So what is a great Oscar gown? It’s a dress that is memorable, history-making, scene-stealing or just plain fucking perfect. With that, I just don’t get the fuss over Gwyneth Paltrow’s pink prom dress and refuse to even acknowledge that gown or the fact that she has an Oscar.

Audrey Hepburn (1954) Auds became a star and a fashion icon that night when she wore Givenchy, beginning a lifetime collaboration between the star and designer. Along with America's heart, she took home the Best Actress trophy for her debut performance in Roman Holiday.

Grace Kelly (1956) This was no doubt the look Gwyneth was going for when she strolled the red carpet in that wrinkled princess confection in 1999, but make no bones about it, this is how it's done kids. Kelly beat out some major competition the year before -- including Judy Garland and Dorothy Dandridge -- to nab her Best Actress Oscar for The Country Girl, but she really stole the show in this Helen Rose stunner.

Elizabeth Taylor (1961) In the pantheon of great movie stars, few shone brighter or longer than Liz Taylor, thus a list of the greatest Oscar gowns could barely be considered legitimate without Liz throwing her white diamonds into the mix -- I hear they've always brought her luck. Taylor won her first of two Oscars for BUtterfield 8 and wore this gorgeous Christian Dior number to claim her statuette. It's generally accepted  -- even by Liz herself -- that Taylor won the award through a vote of sympathy after losing her husband Mike Todd in a plane crash -- only to seek comfort with Debbie Reynolds' then-husband Eddie Fisher --  and suffering a life-threatening illness during filming - at one point she was actually pronounced dead. Six years later she took home a well-deserved trophy for Who's Afraid of Virginia Woolf?

Barbra Streisand (1969) Eschewing tradition and helping to usher in a new generation of movie star, Babs wore a see-through sequined sailor pantsuit by Arnold Scaasi. It was a big gamble but La Streisand came out the winner and made history by tying for Best Actress with Katharine Hepburn when they won for Funny Girl and Lion in Winter, respectively. Kate chose not to attend because, honestly, it was her third (of four) Oscars and she couldn't have been bothered.

Cher (1984) Cher might have proved that she was a serious actress with her Oscar-nominated turn as Meryl Streep's lesbian lover in Silkwood, but she's still fucking Cher. The icon wore Bob Mackie (natch) to the 1984 ceremony but lost only to win three years later for Moonstruck. And that gown was no less show-stopping, but didn't have this amazing headdress.

Nicole Kidman (1997) Nikki Kids was a greenhorn on the red carpet before this Dior gown and became one of its reigning queens thereafter. Though she gave an incredible performance the previous year in To Die For, she was denied a nomination only to finally win once dumping that lilliputian husband of hers for her brilliant portrayal of Virginia Woolf in the saddest movie ever made, otherwise known as The Hours.

Sharon Stone (1998) I usually spell "batshit crazy" S-H-A-R-O-N-S-T-O-N-E, but Stone looked the picture of elegance in a Vera Wang skirt paired with a Gap button down. The marriage of high and low was made in heaven that night, though I still couldn't tell you why she was at the ceremony that year. But like most things with Sharon Stone, I don't question it.

Céline Dion (1999) Was it a stroke of genius that caused Céline Dion to turn her Christian Dior blazer back-to-front or just an actual stroke? Either way, Celine was memorable the year after her heart went on and on to win Best Original Song (though the award itself went to the songwriters, I. Dunno and No-one Cares).

Björk (2001) The dress that launched a thousand jokes, Björk's Marjan Pejoski swan dress was perhaps the last epic thing to stroll down the Oscar red carpet. Nommed for Best Original Song that year, Björk may have left empty-handed but no one will ever forget that she was there.

Halle Berry (2002) Halle Berry not only became the first African American to win a Best Actress Academy Award that night, but she also launched Elie Saab into the sartorial stratosphere. This was Berry's and Saab's shining moment and everything since then has been an enormous letdown. On both their parts.

So what is a great Oscar gown? It’s a dress that is memorable, history-making, scene-stealing or just plain fucking perfect. With that, I just don’t get the fuss over Gwyneth‘s pink prom dress and refuse to even acknowledge that gown or the fact that she has an Oscar.

Audrey Hepburn (1954) Auds became a star and a fashion icon that night when she wore Givenchy, beginning a lifetime collaboration between the star and designer. Along with America’s heart, she took home the Best Actress trophy for her debut performance in Roman Holiday.

Elizabeth Taylor (1961) In the pantheon of great movie stars, few shine brighter or longer than Liz Taylor, thus a list of the greatest Oscar gowns could barely be considered legitimate without Liz throwing her white diamonds into the mix — I hear they’ve always brought her luck. Taylor won her first of two Oscars for BUtterfield 8 and wore this gorgeous Christian Dior number to claim her statuette. It’s generally accepted  – even by Liz herself — that Taylor won the award through a vote of sympathy after losing her husband Mike Todd in a plane crash – only to seek comfort with Debbie Reynolds’ then-husband Eddie Fisher —  and suffering a life-threatening illness during filming – at one point she was actually pronounced dead. Six years later she took home a well-deserved trophy for Who’s Afraid of Virginia Woolf?

Cher (1984) Cher might have proved that she was a serious actress with her Oscar-nominated turn as Meryl Streep‘s lesbian lover in Silkwood, but she’s still fucking Cher. The icon wore Bob Mackie (natch) to the 1984 ceremony but lost only to win three years later for Moonstruck. And that gown was no less show-stopping, but didn’t have this amazing headdress.

Halle Berry (2002) Halle Berry not only became the first African American to win a Best Actress Academy Award that night, but she also launched Elie Saab into the sartorial stratosphere. This was Berry’s and Saab’s shining moment and everything since then has been an enormous letdown. On both their parts.

Barbra Streisand (1969) Eschewing tradition and helping to usher in a new generation of movie star, Babs wore a see-through sequined sailor pantsuit by Arnold Scaasi. It was a big gamble but La Streisand came out the winner and made history by tying for Best Actress with Katharine Hepburn when they won for Funny Girl and Lion in Winter, respectively. Kate chose not to attend because, honestly, it was her third (of four) Oscars and she couldn’t have been bothered.

Celine Dion (1999) Was it a stroke of genius that caused Celine Dion to turn her Christian Dior blazer back-to-front or did she simply forget to take her medication that day? Either way, Celine was memorable the year after her heart went on and on to win Best Original Song (though the award itself went to the songwriters, I. Dunno and No-one Cares).

Nicole Kidman (1997) Nikki Kids was a greenhorn on the red carpet before this Dior gown and became one of its reigning queens after. Though she gave an incredible performance the previous year in To Die For, she won in 2003 for her brilliant portrayal of Virginia Woolf in the saddest movie ever made, otherwise known as The Hours. Nominated this year for her third Oscar for Rabbit Hole, she’s got some big shoes to fill: her own.

Anjelica Huston (1976) Former Halston model Anjelica Huston looked flawless and managed to do what few people can claim: take attention away from Jack Nicholson, who won his first of three Oscars that year for One Flew Over the Cuckoo’s Nest. Huston would claim her own statuette, for Best Supporting Actress, a decade later for Prizzi’s Honor, also starring Nicholson.

Sharon Stone (1999) I usually spell “batshit crazy” S-H-A-R-O-N-S-T-O-N-E, but Stone looked the picture of elegance in a Vera Wang skirt paired with a Gap button down. The marriage of high and low was made in heaven that night, though I still couldn’t tell you why she was at the ceremony that year. But like most things with Sharon Stone, I don’t question it.

Björk (2001) The dress that launched a thousand jokes, Björk’s Marjan Pejoski swan dress was perhaps the last epic thing to stroll down the Oscar red carpet. Nommed for Best Original Song that year, Björk may have left empty-handed but no one will ever forget that she was there.

Who will leave tongues hanging or heads scratching at this year’s Academy Awards. Of the 10 Best Lead and Supporting Actress nominees, I’m most looking forward to Kidman, teen breakthrough Hailee Steinfeld (as well as peer Elle Fanning who will get her own nomination one day), the almost always flawless Michelle Williams and kooky Helena Bonham Carter.

Unfortunately, Natalie Portman is preggers so naturally I have no interest in what she’s wearing and just hope her water doesn’t break while accepting her award.

Photos: Vogue UK, Time

Halle Berry The 74th Annual Academy Awards - Arrivals Kodak Theater Hollywood, California USA March 24, 2002 Photo by Steve Granitz/WireImage.com To license this image (405400), contact WireImage: U.S. +1-212-686-8900 / U.K. +44-207-868-8940 / Australia +61-2-8262-9222 / Germany +49-40-320-05521 / Japan: +81-3-5464-7020 +1 212-686-8901 (fax) info@wireimage.com (e-mail) www.wireimage.com (web site)

Celine Dion (Photo by Jim Smeal/WireImage)

The new Spring 2009 collection from Marjan Pejoski reminds me how much I love imparctical fashion. Some of the new pieces are so outlandish and random them blow my mind. Aside from being crazy and unique, all the elements of a completely wearable collection are there. The blue see through trench is to die for, and the strapped shoes are some of the coolest I have ever seen. What do you think indies? Will you be searching the city high and wide for this collection come spring? Or will you be spending your money on something else?

For more on Marjan Pejoski click here.

Looking for a designer who’s inspiration thrives on polar opposites? Look no further. Marjan Pejoski has emerged as a designer looking for the ultimate modern take on the true individual. Marjan mends clothing in a way that is central to its roots. Each of the pieces stand for something; there are two combating forces that never cease to give up within the threads. Speaking of his designs he says, “It is romantic and poetic on the one hand but hard and challenging on the other. It is innocent as well as sinful, androgynous but dandyesque.” Marjan is well aware that his inspiration is fierce, and with that, the bold designs must reflect their nature. Using empowering colors and intricate detail, Marjan never fails to produce an efficient product. The designs are flawless whether it be skirts, shirts, pants or jackets. The material used throughout the lines greatly contributes to their edgy appearance. Though the designs are terrific on their own, it is important that, when worn, an individual is able to reflect their personal style. Marjan’s clothing allows for that ramification. It is truly wearable, and that is the best part!

Marjan Pejoski bas been operating his own label since 2000, gaining both national and international acclaim. A unique style, coupled with high quality has produced garments that have become a huge commercial success. Pejoski’s design philosophy encourages pieces that stand out, look individual, and continually inspire the imagination of those who see and wear them.

Merging traditional techniques and materials with his visionary appliqué methods, his concepts are truly modern, knowing how to merge old and new, past and future, and hard rock with romantic. Marjan’s works constantly surprise through their mix of themes and their spectrum each season. The result is 4 collections a year that are stylishly left of center, enduring and versatile. His design thrives on counterpoint and dichotomy, it is romantic and poetic on the one hand but hard and challenging on the other. It is innocent as well as sinful, androgynous but dandyesque.