Photo: The Sun

Best Film
The Artist

Leading Actor
Jean Dujardin - The Artist

Leading Actress
Meryl Streep - The Iron Lady

Best Supporting Actor
Christopher Plummer - Beginners

Best Supporting Actress
Octavia Spencer - The Help

Outstanding British Film
Tinker Tailor Soldier Spy

Outstanding Debut By A British Writer, Director or Producer
Tyrannosaur - Paddy Considine (Director), Diarmid Scrimshaw (Producer)

Best Film Not In The English Language
The Skin I Live In

Best Documentary
Senna

Best Animated Film
Rango 

Best Director
The Artist - Michel Hazanavicius

Best Original Screenplay
The Artist - Michel Hazanavicius

Best Adapted Screenplay
Tinker Tailor Soldier Spy - Bridget O’Connor, Peter Straughan

Best Original Music
The Artist - Ludovic Bource

Best Cinematography
The Artist

Best Editing
Senna

Best Production Design
Hugo

Best Costume Design
The Artist

Best Makeup & Hair
The Iron Lady

Best Sound
Hugo

Best Special Visual Effects
Harry Potter And The Deathly Hallows: Part 2

Best Short Animation
A Morning Stroll

Best Short Film
Pitch Black Heist

The Orange Wednesdays Rising Star Award (Voted For By The Public)
Adam Deacon

Outstanding British Contribution to Cinema
John Hurt

Academy Fellowship
Martin Scorsese

]]> http://fashionindie.com/2012-bafta-winners/feed/ 0 http://fashionindie.com/sag-awards-2012-red-carpet-our-top-10-all-the-rest/ http://fashionindie.com/sag-awards-2012-red-carpet-our-top-10-all-the-rest/#comments Mon, 30 Jan 2012 14:26:21 +0000 Amanda Gabriele http://fashionindie.com/sag-awards-2012-red-carpet-our-top-10-all-the-rest/ The 2012 SAG Awards took place last night, and our applause goes out to all the big winners. As always, we were super excited to see what everyone was wearing on the red carpet from the couture dresses to the 6-inch high stiletto platforms. See what all the Screen Actors Guild talent wore to the awards in our gallery after the jump.

Although it’s easy to be underwhelmed by any dresses coming before the Oscars, there are some ladies who really turned it out last night. We put our top 10 at the beginning of the gallery for your viewing pleasure. All photos from Huffington Post Style.

Film

Outstanding Performance by a Cast in a Motion Picture

The Help

Outstanding Performance by a Male Actor in a Leading Role

Jean Dujardin, The Artist

Outstanding Performance by a Female Actor in a Leading Role

Viola Davis, The Help

Outstanding Performance by a Male Actor in a Supporting Role

Christopher Plummer, The Beginners

Outstanding Performance by a Female Actor in a Supporting Role

Octavia Spencer, The Help

Television

Outstanding Performance by an Ensemble in a Drama Series

Boardwalk Empire

Outstanding Performance by an Ensemble in a Comedy Series

Modern Family

Outstanding Performance by a Male Actor in a Drama Series

Steve Buscemi, Boardwalk Empire

Outstanding Performance by a Female Actor in a Drama Series

Jessica Lange, American Horror Story

Outstanding Performance by a Male Actor in a Comedy Series

Alec Baldwin, 30 Rock

Outstanding Performance by a Female Actor in a Comedy Series

Betty White, Hot in Cleveland

Outstanding Performance by a Male Actor in a Television Movie or Miniseries

Paul Giamatti, Too Big to Fail

Outstanding Performance by a Male Actor in a Television Movie or Miniseries

Kate Winslet, Mildred Pierce

Stunts

Outstanding Performance by a Stunt Ensemble in a Motion Picture

Harry Potter and the Deathly Hollows Part 2

Outstanding Performance by a Stunt Ensemble in a Television Series

Game of Thrones

I always love when a comedic performance gets some recognition and while the film was excluded from the list of NINE Best Picture nominees, Kristen Wiig scored a nod for her brilliant screenplay with Annie Mumolo. Meanwhile, if that trash Diablo Cody can win for Juno, Wiig might want to ready her acceptance speech.

Hugo leads the pack with 11 nominations, including Best Director for Martin Scorsese – his seventh career Best Director nom and ninth overall — and Best Picture. It will compete against The Artist – a close second with 10 nominations — and out of seemingly nowhere, Extremely Loud & Incredibly Close, which has garnered mixed reviews and has been pretty much absent during awards season. But, c’mon, it’s a 9/11 movie, who’s really surprised?

Other Best Picture contenders include Steven Spielberg’s critically-mixed War Horse, Terrence Malick‘s The Tree of Life — which won the Palme d’Or at Cannes a while back –, The Help, Moneyball, The Descendants and Woody Allen‘s Midnight in Paris.

Allen, it should be noted, snatched his 22nd and 23rd Oscar nods. Take notes, kids.

Also racking up an ungodly amount of Oscar gold this year is (unsurprisingly) Meryl Streep, who scored her 17th Academy Award nomination for her role in The Iron Lady. She will face off against Michelle Williams, Viola Davis, frequent nemesis Glenn Close and surprise nominee Rooney Mara for The Girl with the Dragon Tattoo. Tilda Swinton was once again robbed of a nomination — this time for We Need to Talk About Kevin.

The Best Actor category has BFFs George Clooney and Brad Pitt going head-to-head, while relative unknown Demián Bichir snuck in for the little-seen indie film, A Better Life. The Artist‘s Jean Dujardin, fresh off his Golden Globe win, is also nominated and after decades of generally shutting shit down, Gary Oldman scored his first Oscar nomination for the British film, Tinker Tailor Soldier Spy.

Check out the full list of nominees below:

BEST PICTURE
The Artist
The Descendants
Extremely Loud & Incredibly Close
The Help
Hugo
Midnight in Paris
Moneyball
The Tree of Life
War Horse

LEAD ACTOR
Demián Bichir – A Better Life
George Clooney – The Descendants
Jean Dujardin – The Artist
Gary Oldman – Tinker Tailor Soldier Spy
Brad Pitt – Moneyball

LEAD ACTRESS
Glenn Close – Albert Nobbs
Viola Davis – The Help
Rooney Mara – The Girl with the Dragon Tattoo
Meryl Streep – The Iron Lady
Michelle Williams – My Week With Marilyn

BEST DIRECTOR
Michel Hazanavicius – The Artist
Alexander Payne – The Descendants
Martin Scorsese – Hugo
Woody Allen – Midnight in Paris
Terrence Malick – The Tree of Life

SUPPORTING ACTOR
Kenneth Branagh – My Week with Marilyn
Jonah Hill – Moneyball
Nick Nolte – Warrior
Christopher Plummer –  Beginners
Max von Sydow – Extremely Loud & Incredibly Close

SUPPORTING ACTRESS
Bérénice Bejo – The Artist
Jessica Chastain – The Help
Melissa McCarthy – Bridesmaids
Janet McTeer – Albert Nobbs
Octavia Spencer – The Help

WRITING (ADAPTED SCREENPLAY)
The Descendants – Alexander Payne & Nat Faxon and Jim Rash
Hugo – John Logan
The Ides of March - George Clooney & Grant Heslov and Beau Willimon
Moneyball – Steven Zaillian & Aaron Sorkin and Stan Chervin
Tinker Tailor Soldier Spy –  Bridget O’Connor & Peter Straughan

WRITING (ORIGINAL SCREENPLAY)
The Artist – Michel Hazanavicius
Bridesmaids – Annie Mumolo & Kristen Wiig
Margin Call – J.C. Chandor
Midnight in Paris – Woody Allen
A Separation – Asghar Farhadi

ANIMATED FEATURE FILM
A Cat in Paris
Chico & Rita
Kung Fu Panda 2
Puss in Boots
Rango

FOREIGN LANGUAGE FILM
Bullhead, Belgium
Footnote, Israel
In Darkness, Poland
Monsieur Lazhar, Canada
A Separation, Iran

DOCUMENTARY (FEATURE)
Hell and Back Again
If a Tree Falls: A Story of the Earth Liberation Front
Paradise Lost 3: Purgatory
Pina
Undefeated

DOCUMENTARY (SHORT SUBJECT)
The Barber of Birmingham: Foot Soldier of the Civil Rights Movement
God Is the Bigger Elvis
Incident in New Baghdad
Saving Face
The Tsunami and the Cherry Blossom

SHORT FILM (ANIMATED)
Dimanche/Sunday
The Fantastic Flying Books of Mr. Morris Lessmore
La Luna
A Morning Stroll
Wild Life

SHORT FILM (LIVE ACTION)
Pentecost
Raju
The Shore
Time Freak
Tuba Atlantic

ART DIRECTION
The Artist
Harry Potter and the Deathly Hallows Part 2
Hugo
Midnight in Paris
War Horse

CINEMATOGRAPHY
The Artist
The Girl with the Dragon Tattoo
Hugo
The Tree of Life
War Horse

COSTUME DESIGN
Anonymous
The Artist
Hugo
Jane Eyre
W.E.

FILM EDITING
The Artist
The Descendants
The Girl with the Dragon Tattoo
Hugo
Moneyball

MAKEUP
Albert Nobbs
Harry Potter and the Deathly Hallows Part 2
The Iron Lady

MUSIC (ORIGINAL SCORE)
The Adventures of Tintin
The Artist
Hugo
Tinker Tailor Soldier Spy
War Horse

MUSIC (ORIGINAL SONG)
“Man or Muppet” from The Muppets
“Real in Rio” from Rio

SOUND EDITING
Drive
The Girl with the Dragon Tattoo
Hugo
Transformers: Dark of the Moon
War Horse

SOUND MIXING
The Girl with the Dragon Tattoo
Hugo
Moneyball
Transformers: Dark of the Moon
War Horse

VISUAL EFFECTS
Harry Potter and the Deathly Hallows Part 2
Hugo
Real Steel
Rise of the Planet of the Apes
Transformers: Dark of the Moon

Link Love: LA Times – The Envelope

Dujardin and Bejo in The Artist

Best Film

The Artist
The Descendants
Drive
The Help
Tinker Tailor Soldier Spy

Leading Actor

Brad Pitt - Moneyball
Gary Oldman - Tinker Tailor Soldier Spy
George Clooney - The Descendants
Jean Dujardin - The Artist
Michael Fassbender - Shame

Leading Actress

Bérénice Bejo - The Artist
Meryl Streep - The Iron Lady
Michelle Williams - My Week With Marilyn
Tilda Swinton - We Need To Talk About Kevin
Viola Davis - The Help

Best Supporting Actor

Christopher Plummer - Beginners
Jim Broadbent - The Iron Lady
Jonah Hill - Moneyball
Kenneth Branagh - My Week With Marilyn
Philip Seymour Hoffman - The Ides Of March

Best Supporting Actress

Carey Mulligan - Drive
Jessica Chastain - The Help
Judi Dench - My Week With Marilyn
Melissa McCarthy - Bridesmaids
Octavia Spencer - The Help

Outstanding British Film

My Week with Marilyn
Senna
Shame
Tinker Tailor Soldier Spy
We Need to Talk About Kevin

Outstanding Debut By A British Writer, Director Or Producer 

Attack The Block - Joe Cornish (Director/Writer)
Black Pond - Will Sharpe (Director/Writer), Tom Kingsley (Director), Sarah Brocklehurst (Producer)
Coriolanus - Ralph Fiennes (Director)
Submarine - Richard Ayoade (Director/Writer)
Tyrannosaur - Paddy Considine (Director), Diarmid Scrimshaw (Producer)

Best Film Not In The English Language

Incendies
Pina
Potiche
A Separation
The Skin I Live In

Best Documentary 

George Harrison: Living In The Material World
Project Nim
Senna

Best Animated Film

The Adventures Of Tintin: The Secret Of The Unicorn
Arthur Christmas
Rango 

Best Director

The Artist - Michel Hazanavicius
Drive - Nicolas Winding Refn
Hugo - Martin Scorsese
Tinker Tailor Soldier Spy - Tomas Alfredson
We Need To Talk About Kevin - Lynne Ramsay

Best Original Screenplay

The Artist - Michel Hazanavicius
Bridesmaids - Annie Mumolo, Kristen Wiig
The Guard - John Michael McDonagh
The Iron Lady - Abi Morgan
Midnight In Paris - Woody Allen

Best Adapted Screenplay

The Descendants - Alexander Payne, Nat Faxon, Jim Rash
The Help - Tate Taylor
The Ides Of March - George Clooney, Grant Heslov, Beau Willimon
Moneyball - Steven Zaillian, Aaron Sorkin
Tinker Tailor Soldier Spy - Bridget O’Connor, Peter Straughan

Best Original Music

The Artist - Ludovic Bource
The Girl With The Dragon Tattoo - Trent Reznor, Atticus Ross
Hugo - Howard Shore
Tinker Tailor Soldier Spy - Alberto Iglesias
War Horse - John Williams

Best Cinematography

The Artist
The Girl With The Dragon Tattoo
Hugo
Tinker Tailor Soldier Spy
War Horse

Best Editing

The Artist
Drive
Hugo
Senna
Tinker Tailor Solider Spy

Best Production Design

The Artist
Harry Potter And The Deathly Hallows: Part 2
Hugo
Tinker Tailor Soldier Spy
War Horse

Best Costume Design

The Artist
Hugo
Jane Eyre
My Week With Marilyn
Tinker Tailor Soldier Spy

Best Makeup & Hair

The Artist
Harry Potter And The Deathly Hallows: Part 2
Hugo
The Iron Lady
My Week With Marilyn

Best Sound

The Artist
Harry Potter And The Deathly Hallows: Part 2
Hugo
Tinker Tailor Soldier Spy
War Horse

Best Special Visual Effects

The Adventures Of Tintin: The Secret Of The Unicorn
Harry Potter And The Deathly Hallows: Part 2
Hugo
Rise Of The Planet Of The Apes
War Horse

Best Short Animation 

Abuelas
Bobby Yeah
A Morning Stroll

Best Short Film 

Chalk
Mwansa The Great
Only Sound Remains
Pitch Black Heist
Two And Two

The Orange Wednesdays Rising Star Award (Voted For By The Public)

Adam Deacon
Chris Hemsworth
Chris O’Dowd
Eddie Redmayne
Tom Hiddleston

Best Motion Picture — Drama - The Descendants

Best Motion Picture — Comedy or Musical - The Artist

Best Performance by an Actor in a Motion Picture — Drama - George Clooney, The Descendants

Best Performance by an Actress in a Motion Picture — Drama - Meryl Streep, The Iron Lady

Best Performance by an Actor in a Motion Picture — Comedy or Musical - Jean Dujardin, The Artist

Best Performance by an Actress in a Motion Picture — Comedy or Musical -  Michelle Williams, My Week With Marilyn (meanwhile, calling it right now — Oscar)

Best Performance by an Actor in a Supporting Role in a Motion Picture - Christopher Plummer, Beginners

Best Performance by an Actress in a Supporting Role in a Motion Picture - Octavia Spencer, The Help

Best Screenplay — Motion Picture - Woody Allen, Midnight in Paris

Best Director — Motion Picture - Martin Scorsese, Hugo

Best Animated Feature Film – The Adventures of Tintin

Best Foreign Language Film – A Separation (Iran)

Best Original Score — Motion Picture – The Artist

Best Original Song — Motion Picture – “Masterpiece”, W.E.

Best Television Series — Drama - Homeland

Best Television Series — Comedy or Musical - Modern Family (best acceptance speech of the night)

Best Performance by an Actor in a Television Series — Drama - Kelsey Grammer, Boss

Best Performance by an Actress in a Television Series — Drama - Claire Danes, Homeland

Best Performance by an Actor in a Television Series — Comedy or Musical - Matt Leblanc, Episodes

Best Performance by an Actress in a Television Series — Comedy or Musical - Laura Dern, Enlightened

Since being introduced by Dustin Hoffman on the set of Kramer vs. Kramer — for which both Hoffman and Streep won their first Oscars – Lacombe and Streep have been good friends. And it is because of this relationship that Meryl feels so comfortable and at ease with Brigitte behind the lens.

“Out of all the actors I know she is the most reluctant to be photographed,” Lacombe tells NOWNESS. “I think because it’s me and she trusts me, she sees the photography now as an extension of our friendship…She’s the only actress I know who really has no genuine interest or pleasure in looking at herself. She’s interested in the work she’s doing, and after that she just wants to live her life, unobserved.”

Check out NOWNESS for more images and the rest of the interview with Brigitte Lacombe.

“There have been on-and-off conversations about Dior,” the designer admitted. “I don’t know; maybe someday in the future, maybe years from now, I may end up going someplace else, maybe Dior. But right now I am at Vuitton, and all that matters to me is that that’s where I am and I’m going to keep doing my thing.”

Do your thing, girl! Jacobs went on to further explain his decision to stay with Vuitton and his general boredom with haute couture:

“The irony in all of this is that I don’t dream of doing anything else, or I didn’t. My greatest challenge is to do something better than we’ve done the season before. The idea of couture doesn’t hold that thing for me. It’s archaic – in my opinion. I mean, I am really interested in the craftsmanship behind couture. But I can explore all that in ready-to-wear. With couture, one dress each season is photographed by a couple of magazines; there’s no advertising; it reaches 20 customers. I don’t feel there is anything lacking in what we do. I get to work with these amazing craftsmen. Maybe not the same ateliers that would make a couture dress, but, again, we are not in a deficit for working with people who create beautiful things. I am not sure I ever looked at couture as this great opportunity.”

Jacobs, obviously doesn’t skimp on the candor in his Vogue  interview. Among the Dior revelations, Jacobs talks about his family — he hasn’t spoken to his mother, sister or younger brother in 20 years — and the illness that inspired him to go from slob to stud — ulcerative colitis — but it’s this little tidbit about his former drug use that really brings this story into a glorious landing: “Jacobs has been honest about his drug-use and addiction issues over the years. He says Naomi Campbell ’really helped me get sober.’”

You know you’re going down a dark road when Naomi Campbell is the light on the other end. [Vogue]

As big as the Globes’ crush is on Gosling, it can’t hold a candle to the raging boner the Hollywood Foreign Press has for George Clooney, who’s nominated for three awards — Best Director and Best Screenplay for The Ides of March and Best Actor for The Descendants. Why don’t you put it back in your pants, HFA?

And the other nominees are:

Best Motion Picture — Drama (or, films that no one has seen)

The Descendants

The Help

Hugo

The Ides of March

Moneyball

War Horse

Best Motion Picture — Comedy or Musical (or, wait, is My Week with Marilyn a comedy?)

50/50

The Artist

Bridesmaids

Midnight in Paris

My Week with Marilyn

Best Performance by an Actor in a Motion Picture — Drama

George Clooney, The Descendants

Leonardo DiCaprio, J. Edgar

Michael Fassbender, Shame

Ryan Gosling, The Ides of March

Brad Pitt, Moneyball

Best Performance by an Actress in a Motion Picture — Drama

Glenn Close, Albert Noss

Viola Davis, The Help

Rooney Mara, The Girl with the Dragon Tattoo

Meryl Streep, The Iron Lady

Tilda Swinton, We Need to Talk About Kevin

Best Performance by an Actor in a Motion Picture — Comedy or Musical

Jean Dujardin, The Artist

Brendan Gleesen, The Guard

Joseph Gordon-Levitt, 50/50

Ryan Gosling, Crazy, Stupid Love

Owen Wilson, Midnight in Paris

Best Performance by an Actress in a Motion Picture — Comedy or Musical

Jodie Foster, Carnage

Charlize Theron, Young Adult

 Kristen Wiig, Bridesmaids

 Michelle Williams, My Week With Marilyn

Kate Winslet, Carnage

Best Performance by an Actor in a Supporting Role in a Motion Picture

Kenneth Branagh, My Week With Marilyn

Albert Brooks, Drive

Jonah Hill, Moneyball

Viggo Mortensen, A Dangerous Method

Christopher Plummer, Beginners

Best Performance by an Actress in a Supporting Role in a Motion Picture

Berenice Bejo, The Artist

Jessica Chastain, The Help

Janet Mcteer, Albert Nobbs

Octavia Spencer, The Help

Shailene Woodley, The Descendants

Best Screenplay — Motion Picture

Woody Allen - Midnight in Paris

George Clooney, Grant Heslov, Beau Willimon - The Ides of March

Michel Hazanavicius - The Artist

Alexander Payne, Nat Faxon, Jim Rash - The Descendants

Steven Zaillian, Aaron Sorkin - Moneyball

Best Director — Motion Picture

Woody Allen, Midnight in Paris

George Clooney, The Ides of March

Michel Hazanavicius, The Artist

Alexander Payne, The Descendants

Martin Scorsese, Hugo

Best Television Series — Drama

American Horror Story

Boardwalk Empire

Boss

Game of Thrones

Homeland

Best Television Series — Comedy or Musical (or, what the fuck about Community?)

Enlightened

Episodes

Glee

Modern Family

New Girl

Best Performance by an Actor in a Television Series — Drama

Steve Buscemi, Boardwalk Empire

Bryan Cranston, Breaking Bad

Kelsey Grammer, Boss

Jeremy Irons, The Borgias

Damian Lewis, Homeland

Best Performance by an Actress in a Television Series — Drama

Claire Danes, Homeland

Mireille Enos, The Killing

Julianna Margulies, The Good Wife

Madeleine Stowe, Revenge

Callie Thorne, Necessary Roughness

Best Performance by an Actor in a Television Series — Comedy or Musical

Alec Baldwin, 30 Rock

David Duchovny, Californication

Johnny Galecki, The Big Bang Theory

Thomas Jane, Hung

Matt Leblanc, Episodes

Streep is pretty much a shoe-in for her 17th Academy Award nomination — and that’s no hyperbole — for The Iron Lady, a biopic on English prime minister, Margaret Thatcher.

In the film, Meryl plays Margaret from age 49 to 85, an experience that certainly took its toll both physically — ”We were on a tiny budget, we had very long days and there was no rest. Standing for 12 hours at a time was very painful and all I wanted was a great masseur” — and emotionally –  ”With something like It’s Complicated, I really left it at the set. But this I carried with me more, because it was more personal,” Streep said referring to her 2009 romantic comedy starring noted frequent flier, Alec Baldwin.

Meanwhile, in her Vogue story, Streep puts aside her Lady pains to loll in a few jokes about age. Now 62, Meryl claims that she’s the “oldest person” to land the mag’s cover and reminisces about being offered three roles as witches after turning 40. Taking it to mean that women her age were “grotesque on some level,” she then turned to her husband and said, “It’s over.” That Streep’s done some of her best work in those resulting 22 years proved that not only was it not over, but really just beginning. [Telegraph]

Oh, and check out the trailer for The Iron Lady, out in in wide release January 5th:

- Karl Lagerfeld, clearly bored with the 3,000 other projects he’s juggling, is now designing glassware. [Architectural Digest]

- Victoria’s Secret angels Miranda Kerr, Adriana Lima, Chanel Iman and Doutzen Kroes open up on the cover of Elle magazine. [Fashion Gone Rogue]

- Tommy Hilfiger and the CFDA are sending 10 designers, including Prabal Gurung, Sophie Theallet, Billy Reid and Eddie Borgo to Paris to show their collections. [The Cut]

- Kanye West may or may not be joining those 10 lucky designers in the City of Lights come Paris Fashion Week. [Fashionista]

- I was fully on board for Missoni‘s Target diffusion line until they debuted this beyond creepy 25-foot “blogger.” [Styleite]

Between May 1, 2010 and May 1, 2011, these were the lauded ladies who laughed all the way to the bank. [Forbes]

1. Angie Joles, $30 million. Drink it in, Jolie, and then eat a sandwich, you’re scaring the kids.

1. Paris Is Burning (1990)

Set amidst the backdrop of 80s New York ball culture, Paris Is Burning is an exploration of beauty, race, sexuality, capitalism and the American Dream, all wrapped up in a dragtastic homage to the transformative powers of fashion. Also, where do you think Madonna learned to Vogue?

See Also: To Wong Foo — Thanks for Everything! Julie Newmar (1994) Drag queens, yes; acute social commentary, not so much…but how can you argue with this? Oh, that’s right, you can’t.

So what is a great Oscar gown? It’s a dress that is memorable, history-making, scene-stealing or just plain fucking perfect. With that, I just don’t get the fuss over Gwyneth‘s pink prom dress and refuse to even acknowledge that gown or the fact that she has an Oscar.

Audrey Hepburn (1954) Auds became a star and a fashion icon that night when she wore Givenchy, beginning a lifetime collaboration between the star and designer. Along with America’s heart, she took home the Best Actress trophy for her debut performance in Roman Holiday.

Elizabeth Taylor (1961) In the pantheon of great movie stars, few shine brighter or longer than Liz Taylor, thus a list of the greatest Oscar gowns could barely be considered legitimate without Liz throwing her white diamonds into the mix — I hear they’ve always brought her luck. Taylor won her first of two Oscars for BUtterfield 8 and wore this gorgeous Christian Dior number to claim her statuette. It’s generally accepted  – even by Liz herself — that Taylor won the award through a vote of sympathy after losing her husband Mike Todd in a plane crash – only to seek comfort with Debbie Reynolds’ then-husband Eddie Fisher —  and suffering a life-threatening illness during filming – at one point she was actually pronounced dead. Six years later she took home a well-deserved trophy for Who’s Afraid of Virginia Woolf?

Cher (1984) Cher might have proved that she was a serious actress with her Oscar-nominated turn as Meryl Streep‘s lesbian lover in Silkwood, but she’s still fucking Cher. The icon wore Bob Mackie (natch) to the 1984 ceremony but lost only to win three years later for Moonstruck. And that gown was no less show-stopping, but didn’t have this amazing headdress.

Halle Berry (2002) Halle Berry not only became the first African American to win a Best Actress Academy Award that night, but she also launched Elie Saab into the sartorial stratosphere. This was Berry’s and Saab’s shining moment and everything since then has been an enormous letdown. On both their parts.

Barbra Streisand (1969) Eschewing tradition and helping to usher in a new generation of movie star, Babs wore a see-through sequined sailor pantsuit by Arnold Scaasi. It was a big gamble but La Streisand came out the winner and made history by tying for Best Actress with Katharine Hepburn when they won for Funny Girl and Lion in Winter, respectively. Kate chose not to attend because, honestly, it was her third (of four) Oscars and she couldn’t have been bothered.

Celine Dion (1999) Was it a stroke of genius that caused Celine Dion to turn her Christian Dior blazer back-to-front or did she simply forget to take her medication that day? Either way, Celine was memorable the year after her heart went on and on to win Best Original Song (though the award itself went to the songwriters, I. Dunno and No-one Cares).

Nicole Kidman (1997) Nikki Kids was a greenhorn on the red carpet before this Dior gown and became one of its reigning queens after. Though she gave an incredible performance the previous year in To Die For, she won in 2003 for her brilliant portrayal of Virginia Woolf in the saddest movie ever made, otherwise known as The Hours. Nominated this year for her third Oscar for Rabbit Hole, she’s got some big shoes to fill: her own.

Anjelica Huston (1976) Former Halston model Anjelica Huston looked flawless and managed to do what few people can claim: take attention away from Jack Nicholson, who won his first of three Oscars that year for One Flew Over the Cuckoo’s Nest. Huston would claim her own statuette, for Best Supporting Actress, a decade later for Prizzi’s Honor, also starring Nicholson.

Sharon Stone (1999) I usually spell “batshit crazy” S-H-A-R-O-N-S-T-O-N-E, but Stone looked the picture of elegance in a Vera Wang skirt paired with a Gap button down. The marriage of high and low was made in heaven that night, though I still couldn’t tell you why she was at the ceremony that year. But like most things with Sharon Stone, I don’t question it.

Björk (2001) The dress that launched a thousand jokes, Björk’s Marjan Pejoski swan dress was perhaps the last epic thing to stroll down the Oscar red carpet. Nommed for Best Original Song that year, Björk may have left empty-handed but no one will ever forget that she was there.

Who will leave tongues hanging or heads scratching at this year’s Academy Awards. Of the 10 Best Lead and Supporting Actress nominees, I’m most looking forward to Kidman, teen breakthrough Hailee Steinfeld (as well as peer Elle Fanning who will get her own nomination one day), the almost always flawless Michelle Williams and kooky Helena Bonham Carter.

Unfortunately, Natalie Portman is preggers so naturally I have no interest in what she’s wearing and just hope her water doesn’t break while accepting her award.

Photos: Vogue UK, Time

I mean, look at this montage of Jules Moore crying and tell me you don’t just want to curl up in her hair and live there forever. Anyone?

Link Love: Gawker

1. Go back to being a redhead. Everyone and their enabling mother is blonde in Hollywood these days. Linds looked her best with her natural auburn tresses, in spite of that tacky “Firecrotch” comment from that bloated piece of trash, Brandon Davis.

2. Take the Oscar bait. I’ve always regarded Lindsay as one of the more talented actresses of her generation. She has what few possess and what is impossible to teach: star quality. Oscar-winners Meryl Streep and Jane Fonda have both sung her praises, but she’s not going to get that little man dipped in gold with crap like Just My Luck and I Know Who Killed Me. She needs to take a challenging role that no one will touch — especially since no one will touch her right now — and prove that she’s a legitimate actress. With that said, I need her to gain 300 lbs and play a lesbian who dies from cancer during the Holocaust.

3. Put out a dance record. Though her singing career is on the same shaky ground as her acting career, Lindsay had a few good dance-pop songs during her stretch as a recording artist. Case in point, the 2004 masterwork “Rumors” and 2008′s equally-infectious “Bossy.” Throw that raspy voice over a pounding bass beat and the gays will come running — it’s like our Bat Signal.

4. Avoid the paparazzi. Lindsay managed to sustain her career, or at least her presence in the pop culture zeitgeist, through her love/hate relationship with the paps, but she’s not a Paris Hilton or a Kim Kardashian. She actually has talent. Therefore, she doesn’t have to resort to cheap tricks to keep her name in the headlines. Also, a little downtime might do her good; it builds a little mystery and in this age of over-exposure it would be a nice change of pace to be able to wonder what someone is doing instead of seeing their vagina spread all over the internet.

5. Kill Emma Stone.  There’s only room for one husky-voiced, redheaded starlet in Tinseltown and Emma has all but usurped Lohan’s niche, thanks in part to her wonderful, (Golden Globe-nominated) performance in Easy A. As much as I love Emma, Lindsay was here first and I’ve already invested the past 7 years of my life into Team Lilo. Now that she (somehow) has her license back, she can easily run Emma down at her Starbucks of choice and floor it out of there before anyone’s the wiser.

As she tweeted on New Year’s Day, this is the first day of the rest of her life. If Britney Spears and Drew Barrymore can get  it together, there’s hope for Lindsay.

Photo: Harper’s Bazaar

First order of business, Jennifer Love-Hewitt is nominated for Best Actress – Miniseries or Made-for-TV Movie for The Client List. If you haven’t seen it, J. Love plays a suburban housewife who gets pulled into the seedy uderbelly of high-class whorin’, gets addicted to coke and loses her kids and husband, all while Cybil Shepard drunkenly yells at her. Dame Judi Dench ain’t got shit on that.

What really grinds my gears re: the Globes is their insistence on lumping the supporting actors into one category, so that Drama, Comedy and Mini-Series/TV Movies all compete against one another. Why not send the same message and just eliminate the supporting categories all together?

Despite the stiff competition, Glee‘s Chris Colfer and Jane Lynch (2nd year in a row) scored nominations. Lea Michele and Matthew Morrison also repeat their nominations from last year’s Globes, for Best Actress and Actor, respectively. The kids in New Directions will defend their Best Comedy crown against Modern Family, 30 Rock, The Big Bang Theory, The Big C and Nurse Jackie.

The rest of the nominees in the comedy categories are kind of a snooze, with just a repeat of what already took place at the Emmys months ago. Will Edie Falco (Nurse Jackie) and Jim Parsons (The Big Bang Theory) reprise their wins? Have I ever seen either of their shows. Do I even care at this point?

Here’s a hint, the answer to at least two of those questions is “Hell to the no.”

Far more interesting, much like the movie nominations, are the drama contenders. The Best Actor – Drama category is perhaps the most competitive this year, with Jon Hamm (Mad Men), Michael C. Hall (Dexter), Bryan Cranston (Breaking Bad) and newcomer Steve Buscemi (Boardwalk Empire) vying for top honors. By this point, Hugh Laurie is the Meryl Streep of this category and would get nominated for taking a dump on his cane then curing cancer with it.

Elisabeth Moss earns a well-deserved nomination for Best Actress for Mad Men (no Supporting purgatory for her), and will face off against Julianna Margulies (The Good Wife), Piper Perabo (Covert Affairs), Katey Segal (Sons of Anarchy; meanwhile, I had no idea Peg Bundy was back on TV and I would like to put forth my vote for a Sons of Anarchy/Modern Family crossover episode) and Kyra Sedgwick (The Closer).

As for the Best Drama Globe, MVP Mad Men comes in with three previous wins but faces competition from fellow cable fare, Boardwalk Empire, Breaking Bad and Dexter, with The Good Wife as the only broadcast series represented.

We’ll find out who will win, lose or drink til they work up enough courage to talk to George Clooney on Sunday, January 16th, 2011.

And finally, the full list of nominees:

Best TV Series – Drama
Boardwalk Empire
Dexter
The Good Wife
Mad Men
The Walking Dead

Best TV Series – Musical or Comedy
30 Rock
The Big Bang Theory
The Big C
Glee
Modern Family
Nurse Jackie

Best Miniseries or Made-for-TV Movie
Carlos
The Pacific
The Pillars of the Earth
Temple Grandin
You Don’t Know Jack

Best Actor – Drama
Steve Buscemi, Boardwalk Empire
Bryan Cranston, Breaking Bad
Michael C. Hall, Dexter
Jon Hamm, Mad Men
Hugh Laurie, House M.D.

Best Actress – Drama
Elizabeth Moss, Mad Men
Julianna Margulies, The Good Wife
Piper Perabo, Covert Affairs
Katey Sagal, Sons of Anarchy
Kyra Sedgwick, The Closer

Best Actor – Musical or Comedy
Alec Baldwin, 30 Rock
Steve Carell, The Office
Thomas Jane, Hung
Matthew Morrison, Glee
Jim Parsons, The Big Bang Thoery

Best Actress – Musical or Comedy
Toni Collette, United States of Tara
Edie Falco, Nurse Jackie
Tina Fey, 30 Rock
Laura Linney, The Big C
Lea Michele, Glee

Best Actor – Miniseries or Made-for-TV Movie
Idris Elba, Luther
Ian McShane, Pillars of the Earth
Al Pacino, You Don’t Know Jack
Dennis Quaid, The Special Relationship
Edgar Ramirez, Carlos

Best Actress – Miniseries or Made-for-TV Movie
Hayley Atwell, Pillars of the Earth
Claire Danes, Temple Grandin
Judi Dench, Return to Cranford
Romola Garai, Emma
Jennifer Love Hewitt, The Client List

Best Supporting Actor in TV Series, Mini-Series, or Made-for-TV Movie
Scott Caan, Hawaii Five-0
Chris Colfer, Glee
Chris Noth, The Good Wife
David Strathairn, Temple Grandin
Eric Stonestreet, Modern Family

Best Supporting Actress in TV Series, Mini-Series, or Made-for-TV Movie
Hope Davis, The Special Relationship
Jane Lynch, Glee
Kelly Macdonald, Boardwalk Empire
Julia Stiles, Dexter
Sofia Vergara, Modern Family

LINK LOVE: Gawker

The legendary entertainer has gotten to a point in her career and in her life where she basically says whatever the fuck she wants. Bitch has an Oscar and she will shove it so far up your rear end you’ll be tasting Moonstruck for days. So the old girl lets loose on a few topics.

For one, she forgets to refer to her transexual son Chaz né Chastity Bono: “My pronouns are fucked. I still don’t remember to call her ‘him.’”

But in Cher’s defense she never knows or cares who she’s talking to.

She reveals her bitter rivalry with Time, who is currently losing their little game of tag: “I think Meryl [Streep] is doing it great. The stupid bitch is doing it better than all of us! But I don’t like it. It’s getting in my way. I have a job to do, and it’s making my job harder.”

Cher is one of only a handful of people that can openly refer to Meryl Streep as a bitch. The rest of the list includes Robert Redford and Hilary Clinton.

And just to show that she’s not above winning laurels: “Sonny and I still aren’t in the [Rock and Roll] Hall of Fame, and it just seems kind of rude. Sonny was a good writer, and we started something that no one else was doing. We were weird hippies before there was a name for it, when the Beatles were wearing sweet little haircuts and round-collared suits…. We influenced a generation, and it’s like: What more do you want?”

She went on to say: “Those limey motherfuckers threw on some suits and sang about love. Real revolutionary. Meanwhile, I was wearing a fur vest and a blouse cut down to my goddamn vagina. If that doesn’t say rock and roll, you’re full of shit.”

Cher is a national treasure and therefore Burlesque will be a gift for all this holiday season. Personally, I know that I’ll be camped out the night before in a Bob Mackie snuggie complete with feathered headdress.

LINK LOVE: Vanity Fair

I bought my first bottle of Safari by Ralph Lauren soon after it came out because I loved his original Lauren. I also liked the romance behind the name- probably because I was thinking about the imagery in Out Of Africa, Robert Redford and that wonderful scene where he washes Meryl Streep’s hair. In my teenager mind it was the most romantic thing ever (still do, actually. But to this day there has never been a man brave enough to face my 2.5′ of waves and curls). I wanted Safari to evoke just that.

I remember thinking back then that Safari was a little too pretty. I liked it well enough and even finished the bottle (it was the gorgeous lay-down version), but it took me about 15 years to buy another one. Safari didn’t smell like it belonged in the early 90s and I wasn’t sure how it fit with Lauren’s Long Island horsey-set image. It smelled more… French, I guess. The green aldehydic opening, overabundance of flowers and gorgeous chypre base could have easily been a Chanel. Now that I think of it, none of the modern Chanel perfumes from the regular line (not the Exclusifs) has been even half as good as Safari.

I have a few older Safari bottles that are clearly the original formula, including the discontinued parfum. I smell a lot of galbanum and hyacinth which my nearly middle-aged mind translates now as romantic in that heartbreaking, full of longing way. The green and wood notes are dry and crisp and show a lot of elegance and restraint. The patchouli-moss-soft leather base (more pronounced in the parfum) clearly didn’t fit in with the early 90s style- it was too perfume-like in an era of non-perfume opposites: you either had to smell like candy (see Angel and all the horrible mall vanilla and fruit body sprays) or like chemical nothingness (someone please slap Issey Miyake for me). Even the bottle- a vintage looking carved glass beauty- didn’t belong.

It's no wonder that Safari has disappeared from the shelves that sell the Ralph line. For a while it was hard to find except for occasional appearances at places like TJ Maxx. From quick sniffing and spraying the current version at a couple of the discount outlets it's clear that the formula has changed for the very worse. It's a floral something or other without the galbanum, oakmoss or any of the notes that used to give Safari its  backbone. Despite rumors to the contrary, Safari (or what's left of it) is still in production and can be purchased on Ralph Lauren's American website: $60 for the 2.5oz EDP. The notes are listed there as “An exotic medley of floral and citrus notes gently warmed with the essences of Bourgeons de Cassis, Jasmine Italian and Fleur d'Oranger”. I wouldn't bother.

Images:
Safari ads from 1993-1994, couleurparfum.com
Meryl Streep and Robert Redford in Out Of Africa (1985) from ew.com
Verushka in a YSL safari suit by Franko Rubartelli for French Vogue, August 1968

Copyright ©2006-2010 Gaia Fishler, The Non-Blonde. Content poaching is both illegal and ugly.

LINK LOVE:Ralph Lauren Safari For Women

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A very Hollywood driven cover for Vogue Paris staring Meryl Streep, Julianne Moore, Naomi Watts, Kate Winslet, Penelope Cruz, and Gwyneth Paltrow, photographed by Inez van Lamsweerde and Vinoodh Matadin.

LINK LOVE: Design Scene

The always engaging Navo gives us his picks for best films of about photographers. He also gives us a little picture into why he became a photographer. Read it, memorize it, bring it up in conversation. The Navo will be happy.

DAMN, I NEED TO HIT THE GYM AGAIN

Why did I become a photographer? Do I really love taking pictures or I just like the idea of being a “photographer”? Do I have the right reasons for my passion and obsession for this hobby, for this job? Can a person fake his talent, his eye, his happiness, his vision? Can I just act like a photographer for decades, for the rest of my life and get away with it? Can I just be easily a photographer the moment I invest in a digital camera? I think the most important question is - CAN I FOOL MYSELF AND THE WORLD? I was 18 when I took my first pictures in art school, that was right after I gave up painting and writing and focused on my photography and after a couple of years worked as a graphic designer in Saudi Arabia and Dubai, later Hong Kong, my designing job supported my love for travelling and documenting them, the skylines, the people, the parties, the beaches, the friends, then one day got tapped in Dubai to shoot a DSquared2 advertorial and the rest is history as they say, that was roughly 6 years ago, and the first 3 years was a slow pace into the transition to photography and giving up graphic design altogether, once you learn to love something you need more time to care for them, being a camera person keeps me busy and occupies most of my days for the past years, I take portraits of beautiful people, “Damn, I need to hit the gym again” is the no# 1 reaction to my work, especially with men, I don’t know if thats a good sign, but for some reason I think I should get a commission to all the countless gym memberships I sold, I take pictures of men like I take pictures of buildings, they have to look magnificent, naked, architectural and mysterious.

THE ARTIST & THE POLITICIAN

It’s been a work in progress and a never-ending learning and developing my style that I could call my own, I love the struggle, makes life more interesting and journal-worthy. But like any other industries, you don’t only have to worry about your trade and your own business, the industry of beautiful people is also filled with the nasties, politics is deeply entrenched in the very structure of the fashion industry machine. There’s more politics in the fashion house than the white house, and half the wit and education, thats the irony. Thousands of very talented individuals, countless photographers gave up the battle, lensmen who loves photography to their bones, but hates the politics, artists who can’t stomach it, or just basically not built for it. Everytime you look at a billboard in Time Square,  you can’t help but wonder, what this people behind this beautiful pictures have to give up, have to sell, have to kill to get this job? Yes, gone are the days when photography is only about taking good pictures, knowing the camera, going to an art school or just get a Photography for Dummies book, it’s not only about lenses and tripods and reflectors, it’s not only about models and lighting and creativity anymore. You have to be a hustler, a mobster, a bully, a pimp, a thief or a prostitute to be on the top of the foodchain, and unfortunately there’s no university in the world you can learn Fashion Industry Politics or even a Fashion Politics for Dummies book.

MIDNIGHT MEAT TRAIN, THE SEQUEL

L. B. ‘Jeff’ Jefferies, Billy Kwan, Harlen Maguire, Anna Cameron,  Jeff Kohlver, Laura Mars, Dick Avery, Seymour ‘SY’ Parrish, Lucy Berliner, Alexandre Rodrigues, Russell Price , Charles Castle, Robert Kincaid and Richard Boyle are some of the most unforgettable characters that I’ve ever seen in the silver screen and there’s one thread that binds them all together. The hunky thespians (some of my favorite actors today)—Jude Law (Sherlock Holmes 2009), Patrick Wilson (Watchmen 2009), and Bradley Cooper (Hangover 2009),  cinematic legends—Clint Eastwood (Gran Torino 2008),  James Stewart (The Man Who Knew Too Much 1956), Fred Astaire (The Sky’s the Limit 1943) and Robin Williams (Mrs. Doubtfire 1993), and Hollywood megastars—Nicole Kidman (The Portrait of a Lady 1996), Julia Roberts (Pretty Woman 1990), and Faye Dunaway (Bonnie and Clyde 1967) have something in common. They will always be my personal favorite actors, because they played once in their remarkable careers a role with bravado, grace and intelligence—the role of a photographer.

If your life is a movie, will it be a Romance? A Thriller, a Mystery or Crime saga?  Perhaps Drama, a War or Adventure Epic? A Horror or a Comedy? A Musical or an Action Sci-fi? Some people who thinks they know me (the Frenemies**) will say my life is a downright HORROR movie, a gay psychopath monster photographer who makes everyone’s lives miserable, sounds like “The Midnight Meat Train, The Sequel” to me, some people say I’m also DRAMATIC, so i guess, there’s a possible bromance lurking between the bloodbath, my life has been casualy summarized into a D-list cult flick in the 70’s.

OSCARS LOVES SHUTTER BUGS

Obviously film and photography are close relatives both use film or digital cameras to capture the world as they see it and tell their different stories. The Academy Awards (Oscars) obviously loves photographers, most films featured on the list are either nominated or have won a major award, most of them for their roles as photographers, many iconic and important films all over the world revolves around that guy (or girl) holding a 35mm, whether they’re risking their lives to reveal a monster of war or a revolution, psychopatic photographers tracking or stalking the protagonist or a photographer tracking a psychopath,  fashion photographers having illicit and scandalous sexual affairs, shutter bugs falling in love with their muse or just becoming obsessed with their subjects, or a combination of all that, these are the characters that have helped millions of moviegoers around the globe (including me) a glimpse into the life of the imaginary, the gritty, the tender, the romantic, the obscene, the savage, the genius and the human—the photographer.

**a future article you’ll find here in Dangerously Naive.

1.

Rear Window (1954)
Through his rear window and the eye of his powerful camera he watched a great city tell on itself, expose its cheating ways…and Murder!

The legend Alfred Hitchcock exerted full potential of suspense in this masterpiece.  Could easily be my favorite movie of all time. James Stewart as L. B. ‘Jeff’ Jefferies, a wheelchair bound photographer spies on his neighbours from his apartment window and becomes convinced one of them has committed murder. Grace Kelly co-stars as Jeff’s girlfriend Lisa Carol Fremont. Nominated for 4 Oscars (Best Cinematography, Color – Robert Burks,  Best Director – Alfred Hitchcock,  Best Sound, Recording – Loren L. Ryder, Paramount,  Best Writing, Screenplay – John Michael Hayes and other 4 wins and 5 nominations.

Director: Alfred Hitchcock
Writers: John Michael Hayes (screenplay) Cornell Woolrich (short story “It Had to Be Murder”)
Release Date: 14 January 1955 (Japan)
Genre: Crime | Mystery | Romance | Thriller

2.

The Year of Living Dangerously (1983)
A Love Caught In The Fire Of Revolution.

A young Australian journalist (on his first job as a foreign correspondent), Guy Hamilton (played by Mel Gibson) tries to navigate the political turmoil of Indonesia during the rule of President Sukarno with the help of a half- Chinese dwarf photographer Billy Kwan as Guy’s local photographer contact, a role for which Linda Hunt won an Academy Award for Best Supporting Actress. Jill Bryant (Sigourney Weaver) as Guy’s love interest, a British Embassy officer. Combining political intrigue, steamy romance, and engaging characters, Peter Weir’s well-crafted, highly enjoyable adventure is one of the few successful efforts to make a Casablanca-like movie for modern audiences. The film was shot in both Australia and the Philippines. An Oscar win and other 7 wins & 15 nominations. Also on the list of my all time favorite classics.

Director: Peter Weir
Writers: C.J. Koch (novel) C.J. Koch (screenplay)
Release Date: 21 January 1983 (USA)
Genre: Drama | Romance | War

3.

Road to Perdition (2002)
Pray for Michael Sullivan.

Jude Law as Harlen Maguire a psychopathic assassin who likes to photograph his victims, Harlen tracks hitman Michael Sullivan Sr. (Tom Hanks) and son in Illinois during the Great Depression. Paul Newman (in his final theatrical screen appearance) as John Rooney, an Irish American organized crime boss of Sullivan Sr., and Daniel Craig as Connor Rooney, the crime boss’s son. A story that had minimal dialogue and conveyed emotion in the imagery. Somber, stately, and beautifully mounted, Sam Mendes’ Road to Perdition is a well-crafted mob movie that explores the ties between fathers and sons.  Winning several awards, 17 wins & 51 nominations, including the Academy Award for Best Cinematography win, and nominations for Best Actor in a Supporting Role- Paul Newman. One of the best film produced this decade in my list.

Director: Sam Mendes
Writers (WGA): Max Allan Collins (graphic novel) and Richard Piers Rayner (graphic novel)
Release Date: 12 July 2002 (USA)
Genre: Adventure | Crime | Drama | Thriller

4.

Closer (2004)
If you believe in love at first sight, you never stop looking.

Julia Roberts as Anna Cameron, a quietly independent divorce and successful art/portrait photographer, Jude Law as Dan, a thoughtful but unsuccessful novelist and journalist, who authors a book about Jane (Natalie Portman), a gorgeous young runaway from New York’s seedy sex industry, and Clive Owen as Larry, a dermatologist with the lust and manners of a soccer hooligan. The plot revolves around the infatuation of the couples for one another, an elaborate character study of two London couples as they engage in an ultimate game of partner swapping. The film was recognized with several awards and nominations, including Oscar nominations (and Golden Globe wins) for both Portman and Owen for their performances in supporting roles, and other 8 wins & 20 nominations.

Director: Mike Nichols
Writers (WGA): Patrick Marber (play) Patrick Marber (screenplay)
Release Date: 3 December 2004 (USA)
Genre: Drama | Romance more

5.

Hard Candy (2005)
Strangers shouldn’t talk to little girls.

After three weeks chatting with the 32-year old fashion/portrait photographer Jeff Kohlver (Patrick Wilson - Watchmen 2009) ‘Lensmaster319? in Internet, the mature 14-year old Hayley Stark (Ellen Page – Juno 2007) finally meets. Suspecting that he is a pedophile, she goes to his home in an attempt to expose him. The first feature film for director David Slade, who previously had worked mostly in music videos. Disturbing, controversial, but entirely engrossing, a well written with strong lead performances. A movie that stays with the viewer long after leaving the theater, garnering 5 wins & 6 nominations in different award giving body.

Director: David Slade
Writer (WGA): Brian Nelson (written by)
Release Date: 14 April 2006 (USA) more
Genre: Drama | Thriller more

________

One Hour Photo (2002)
The things that we fear the most have already happened to us...

Robin Williams as Seymour ‘SY’ Parrish, a creepy photo developer and photographer. He has a vast knowledge of modern photography and develops photos at a one-hour photo lab in a local department store and becomes obsessed with one of his customers, a young suburban family, the dad, Will Yorkin (Michael Vartan), the mom Nina Yorkin (Connie Nielsen) and their kid. Williams won a Saturn Award for Best Actor (2003) for his work in the film, other 5 wins and 14 nominations.

Director: Mark Romanek
Writer (WGA): Mark Romanek
Release Date: 13 September 2002 (USA)
Genre: Drama | Thriller

6.

Cidade de Deus/ City of God (2002)
If you run you’re dead…if you stay, you’re dead again. Period.

Based on a true story, a shocking and disturbing, but always compelling story of two boys growing up in a violent neighborhood slums of Rio de Janeiro take different paths: one becomes a photographer (Alexandre Rodrigues as Buscapé – Rocket), the other a drug dealer (Leandro Firmino as Zé Pequeno – Li’l Zé). The story is told through eyes of Buscapé, a poor young fisherman’s son who dreams of becoming a photographer one day. The film received four Academy Award nominations in 2004: Best Cinematography (César Charlone), Best Directing (Meirelles), Best Editing (Daniel Rezende) and Best Writing (Adapted Screenplay) (Mantovani). Before that, in 2003 it had been chosen to be Brazil’s runner for the Academy Award for Best Foreign Language Film, but it was not nominated to be one of the five finalists.

Directors: Fernando Meirelles  Kátia Lund (co-director)
Writers: Paulo Lins (novel) Bráulio Mantovani (screenplay)
Release Date: 2002 (Russia)
Genre: Action | Crime | Drama

________

The Midnight Meat Train (2008)
The most terrifying ride you’ll ever take.

Bradley Cooper as Leon, a documentary/art photographer who attempts to track down a serial killer named Mahogany (Vinnie Jones) dubbed the “Subway Butcher” and discovers more than he bargained for under the city streets of New York. A creative and energetic adaptation of a Clive Barker 1984 short story of the same name (which can be found in Volume One of Barker’s collection Books of Blood), with enough scares and thrills to be a potential cult classic. 4 wins in different categories.

Director: Ryûhei Kitamura
Writers (WGA): Jeff Buhler (screenplay)
Clive Barker (short story “The Midnight Meat Train”)
Release Date: 7 August 2008 (Russia)
Genre: Crime | Drama | Horror | Mystery | Thriller

7.

Funny Face (1957)

Fred Astaire as Dick Avery, a fashion photographer in search for an intellectual backdrop for an air-headed model, expropriates a Greenwich Village bookstore. When the photo session is over the store is left in a shamble, sales girl Jo Stockton (Audrey Hepburn) comes to the rescue. They offer Jo a modeling contract, which she reluctantly accepts only because it includes a trip to Paris. Eventually, her snobbish attitude toward the job softens, and Jo begins to enjoy the work and the company of her handsome photographer. Richard Avedon designed the opening title sequence and consulted on the film, and Bill Avery was the still photographer. Nominated for 4 Oscars and other win & 5 nominations.

Director: Stanley Donen
Writer: Leonard Gershe (written by)
Release Date: 13 February 1957 (USA)
Genre: Romance | Comedy | Musical

________

The Bridges of Madison County (1995)

Clint Eastwood as Robert Kincaid, a photographer in the farmlands of Iowa on assignment for National Geographic magazine and wanders into the life of a bored, middle-aged Italian housewife Francesca Johnson (Meryl Streep), for four days in the 1960s. They fall in love, but she’s married with children. A film adaptation of Robert James Waller’s wildly popular, bestselling novel. Eastwood and Streep, who was nominated for the Academy Award for Best Actress in 1996 for her performance in the film, other 6 wins & 6 nominations.

Director: Clint Eastwood
Writers (WGA): Richard LaGravenese (screenplay) Robert James Waller (novel)
Release Date: 2 June 1995 (USA)
Genre: Drama | Romance

8.

Under Fire (1983)
This wasn’t their war but it was their story…and they wouldn’t let it go!

Nick Nolte as Russell Price , a star photographer, one of the journalists in a romantic triangle are involved in political intrigue during the last days of the corrupt Somozoa regime in Nicaragua before it falls to a popular revolution in 1979. Ed Harris as Oates and Gene Hackman as Alex Grazier. Nominated for Oscar. Another 2 wins & 3 nominations.

Director: Roger Spottiswoode
Writers: Clayton Frohman (screenplay) Clayton Frohman (story)
Release Date: 21 October 1983 (USA)
Genre: Drama | War

________

Salvador (1986)

James Woods as Richard Boyle , an American photojournalist down on his luck in the US, drives to El Salvador to chronicle the events of the 1980 Salvadoran civil war. While trying to get footage, he becomes entangled with both leftist guerrillas and the right-wing military.  The film was nominated for two Academy Awards: Best Actor in a Leading Role (Woods) and Best Writing, Screenplay Written Directly for the Screen (Stone and Boyle), and other 3 wins & 6 nominations

Director: Oliver Stone
Writers: Oliver Stone (written by) and Rick Boyle (writer)
Release Date: 23 April 1986 (USA)
Genre: Biography | Drama | Thriller | War

9.

Photographing Fairies (1997)

Toby Stephens as Charles Castle, a photographer numbed with grief after the sudden death of his young wife, devotes himself to his work as a photographer in World War I. Charles is given some photographs purporting to be of fairies. His search for the truth leads him to Burkinwell, a seemingly peaceful village seething with secrets where he becomes drawn into a web of passion, romance and violence. Ben Kingsley as Reverend Templeton. 5 wins and 3 nominations.

Director: Nick Willing
Writers: Chris Harrald (written by) Steve Szilagyi (book)
Release Date: 19 September 1997 (UK)
Genre: Drama | Fantasy | Mystery

________

High Art (1998)
A story of ambition, sacrifice, seduction and other career moves.

Ally Sheedy as Lucy Berliner, a very talented drug-addicted lesbian photographer that contributes with high-art photography magazine Frame meets a young female intern for the magazine, Sydney ‘Syd’ (Radha Mitchell) both of whom seek to exploit each other for their respective careers, while slowly falling in love with each other. Berliner’s photography (Sheedy) was based on Nan Goldin’s work. The photographs themselves were made by Jojo Whilden. 7 wins and 14 nominations.

Director: Lisa Cholodenko
Writer: Lisa Cholodenko (writer)
Release Date: 12 June 1998 (USA)
Genre: Drama | Romance

10.

Eyes of Laura Mars (1978)

Faye Dunaway as Laura Mars, a very successful high-end fashion and advertising photographer and Tommy Lee Jones as Detective John Neville notes striking similarities between her art photos and those of real crime scenes. The screenplay, adapted from a spec script titled Eyes, written by John Carpenter, was Carpenter’s first major studio film. Producer Jon Peters, who was dating Barbra Streisand at the time, bought the screenplay as a starring vehicle for the actress, but Streisand eventually decided not to take the role because of “the kinky nature of the story”, as Peters later explained. The role went to Dunaway, who had just won an Oscar for her performance in Network. It was shot entirely in New York and New Jersey. The famous sequence where the Laura Mars character photographs a group of models against a backdrop of two burning cars was filmed over four days at New York’s Columbus Circle. Gallery Exhibition Images of Laura Mars are shot by Helmut Newton. Despite its lukewarm critical reception, the film was a box office hit, earning $20M off of a $7M budget, 1 win and 1 nomination.

Director: Irvin Kershner
Writers: John Carpenter (screenplay) and David Zelag Goodman (screenplay)
Release Date: 2 August 1978 (USA)
Genre: Horror | Mystery | Thriller

________

Blow – Up  (1966)

David Hemmings as Thomas, a successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he frolics with young models, then meets the mysterious Jane (Vanessa Redgrave), he accidentally captures on film the commission of a murder. The film was nominated for 2 Oscars and other 7 wins and 4 nominations.

Director: Michelangelo Antonioni
Writers: Michelangelo Antonioni (story) Julio Cortázar (short story)
Release Date: 18 December 1966 (USA)
Genre: Drama | Mystery | Thriller

________

Other film’s that centers around the life of a lensman:

Fur: An Imaginary Portrait of Diane Arbus (2006)
Nicole Kidman as Diane Arbus
Robert Downey Jr. as Lionel Sweeney

Mad Dog and Glory  (2000)

Gentlemen’s Relish (2001) (TV)

No Small Affair (1984)

Stardom (2000)

Head in the Clouds (2004)

Femme Fatale (2002)

The Notorious Bettie Page (2005)

Fairy Tale: A True Story (1997)

The Photographer  (2000)

Harrison’s Flowers (2002)

The Truth About Cats & Dogs (1996)

Catch & Release (2007)

Pecker  (1998)

Grace, Mami, and Louisa Gummer (Meryl Streep’s daughters)

Drena De Niro

Alexis Bledel

Mary-Kate Olsen

Much better than yesterday!

Henry Cavill

Diane Kruger

Adrien Brody

Debra Messing

Kerry Washington

Models Angela Lindvall and Heidi Mount

Julia Restoin-Roitfeld

LINKAGE: ohnotheydidnt