electrifying and stunning presence.

Marisa Berenson wearing copper-colored sequin dress by Gayle Kirkpatrick for Atelier.

Marisa Berenson with many shell headdress is worn to complement the warm Mediterranean make-up up colors, like the different shades of blue circling the eyes. She is also wearing a light blue sheer dress

Model Marisa Berenson wearing strapless green and red chiffon dress from Bill Blass. Circa January 1966.

Bianca Jagger, 1979

NEW YORK

In her broken English — or badly translated Italian — Sozzani extols the virtues of Yves Saint Laurent‘s nakedness, Stephanie Seymour‘s snatch, and the artistic nudes of Helmut Newton and Richard Avedon.

They knew how to be naked back then!

She then goes on to call Terry Richardson and Juergen Teller trashy and blame them for transforming nudes into “something sexy and crude rather than glossy.” Whatever “glossy” is supposed to mean.

The editrix then goes on to attack the Tom Ford-helmed issue of Vogue Paris, featuring a wide range of exploitation:

“How about little girls? Wearing heavy make up, sexy clothes, posing in poses that are outrageous for their age.”

Sozzani seems to think that the pinnacle of child exploitation was in the 80s Brooke Shields pedo-fest, Pretty Baby, as “the images were actually romantic for the harsh reality [baby prostitution] portrayed in them.”

And as for those naked elderly people, she’d prefer they keep their wrinkly birthday suits covered up, thank you very much.

Franca Sozzani’s point in all of this is that the images being presented should say something and not just shock for the hell of it.  I love a nude male model as much as the next lady, often much much more, but when does it go from being art or fashion and just becomes porn?

Answer: point of insertion.

But beyond that, if a collection just isn’t good, there’s no point in calling it avant-garde. That’s an easy cop-out. If an article of clothing defies categorization or tradition, sure, call it avant-garde. But feel free to listen to Franca when in doubt:

“If what’s beautiful depends on your opinion, what’s ugly just repulses you.”

What do you think? Does Franca Sozzani have a point?

Link Love: Vogue Italia

The always engaging Navo gives us his picks for best films of about photographers. He also gives us a little picture into why he became a photographer. Read it, memorize it, bring it up in conversation. The Navo will be happy.

DAMN, I NEED TO HIT THE GYM AGAIN

Why did I become a photographer? Do I really love taking pictures or I just like the idea of being a “photographer”? Do I have the right reasons for my passion and obsession for this hobby, for this job? Can a person fake his talent, his eye, his happiness, his vision? Can I just act like a photographer for decades, for the rest of my life and get away with it? Can I just be easily a photographer the moment I invest in a digital camera? I think the most important question is - CAN I FOOL MYSELF AND THE WORLD? I was 18 when I took my first pictures in art school, that was right after I gave up painting and writing and focused on my photography and after a couple of years worked as a graphic designer in Saudi Arabia and Dubai, later Hong Kong, my designing job supported my love for travelling and documenting them, the skylines, the people, the parties, the beaches, the friends, then one day got tapped in Dubai to shoot a DSquared2 advertorial and the rest is history as they say, that was roughly 6 years ago, and the first 3 years was a slow pace into the transition to photography and giving up graphic design altogether, once you learn to love something you need more time to care for them, being a camera person keeps me busy and occupies most of my days for the past years, I take portraits of beautiful people, “Damn, I need to hit the gym again” is the no# 1 reaction to my work, especially with men, I don’t know if thats a good sign, but for some reason I think I should get a commission to all the countless gym memberships I sold, I take pictures of men like I take pictures of buildings, they have to look magnificent, naked, architectural and mysterious.

THE ARTIST & THE POLITICIAN

It’s been a work in progress and a never-ending learning and developing my style that I could call my own, I love the struggle, makes life more interesting and journal-worthy. But like any other industries, you don’t only have to worry about your trade and your own business, the industry of beautiful people is also filled with the nasties, politics is deeply entrenched in the very structure of the fashion industry machine. There’s more politics in the fashion house than the white house, and half the wit and education, thats the irony. Thousands of very talented individuals, countless photographers gave up the battle, lensmen who loves photography to their bones, but hates the politics, artists who can’t stomach it, or just basically not built for it. Everytime you look at a billboard in Time Square,  you can’t help but wonder, what this people behind this beautiful pictures have to give up, have to sell, have to kill to get this job? Yes, gone are the days when photography is only about taking good pictures, knowing the camera, going to an art school or just get a Photography for Dummies book, it’s not only about lenses and tripods and reflectors, it’s not only about models and lighting and creativity anymore. You have to be a hustler, a mobster, a bully, a pimp, a thief or a prostitute to be on the top of the foodchain, and unfortunately there’s no university in the world you can learn Fashion Industry Politics or even a Fashion Politics for Dummies book.

MIDNIGHT MEAT TRAIN, THE SEQUEL

L. B. ‘Jeff’ Jefferies, Billy Kwan, Harlen Maguire, Anna Cameron,  Jeff Kohlver, Laura Mars, Dick Avery, Seymour ‘SY’ Parrish, Lucy Berliner, Alexandre Rodrigues, Russell Price , Charles Castle, Robert Kincaid and Richard Boyle are some of the most unforgettable characters that I’ve ever seen in the silver screen and there’s one thread that binds them all together. The hunky thespians (some of my favorite actors today)—Jude Law (Sherlock Holmes 2009), Patrick Wilson (Watchmen 2009), and Bradley Cooper (Hangover 2009),  cinematic legends—Clint Eastwood (Gran Torino 2008),  James Stewart (The Man Who Knew Too Much 1956), Fred Astaire (The Sky’s the Limit 1943) and Robin Williams (Mrs. Doubtfire 1993), and Hollywood megastars—Nicole Kidman (The Portrait of a Lady 1996), Julia Roberts (Pretty Woman 1990), and Faye Dunaway (Bonnie and Clyde 1967) have something in common. They will always be my personal favorite actors, because they played once in their remarkable careers a role with bravado, grace and intelligence—the role of a photographer.

If your life is a movie, will it be a Romance? A Thriller, a Mystery or Crime saga?  Perhaps Drama, a War or Adventure Epic? A Horror or a Comedy? A Musical or an Action Sci-fi? Some people who thinks they know me (the Frenemies**) will say my life is a downright HORROR movie, a gay psychopath monster photographer who makes everyone’s lives miserable, sounds like “The Midnight Meat Train, The Sequel” to me, some people say I’m also DRAMATIC, so i guess, there’s a possible bromance lurking between the bloodbath, my life has been casualy summarized into a D-list cult flick in the 70’s.

OSCARS LOVES SHUTTER BUGS

Obviously film and photography are close relatives both use film or digital cameras to capture the world as they see it and tell their different stories. The Academy Awards (Oscars) obviously loves photographers, most films featured on the list are either nominated or have won a major award, most of them for their roles as photographers, many iconic and important films all over the world revolves around that guy (or girl) holding a 35mm, whether they’re risking their lives to reveal a monster of war or a revolution, psychopatic photographers tracking or stalking the protagonist or a photographer tracking a psychopath,  fashion photographers having illicit and scandalous sexual affairs, shutter bugs falling in love with their muse or just becoming obsessed with their subjects, or a combination of all that, these are the characters that have helped millions of moviegoers around the globe (including me) a glimpse into the life of the imaginary, the gritty, the tender, the romantic, the obscene, the savage, the genius and the human—the photographer.

**a future article you’ll find here in Dangerously Naive.

1.

Rear Window (1954)
Through his rear window and the eye of his powerful camera he watched a great city tell on itself, expose its cheating ways…and Murder!

The legend Alfred Hitchcock exerted full potential of suspense in this masterpiece.  Could easily be my favorite movie of all time. James Stewart as L. B. ‘Jeff’ Jefferies, a wheelchair bound photographer spies on his neighbours from his apartment window and becomes convinced one of them has committed murder. Grace Kelly co-stars as Jeff’s girlfriend Lisa Carol Fremont. Nominated for 4 Oscars (Best Cinematography, Color – Robert Burks,  Best Director – Alfred Hitchcock,  Best Sound, Recording – Loren L. Ryder, Paramount,  Best Writing, Screenplay – John Michael Hayes and other 4 wins and 5 nominations.

Director: Alfred Hitchcock
Writers: John Michael Hayes (screenplay) Cornell Woolrich (short story “It Had to Be Murder”)
Release Date: 14 January 1955 (Japan)
Genre: Crime | Mystery | Romance | Thriller

2.

The Year of Living Dangerously (1983)
A Love Caught In The Fire Of Revolution.

A young Australian journalist (on his first job as a foreign correspondent), Guy Hamilton (played by Mel Gibson) tries to navigate the political turmoil of Indonesia during the rule of President Sukarno with the help of a half- Chinese dwarf photographer Billy Kwan as Guy’s local photographer contact, a role for which Linda Hunt won an Academy Award for Best Supporting Actress. Jill Bryant (Sigourney Weaver) as Guy’s love interest, a British Embassy officer. Combining political intrigue, steamy romance, and engaging characters, Peter Weir’s well-crafted, highly enjoyable adventure is one of the few successful efforts to make a Casablanca-like movie for modern audiences. The film was shot in both Australia and the Philippines. An Oscar win and other 7 wins & 15 nominations. Also on the list of my all time favorite classics.

Director: Peter Weir
Writers: C.J. Koch (novel) C.J. Koch (screenplay)
Release Date: 21 January 1983 (USA)
Genre: Drama | Romance | War

3.

Road to Perdition (2002)
Pray for Michael Sullivan.

Jude Law as Harlen Maguire a psychopathic assassin who likes to photograph his victims, Harlen tracks hitman Michael Sullivan Sr. (Tom Hanks) and son in Illinois during the Great Depression. Paul Newman (in his final theatrical screen appearance) as John Rooney, an Irish American organized crime boss of Sullivan Sr., and Daniel Craig as Connor Rooney, the crime boss’s son. A story that had minimal dialogue and conveyed emotion in the imagery. Somber, stately, and beautifully mounted, Sam Mendes’ Road to Perdition is a well-crafted mob movie that explores the ties between fathers and sons.  Winning several awards, 17 wins & 51 nominations, including the Academy Award for Best Cinematography win, and nominations for Best Actor in a Supporting Role- Paul Newman. One of the best film produced this decade in my list.

Director: Sam Mendes
Writers (WGA): Max Allan Collins (graphic novel) and Richard Piers Rayner (graphic novel)
Release Date: 12 July 2002 (USA)
Genre: Adventure | Crime | Drama | Thriller

4.

Closer (2004)
If you believe in love at first sight, you never stop looking.

Julia Roberts as Anna Cameron, a quietly independent divorce and successful art/portrait photographer, Jude Law as Dan, a thoughtful but unsuccessful novelist and journalist, who authors a book about Jane (Natalie Portman), a gorgeous young runaway from New York’s seedy sex industry, and Clive Owen as Larry, a dermatologist with the lust and manners of a soccer hooligan. The plot revolves around the infatuation of the couples for one another, an elaborate character study of two London couples as they engage in an ultimate game of partner swapping. The film was recognized with several awards and nominations, including Oscar nominations (and Golden Globe wins) for both Portman and Owen for their performances in supporting roles, and other 8 wins & 20 nominations.

Director: Mike Nichols
Writers (WGA): Patrick Marber (play) Patrick Marber (screenplay)
Release Date: 3 December 2004 (USA)
Genre: Drama | Romance more

5.

Hard Candy (2005)
Strangers shouldn’t talk to little girls.

After three weeks chatting with the 32-year old fashion/portrait photographer Jeff Kohlver (Patrick Wilson - Watchmen 2009) ‘Lensmaster319? in Internet, the mature 14-year old Hayley Stark (Ellen Page – Juno 2007) finally meets. Suspecting that he is a pedophile, she goes to his home in an attempt to expose him. The first feature film for director David Slade, who previously had worked mostly in music videos. Disturbing, controversial, but entirely engrossing, a well written with strong lead performances. A movie that stays with the viewer long after leaving the theater, garnering 5 wins & 6 nominations in different award giving body.

Director: David Slade
Writer (WGA): Brian Nelson (written by)
Release Date: 14 April 2006 (USA) more
Genre: Drama | Thriller more

________

One Hour Photo (2002)
The things that we fear the most have already happened to us...

Robin Williams as Seymour ‘SY’ Parrish, a creepy photo developer and photographer. He has a vast knowledge of modern photography and develops photos at a one-hour photo lab in a local department store and becomes obsessed with one of his customers, a young suburban family, the dad, Will Yorkin (Michael Vartan), the mom Nina Yorkin (Connie Nielsen) and their kid. Williams won a Saturn Award for Best Actor (2003) for his work in the film, other 5 wins and 14 nominations.

Director: Mark Romanek
Writer (WGA): Mark Romanek
Release Date: 13 September 2002 (USA)
Genre: Drama | Thriller

6.

Cidade de Deus/ City of God (2002)
If you run you’re dead…if you stay, you’re dead again. Period.

Based on a true story, a shocking and disturbing, but always compelling story of two boys growing up in a violent neighborhood slums of Rio de Janeiro take different paths: one becomes a photographer (Alexandre Rodrigues as Buscapé – Rocket), the other a drug dealer (Leandro Firmino as Zé Pequeno – Li’l Zé). The story is told through eyes of Buscapé, a poor young fisherman’s son who dreams of becoming a photographer one day. The film received four Academy Award nominations in 2004: Best Cinematography (César Charlone), Best Directing (Meirelles), Best Editing (Daniel Rezende) and Best Writing (Adapted Screenplay) (Mantovani). Before that, in 2003 it had been chosen to be Brazil’s runner for the Academy Award for Best Foreign Language Film, but it was not nominated to be one of the five finalists.

Directors: Fernando Meirelles  Kátia Lund (co-director)
Writers: Paulo Lins (novel) Bráulio Mantovani (screenplay)
Release Date: 2002 (Russia)
Genre: Action | Crime | Drama

________

The Midnight Meat Train (2008)
The most terrifying ride you’ll ever take.

Bradley Cooper as Leon, a documentary/art photographer who attempts to track down a serial killer named Mahogany (Vinnie Jones) dubbed the “Subway Butcher” and discovers more than he bargained for under the city streets of New York. A creative and energetic adaptation of a Clive Barker 1984 short story of the same name (which can be found in Volume One of Barker’s collection Books of Blood), with enough scares and thrills to be a potential cult classic. 4 wins in different categories.

Director: Ryûhei Kitamura
Writers (WGA): Jeff Buhler (screenplay)
Clive Barker (short story “The Midnight Meat Train”)
Release Date: 7 August 2008 (Russia)
Genre: Crime | Drama | Horror | Mystery | Thriller

7.

Funny Face (1957)

Fred Astaire as Dick Avery, a fashion photographer in search for an intellectual backdrop for an air-headed model, expropriates a Greenwich Village bookstore. When the photo session is over the store is left in a shamble, sales girl Jo Stockton (Audrey Hepburn) comes to the rescue. They offer Jo a modeling contract, which she reluctantly accepts only because it includes a trip to Paris. Eventually, her snobbish attitude toward the job softens, and Jo begins to enjoy the work and the company of her handsome photographer. Richard Avedon designed the opening title sequence and consulted on the film, and Bill Avery was the still photographer. Nominated for 4 Oscars and other win & 5 nominations.

Director: Stanley Donen
Writer: Leonard Gershe (written by)
Release Date: 13 February 1957 (USA)
Genre: Romance | Comedy | Musical

________

The Bridges of Madison County (1995)

Clint Eastwood as Robert Kincaid, a photographer in the farmlands of Iowa on assignment for National Geographic magazine and wanders into the life of a bored, middle-aged Italian housewife Francesca Johnson (Meryl Streep), for four days in the 1960s. They fall in love, but she’s married with children. A film adaptation of Robert James Waller’s wildly popular, bestselling novel. Eastwood and Streep, who was nominated for the Academy Award for Best Actress in 1996 for her performance in the film, other 6 wins & 6 nominations.

Director: Clint Eastwood
Writers (WGA): Richard LaGravenese (screenplay) Robert James Waller (novel)
Release Date: 2 June 1995 (USA)
Genre: Drama | Romance

8.

Under Fire (1983)
This wasn’t their war but it was their story…and they wouldn’t let it go!

Nick Nolte as Russell Price , a star photographer, one of the journalists in a romantic triangle are involved in political intrigue during the last days of the corrupt Somozoa regime in Nicaragua before it falls to a popular revolution in 1979. Ed Harris as Oates and Gene Hackman as Alex Grazier. Nominated for Oscar. Another 2 wins & 3 nominations.

Director: Roger Spottiswoode
Writers: Clayton Frohman (screenplay) Clayton Frohman (story)
Release Date: 21 October 1983 (USA)
Genre: Drama | War

________

Salvador (1986)

James Woods as Richard Boyle , an American photojournalist down on his luck in the US, drives to El Salvador to chronicle the events of the 1980 Salvadoran civil war. While trying to get footage, he becomes entangled with both leftist guerrillas and the right-wing military.  The film was nominated for two Academy Awards: Best Actor in a Leading Role (Woods) and Best Writing, Screenplay Written Directly for the Screen (Stone and Boyle), and other 3 wins & 6 nominations

Director: Oliver Stone
Writers: Oliver Stone (written by) and Rick Boyle (writer)
Release Date: 23 April 1986 (USA)
Genre: Biography | Drama | Thriller | War

9.

Photographing Fairies (1997)

Toby Stephens as Charles Castle, a photographer numbed with grief after the sudden death of his young wife, devotes himself to his work as a photographer in World War I. Charles is given some photographs purporting to be of fairies. His search for the truth leads him to Burkinwell, a seemingly peaceful village seething with secrets where he becomes drawn into a web of passion, romance and violence. Ben Kingsley as Reverend Templeton. 5 wins and 3 nominations.

Director: Nick Willing
Writers: Chris Harrald (written by) Steve Szilagyi (book)
Release Date: 19 September 1997 (UK)
Genre: Drama | Fantasy | Mystery

________

High Art (1998)
A story of ambition, sacrifice, seduction and other career moves.

Ally Sheedy as Lucy Berliner, a very talented drug-addicted lesbian photographer that contributes with high-art photography magazine Frame meets a young female intern for the magazine, Sydney ‘Syd’ (Radha Mitchell) both of whom seek to exploit each other for their respective careers, while slowly falling in love with each other. Berliner’s photography (Sheedy) was based on Nan Goldin’s work. The photographs themselves were made by Jojo Whilden. 7 wins and 14 nominations.

Director: Lisa Cholodenko
Writer: Lisa Cholodenko (writer)
Release Date: 12 June 1998 (USA)
Genre: Drama | Romance

10.

Eyes of Laura Mars (1978)

Faye Dunaway as Laura Mars, a very successful high-end fashion and advertising photographer and Tommy Lee Jones as Detective John Neville notes striking similarities between her art photos and those of real crime scenes. The screenplay, adapted from a spec script titled Eyes, written by John Carpenter, was Carpenter’s first major studio film. Producer Jon Peters, who was dating Barbra Streisand at the time, bought the screenplay as a starring vehicle for the actress, but Streisand eventually decided not to take the role because of “the kinky nature of the story”, as Peters later explained. The role went to Dunaway, who had just won an Oscar for her performance in Network. It was shot entirely in New York and New Jersey. The famous sequence where the Laura Mars character photographs a group of models against a backdrop of two burning cars was filmed over four days at New York’s Columbus Circle. Gallery Exhibition Images of Laura Mars are shot by Helmut Newton. Despite its lukewarm critical reception, the film was a box office hit, earning $20M off of a $7M budget, 1 win and 1 nomination.

Director: Irvin Kershner
Writers: John Carpenter (screenplay) and David Zelag Goodman (screenplay)
Release Date: 2 August 1978 (USA)
Genre: Horror | Mystery | Thriller

________

Blow – Up  (1966)

David Hemmings as Thomas, a successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he frolics with young models, then meets the mysterious Jane (Vanessa Redgrave), he accidentally captures on film the commission of a murder. The film was nominated for 2 Oscars and other 7 wins and 4 nominations.

Director: Michelangelo Antonioni
Writers: Michelangelo Antonioni (story) Julio Cortázar (short story)
Release Date: 18 December 1966 (USA)
Genre: Drama | Mystery | Thriller

________

Other film’s that centers around the life of a lensman:

Fur: An Imaginary Portrait of Diane Arbus (2006)
Nicole Kidman as Diane Arbus
Robert Downey Jr. as Lionel Sweeney

Mad Dog and Glory  (2000)

Gentlemen’s Relish (2001) (TV)

No Small Affair (1984)

Stardom (2000)

Head in the Clouds (2004)

Femme Fatale (2002)

The Notorious Bettie Page (2005)

Fairy Tale: A True Story (1997)

The Photographer  (2000)

Harrison’s Flowers (2002)

The Truth About Cats & Dogs (1996)

Catch & Release (2007)

Pecker  (1998)

Karl Lagerfeld and Baptiste Giabiconi have teamed up to print a book with photos of the iconic Helmut Newton woman. The photos I’ve seen of it so far are gorgeous, and totally inspiring. See for yourself! Check out a sneak peak from the book Helmut Newton: SUMO on Envy or in the gallery below

LINK LOVE: Homotography

There’s nothing like having high quality prints of Irving Penn, Richard Avedon, Helmut Newton, Steven Klein, Annie Leibovitz, Steven Meisel and several other established photographer’s work in the confines of your own home. I had the opportunity to snag a copy of Dolce & Gabbana’s collaborated photo compilation, Extreme Beauty In Vogue, before it hit’s shelves in October, and I must admit, I feel like a child staring at a picture book, completely mesmerized by every photo. Edited by Phyllis Posnick with an essay by Eva Respini, Extreme Beauty In Vogue exposes photographic, stylistic and journalistic perceptions of female beauty and opinions on allure. Featuring two centuries of work, the evolution of cultural attitudes on women is exposed in this coffee-table must have. And for those of you hung up on Vogue’s typical conservatism, there’s enough nipples, asses, bestiality and blood to suit your fancy. Shove your Beatles anthology to the side folks, because this $55 investment is what your dinner guests should be snooping through!

GALLERY: Extreme Beauty In Vogue

For more information, check out Extreme Beauty In Vogue here!

Nicole Wisniak, who is the editor, consultant art director, advertising director, production controller and distributor also creates ads specifically for her advertisers for the magazine.

Princess Caroline of Monaco , Richard Avedon , novelist Marguerite Duras, Helmut Newton, Mick Jagger, Francoise Sagan and so many more aided in the elevation of Egoiste.

LINKAGE: Frillr