Having transplanted from the West to East last year, Miss Ovitz brings on a barrage of covet-worthy pieces for all the girls, regardless if they ride the Jjitney or PCH. Had the pleasure of meeting up with Kim to review her collection at Madison Boutique  in LA- and here are some top picks, ideal for any coast and Ovitz fan in between.  Now ladies, when rocking these looks- the only battle you will encounter are those street style photogs all up in your territory.

The wedding day is finally here and we’ve got even more details about the Kim Kardahsian Kris Humphries uber lavish wedding.  In addition to our earlier list, here are the latest bits of gossip about the famous nuptuals:

1. The jaw dropping invitation is above, which includes requests for all guests to wear black and white.  The invite was delivered in its own box which was decorated by hundreds of jet black hematite crystals

2. $66,000 worth of wedding gifts have been purchased from her registry by the couple’s wealthy guests.  Still up for grabs are the $305 per plate set of Hermes dishes, a $7,000 Baccarat vase, an $840 Havana ashtray, and $205 KT ice tongs.

3. The wedding party is all shacked up at the Four Seasons Hotel, and they’ve caused so much ruckus there with the cameras and staff that another bride to be that was actually having her wedding there wasn’t even allowed to attend her own party due to security blocks for the celebrity entourage.  She was said to dash to her room in tears over the Kardashians taking away attention on her special day.

4. Kim’s wedding will actually be held at the nearby Montecito Sotto Il Monte Estate 

5. Post ceremony, the couple will be jetting back to their new home at the Gansevoort Park Hotel in New York City.

6. The wedding is set for 6pm west coast time this evening, and in attendance will be celebrity guests including Justin Bieber, Selena Gomez, Nicole Richie, Ryan Seacrest, Jennifer Lopez, Venus and Serena Williams, La La Anthony,  and the New Jersey Nets basketball team.

The shoot took place inside the 2^nd Street tunnel in Los Angeles, shielding LiLo from the harsh glare of the real world the L.A. summer sun.

Shields, who previously shot the actress in April and November of last year before her stint in jail, explained on his website, “A little romance never hurt anyone until it ended,” adding, “In matters of love sometimes you have to be willing to get your hands dirty.” Apparently, Shields is also under the impression that a little boob-grab never hurt anyone.

Lindsay Lohan couldn’t have been anything but gung-ho about this, as we assume her hands are just as dirty as the rest of her.

Click through below to see the shoot!

Link Love: [Styleite]

Click through to view my picks

Bradley Davidowitz

Where does the imagery for the screen-printing stem from?

It’s an extension of what we were already doing, which is traditional with a twist. We’re taking things that have already been done before and doing it a little bit better, a little bit different than people have seen them. I take iconic imagery and do it in a sort of “One Grey Day” way, which is to put a little twist on it and to get something that everybody’s familiar with, but have not seen in that form before.

You said that your name is a play on words. How did one great day become One Grey Day?

The concept for the line, tones of black, gray and white, was in place before we had a name for the line. I got me and my friends together and we were throwing around ideas. We were saying, ‘What’s the commonality that ties everything together?’ My own wardrobe, even my house, everything’s gray. I knew that gray was going to be the underlying concept through the whole collection. People ask me, “Why gray?” Everybody knows in Los Angeles, when I say, “a gray day,” they know what I mean because we have these days all the time. Even in summer. In April, the beginning of spring, you’ll wake up and everything looks gray. It’s not in a bad way, it’s just a gray day. It’s not cold outside, it’s overcast, it’s cloudy and has this grey hue over the city.

How big is your design team?

My design team right now is three people. I have 2 amazing young designers who at some time soon I’ll be able to introduce to everybody, but right now they’re working and developing their craft. I’m lucky that they’re doing it for one grey day. I have one sweater designer, one cut and sew designer, and they also are working together to develop the new part of the collection that is a hybrid between the sweaters and the cut and sew pieces. And I have an artist that does all of my images for screen-printing.

What was your Aha! moment that got this company started?

I don’t know if there was an exact “aha” moment. I know, for me, when I realized everything was going to work out was when we did the Coterie trade show in NY. We had put the collection pretty quickly and we were making the decision of whether we should wait one season to launch, or to just go ahead and do it that fall of ’09. And we decided we should go for it. We waited as Coterie opened for 5-10 minutes and there was literally nobody in the hall yet. The first person to walk by our booth came in and started looking at the collection and asked some simple questions. Two minutes later they had written a pretty nice order and walked away. So five minutes into the life of the brand, we had gotten our first order. For me that was really exciting, like, Okay maybe we are onto something here. It gave me the confidence to keep going forward. It was a great start for One Grey Day.

Who was the first celebrity to wear your designs? What did that feel like?

There were some people that were wearing One Grey Day pieces before it launched, just some close friends, but it was never something that happened organically. There’s giving something to a friend and you know they’re going to wear it and support you no matter what. There’s a difference between that and getting a phone call saying, “I saw someone wearing your clothes.” That happened for me. I was getting ready to go on vacation that afternoon, and about a half hour before I left for the airport, I got an email and it was a picture of AnnaLynne McCord from 90210 wearing one of our dresses on the red carpet for the Taking of Pelham 123. I remember seeing the picture from the side and thinking, that looks like a One Grey Day dress. And then I looked closer and was like, omigod that is a One Grey Day dress! And then 15 minutes after that, the phone was ringing like it had never rung before. We had a multiple line phone at the office, and I don’t think more than one line had ever been used at once. And in that few hours the phones were ringing. It was a good feeling. It was pretty cool.

Where do you ideally see your girl wearing One Grey Day?

I think she’s all over. I think that’s one of the great things about One Grey Day is that with each individual person it can be worn differently. The reason I say that is because what we’re doing is taking cool basics and doing them with a twist. What I mean by that [for instance] is taking a traditional v-neck sweater and adding a back slit to it where there’s a peekaboo of the back. And things like that for sure can be worn differently. What that means is that for a certain girl the piece can make them look sexy or feel sexy, but for another girl, they make the piece be sexy, and I think that that’s important that it’s going both ways. The ideal situation would be someone who has plans to go out on a date or to dinner, but in the meantime has to go to work and they don’t want to have to change their whole outfit.

What’s one piece of advice for designers wanting to start their own line?

Not get too ahead of yourself. Whenever you’re dealing with something as creative as a clothing line, there’s always going to be time to choose the things you want to do, but sometimes you have to choose the things you need to do, in order to be able to get to that point.

What’s your favorite piece of the collection?

The stuff that we are selling right now for the stores in fall – the boyfriend sweater. It’s an oversized v-neck sweater. For me it’s just a sexy piece. A beautiful girl that’s wearing a piece of menswear inspired clothing; that just does it for me.

What trend are you most excited about for next Spring?

Time to introduce a little bit of color to One Grey Day.

Bradley Davidowitz

Guilty of lusting after that jacket? Mention FashionIndie and get 15% off everything on the Court room floor.

Look One: Shredded ‘n’ Leather

The Long  Tube Skirt: Mary Meyer, $94

California native cum NY transplant Mary Meyer fuses her talent for art into clothing that makes sense. Most notable for her geo-graphics and dyeing, she also has some revolutionary ideas about garment making. The construction of the skirt is what inspires me: she’s purposefully left the knit hemline unfinished so that the wearer may cut it to the desired length, no tailor required. The ground grazing-option takes effect when you place the waistline at any height. Named the AJM Skirt for Andrew J. Mukamal of Kell On Earth assistantship, Meyer was inspired by his grunge gone goth glam; long soft layers that counterpose plaid and leather.

The Shredded Top: Evil Twin, $89

“A physical copy of one’s self whom has altered morality” is the definition of this Australian brand’s namesake. I gather that this Evil Twin‘s twin shirt would not have holes, nor spaced fringe, nor a marble tie dye, all of which sneakily camouflage my exposed skin. With the skirt up high resting just below the bosom, I only have need for a bust long top. This holy top was born to move and shake, so if scandal isn’t your thing, throw a hot bandeau underneath as a bra, and let the hue show through. Lest you end up locked up for indecent exposure.

The Leather Jacket: Kill City, $458

With a slouch squared collar and super long sleeve lining, the relaxed rocker jacket is the ideal weight for Spring’s transition. Based in LA, Kill City is forged in that flexible weather to the sound of the rockin’ punk wail of Iggy Pop.

The Side-Laced Wedge: Madison Harding, $185 (originally $265)

Created intently for the downtown pavement pounder, these suede wedge booties ground the outfit’s transitional effect. Hilary Rosenman of Madison Ave., N.Y. and Barri Budin of Harding Dr., N.J. hauled their fashion knowledge to the East Village and began making astutely designed Madison Harding shoes.

The Hair Corset: Court, $48

Their very own hair corset comes from the Native American tradition of hair tying. They lace up like the top of a riding boot and encapsulate the pony tail. More details on this piece in the coming looks.

If you have to go to Court, this is for sure the one to go to.

178 Mulberry Street
New York, NY 10012
(212) 925-1022

In the year 2010, there might not have been a time in your life where you didn’t hear or see the following lyrics:

“Poppin bottles in the ice, like a blizzard when we drink, we do it right, gettin slizzard/ Sippin sizzurp in my ride, like Three 6/ Now I’m feelin so fly like a G6?

Your first instinct may be “What the fuck does Slizzard mean and is a G6 some type of car?” It then goes to “I need this song as my ring tone right now” and “I need to spam my BBM status with these lyrics, oh my god! So hip!”

After your mind goes through that, oh so intense process, you draw back and think about something else. Who the hell is that girl singing the hook?

Well on your iTunes purchase receipt it says “DEV” and that’s who it is, it’s not Uffie and no it’s not Ke$ha. It’s DEV. Well who is DEV? Pop class begins….

DEV is a singer/songwriter, discovered by LA Valley-boy group “The Cataracs.” To some that C-word might just be any other Snoop Dog lyric, but to others it may be the name of the group that is brewing up all the youthful pop music that today’s radio stations, iPods and Facebook statuses are screaming for; basically brain-washing teens with fetch lingo and simple beats that will live in your brain. The same things Dr. Luke & Max Martin did in the late 90s to early 2000s with Britney, N*SYNC and The Backstreet-Boys. Coming strong with her recent Billboard hot 100 debut “Bass Down Low,” The Cataracs’ self-proclaimed “mainstream top 40 revolutionizing muse” is ready to use her debut album to tell listeners that she is really more than just the “G6? girl. Before even going into writing/producing this album, she is coming off headstrong as ever with creative ideas employed by executive producers & non-stop collaborators “The Cataracs.” Just coming back from studio sessions with 50 Cent & Travis Barker and getting ready to fly to Costa Rica to begin her debut album sessions. I decided to call her up to find out what the whole “G6 movement” is about and how annoying it is to be only known as the “G6 girl.”  When a pen, a paper and a Universal Republic contract seems to be living proof, she is so much more than that.

Dev: Hi Alex.

Alex Kazemi:  Hey Dev, where are you right now?

Dev: I’m good, in Florida!

Kazemi: Touring?

DEV: Yeah, Just wrapped up the tour and then I’m playing a show in Canada on the 20th.

Kazemi:  Exciting, so I don’t know how this works. You were a professional Olympic swimmer, swimming all your life and then one day you just decide to sing the hook to one of the biggest pop songs of the year 2010 “Like A G6.”  Does California Valley boy production duo “The Cataracs”  have anything to do with this decision and transition? Two S’s, swimmer to singer.

DEV:   I was a swimmer for a long time and I guess I was pissed off because of my ex boyfriend’s new girlfriend, you know when your young and aggressive..  I decided put up this song on MySpace. MySpace was the place to be at the time, you know I recorded a song off my MacBook, it was basically a “diss track” and I didn’t expect anything out of it? It was just to make me feel good like how music should but Niles came across of my page and was really  into my voice and they kind of got me into singing and opened up my eyes to business opportunities.  I didn’t know we’d ever be connoisseur’s of party pop like “G6? and “Bass Down Low” when we first met up and now we live with each other in LA and are on some real shit! [Laughs]

Kazemi: Real shit eh? How do you three sort out ideas as a constant collaborative group, what is a typical session like with DEV, Niles & Dave (The Cataracs.)

DEV:  Were all completely random, unique and weird individuals that make each session very different and complicated in a way. It really depends, some times the boys will come to me and say “I’ve been wanting to do this song but this is more of a DEV track” and from there Niles will show me the beat and me and David will come up with lyrics or some times I go to them when I have written some sort of idea and they will help me elaborate on it to the point where we can have a song.  Its great having their two minds and two different personalities and it’s great that I live with them.

Kazemi:  I assume they will be executive producing your whole album?

DEV:  You assumed right! We’re going to go to Costa Rica for a month and lock ourselves in this incredible beach house and do my whole album together. Producing and writing, I couldn’t have asked for better people to work with on my album.

Kazemi: The Cataracs are really geniuses when it comes to the Dr. Luke formulaic sound that the audience of this generation wants to hear but will any other additional song-writer/producers be flying out to Costa Rica for the debut?

DEV: I might work with some people,  I’ve been contacted by a couple people that you might know of but it’s hard to say of right now but I think me and The Cataracs are on a really good streak right now and it’s not intentional. “G6? was not planned, nothing has been planned and it’s always been really natural and I think were going into this album with the natural mindset we’ve gone into with any other session. If any of the producers really want me to come out and fly from Costa Rica, maybe I will but as of now I’m focusing on working with The Cataracs for the time being in Costa Rica.

We’ll see, I guess?

Kazemi:  I think working with other producers isn’t a bad idea. You are becoming notoriously known as the hook-girl, you just reprised that role on a track on the new 50 Cent record, did your voices collide and compliment each other?

DEV: YES! Oh my god, it’s so cute! I was so excited because I’m such a big 50 fan. I remember when “In Da Club” came out and being obsessed with it! The track is really cool; our voices definitely complimented each other in the bridge.  The coolest thing about this was it was over a Cataracs beat and that was really comforting. The roughness of his voice contrasted really nicely with my little soft voice. It was dope.

Kazemi: Travis Barker and yourself were in the same studio, did you guys happen to cut anything?

DEV: We did! I actually got on one of his songs that will possibly be put out on the album he’s working on.

I’m on the hook with a song that has verses from E-40, Snoop & Ludacris. He liked it enough, kept it and hopefully is  out on the album. It was really cool as well, same kind of situation with 50. I had a big poster of Travis on my wall and I was obsessed with Blink.

Kazemi:  That’s fandom at its best, what was the story with “Booty Bounce” and “G6? were they produced and written around the same time? Whose idea was it to use the ” Like A G6 ” hook from “Booty Bounce” for the final track “Like A G6.”

DEV:  They were made in the same summer; it was a time where The Cataracs and myself were grinding it out in the studio pretty tough together. We made a bunch of simplistic random tracks, the sounds are similar and I can understand why you thought they were made around the same time. It was a really cool phase, swagging it out basically and telling the world we were the shit! Super sassy tracks, it was actually The Cataracs idea to take the bridge of Booty Bounce and put it over “G6.” The bridge became a hook basically.

Kazemi: Did you write this bridge/hook?

DEV: No, The Cataracs & Myself did it together, we were all kind of sitting down and I had to approve it before I sang it. They approached me like any other time they have written lyrics they thought I’d like and I was obviously down, that beat was amazing and to switch it from “Booty Bounce” to “G6? was not a problem for me. Everybody thought it was a great idea and we swung with it.

Kazemi: On the topic of Lyricism was the line ” And we sip champagne when we thirsty” from “Bass Down Low” a tribute to the Biggie classic “Juicy.”

DEV: It was a tribute to the big poppa, yes.

Kazemi: I think this needs to be said, it’s going to be hard drifting from being the “Like A G6? girl and its going to take time but what do you think will isolate you from that tile music wise. On the debut album, will there be a balance of icy pop songs like “Bass Down Low” but then other material that could be seen as different and could be the DEV-edge, DEv- aesthetic. Your own sound that could make people thinks differently.

DEV: You are the coolest dude in the world.

Kazemi: Thank You.

DEV:  Your Welcome!

So yes, thankfully “G6? gave me enough attention and it gave me a good amount of success and obviously has put me on the pop music scene, it’s a good time to push my music to more people rather then before when a demo would only have a couple thousand hits on MySpace. I’m playing bigger shows, traveling different places but with that,  it comes to the point where people put me in a box and everyone says “Wow, is that all she can do?” People should be more curious, my voice is weird and it is capable of things and that hook everyone knows from “G6? has given me a lot of attention but not too much. I’m confident in The Cataracs and myself that this album is going to speak for its self and I won’t just be known as the “G6? girl.  Pop songs with the feel of “Bass Down Low” will be included but I grew up being into helluva different music! I know that my intricate influences and The Cataracs simple influences are going to come out on this album as one.  Typical pop music is not what I am only good at doing; I have a lot of ideas and hip-hop influence records, some electro ballads. I’m really excited for it; my sound is going to come out. I think when my album is out people aren’t going to say “So did you hear The G6 girl has an album?” It’s going to be “I just bought DEV’s album on ITunes and it’s sick as fuck.”

Wait till April bitch!!!

Kazemi: [laughs] Every artist gets compared and I was wondering what it’s like being a white girl coming up on the scene who has saliva and can spit on a microphone and then is all of a sudden  sinked  towards more mainstream artists like Uffie and Ke$ha.  Every-time you hear a white girl rapping on the radio, an avid mainstream music listener will say “Like, Oh my god! What a Ke$ha wannabe.”

Who the fuck is DEV? Why isn’t she Uffie & Ke$ha?

DEV: I just feel that I have a lot more to say and the ability to have an eclectic sound, a very diverse pop album. I’m not bashing either artist, but I’m going to be able to give you a little bit more then what you’ve heard on those record. When my album comes out, hopefully I won’t have to hear another reference or comparison.  I am such a brat, I don’t want to be compared to anyone, I don’t care if it’s the greatest person in the world. Fuck it.    Both artists are cool but whatever, wait till April.

You know what I’m saying Kazemi?

Kazemi: I’m on it, I think.  Would you ever want to pen songs for any other pop artists, outside song writing?

DEV: I think when the time comes; I’m focusing on DEV right now. My energy is on finishing touring and making the best pop album I can. I plan to explore my artistry after this record is done and when I’m taking a break right before the sessions for the next record.

Kazemi:  Are you a morning or night writer?

DEV: I write the best from 4AM to 6AM, it’s super strange but this is going to sound really stupid but I use to have swim practice at 6AM.  I think all my energy is use to that hour and my mind can function the best at the hour from practice.

Kazemi:  That’s a fair change of workout. Alcohol, Sex and gossip and every element a youth talks about in there personal conversations is kind of translated in the pop music today, when you write do you feel you have to cater to this and join the whole “fuck yah partying, fake ID and underage sex” pop song movement.

DEV:  I personally don’t go into songs thinking about all of the misfits and each social clique at high school who will be into my song. The Cataracs are really good at doing that and they will know when to calm me down. I’m not going to be the one who says “Everybody underage get drunk and go fuck people!!”

I am not going to say that in a song, I feel like I can say a bit more then that but I know the teens are down with it and they want to hear words like “slizzard.”

The boys and me have that under control but listeners should understand music is self-expression and don’t take anything too seriously. In 2011 The Cataracs and myself have the ability to change the game, blend the music world by providing the weird California swag and sound were on.  The sounds, The Cataracs & me choose, the lingo we use, and we know what’s up. I feel like a lot of artists try to get there and it’s almost there but the lingo is off, the beats are wrong and I can tell those things because we’ve already started the movement, that  “pop revolution” everyone is talking about.

LINK LOVE: Alex Kazemi

Next Wednesday at Church, there will be designer previews; there will be vodka; there will be holiday cheer (in the form of hot celebrities). Holla!

If we were in L.A., we’d be there!

Make sure you pick up her album this March.

LINK LOVE: Alex Kazemi

Receive 30-40% off select merchandise this Friday at MADISON

Also, print or mention this flyer to receive 10% off – from 11/26 to 12/5! Happy Shopping!

These are perfect for the girl on the go, or a fashionista in need of a quick wardrobe change, aid in packing light, or an easy way of getting out of doing laundry for the week…these jeans go from day to night to day again in one quick zip. With a fresh, light wash on one side and a sleek, dark look on the other, The Two is the only pair of jeans you’ll need to throw in your suitcase ever again.

Known for they’re innovative styles, Salsa Fits My Life is reinvigorating the denim market. The Two retails for $179 and is available at the LA Salsa Fits My Life boutique located at 8013 Melrose Ave. in Los Angeles, and also at major retailers Fred Segal, Lisa Kline and www.tobi.com.

Okay West Coast people, you finally got me. Here’s my one stint of jealousy, savor it because I doubt it’ll will come around to often. News has dropped of a West Coast spa week, which runs from September 14th to the 20th. Yes, a full week during which all the top spas are offering up their best treatments for just $50. Appointment booking for the spa treatments starts today, and we hear the slots are going pretty fast, so if you live in Los Angeles, San Diego, San Francisco, Seattle, Portland, Las Vegas, Arizona, or Chicago get your hands on a phone and dial.

So us East Coast people are a bit concerned. Where’s our spa week? We deserve it! We’re hearing some whispers of an East Coast version taking place sometime in October, but nothing definite yet. I’m keeping my fingers crossed!

LINKAGE: Allure