“There’s something really uplifting about these colors,” Dolce & Gabbana Make Up creative advisor Pat McGrath says. “They make you feel as if you’re on holiday.” She created the irresistibly vivid collection to evoke a carefree summer feeling for the sexy and evocative woman.

Perhaps the brand’s most beautiful collection to date, we can’t get enough of these 17 hues, meant to be mixed and matched until you find the perfect combination for a vibrant glow. The Bouquet Collection will be available April 2012 at select Saks Fifth Avenue stores and Saks.com.

Fair ladies, embrace your Nordic tendencies that render you positively innocent when the makeup goes away. Use a pale pink that ebbs nude and a lengthening mascara. To get the Dolce & Gabbana look, mix a touch of their two

Purity Pink

What prevailed throughout all of Fashion Week culminated on the crystal cased Chanel runway with embroidered brows by the famed atelier de broderie, Lesage. If you don't have overgrown eyebrows, or just have fair hair, try like Pat McGrath did at Alexander Wang to give a boyish straight shape by brushing on dark eye shadow. You could also try an eyebrow palette with angled brushes. The

Raised Brows

Cold and angular eyes stared runways down to the chill of midnight.

Cool Night Eyes

Wing tips take flight again in both multiple lines like at Altuzarra, and with an electric blue shock like at Anna Sui. To get Pat McGrath's look for Anna Sui, you're going to use a liquid eyeliner and flick it up at the end. Draw the outline and fill it in using

Wingin' It

Like in Rick Owen's show "Offset the Scary", the brightest red will make a look iconic. Try a look-at-me lip of your own:

Bursting Red Lips

Burning in the fiery shadows of your lids is an orange or red taking up the whole space. You need to span big or else it runs the risk of looking like you've been crying. Not chic. And keep the rest of the face clean, obviously. Go big or go home in tears. Peter Phillips used several variations of orange at Dries Van Noten. From Make Up For Ever, he used no. 66, a mustard and no. 78, a rusty mandarin. Though those are both discontinued, you can try his third shadow,

Fiery Shadows

This look says power bitch in the sweetest way possible. How to get it: Spray the brush with hairspray and brush it back. DVF's hair stylist Orlando Pia used

Deep Sleek Side

Adding a dab of white to your cornea brightens the whole eye and makes them look bigger. Try some Sex to get the look. It's hot.

White Inner Eye

Hot mess dream trend! This look encourages us to fall asleep with our makeup on, roll outta bed and rock the refined raccoon eye. Marc Jacobs approves twice.

Smudged Down

Blackberries haven't gotten this much attention since iPhones hit Verizon. Unfortunately for the smartphone-makers, we're talking color. Perhaps it's the Rooney Mara effect, but oxblood-burgundy lips were everywhere. On the Gucci runway, Pat McGrath used

Vampy Lips

The ruby is a personal treasure to Stefano Gabbana - he wears his own, set in a gold ring, every day. “The ruby is my favorite precious stone,” Gabbana said. “It represents fire and passion, two things that characterize me quite well, and it’s my birthstone too.”

It also conjures memories of the Italian racing red color of the 1960s Alfa Romeo Spider driven in The Graduate. “The nostalgia of that glamorous, liberated era is always inspiring,” Domenico Dolce said. “A casually elegant man driving a sensual, carefree woman in that red sports car. The wind is playing with her hair, she’s wearing vermillion lipstick: that image for me is so modern and powerful.”

Creative Advisor Pat McGrath understands Dolce & Gabbana’s legacy, and always mixes luxurious details with sophisticated hues to convey the brand’s message. “Don’t you just love the jeweled compacts and lipsticks?” McGrath said. “But when you open them up, you get these wonderfully classic and chic colours to play with. I love that kind of duality– it’s so Dolce & Gabbana.”

Questions about Dolce & Gabbana’s Ruby Holiday 2011 Collection? Ask me on Twitter @CrystlMeatballs.

Link Love: Vogue.com

All photos from Style.com.

With a big focus on tailoring for Spring 2012, Riccardo Tisci designed one of the most wearable Givenchy collections to date. The makeup was very on par with this idea as nude eyes and a lightly glossed lip let the models' true beauty shine through. Tiny, shiny, heart-ish shaped bits placed directly beneath the lower lash lines reflected Tisci's mermaid inspiration for the line.

It was ring around the rosy at John Galliano with eyes smudged in a reddish-pink shadow and nude lips blushed ever so slightly. Whimsical, if not slightly freakish, the face matched the clothing designed by former pattern maker for the house Bill Gaytten. Mary Poppins would oblige.

The nude lip trend continued in Paris with Pat McGrath's fresh dewey face for Lanvin. The makeup artist is "feeling really pared-down makeup for Spring," a look designer Alber Elbaz was completely on board with for the show. Clean skin and a smokey brown eye rounded out the look, creating day-to-night beauty that's absolutely flawless.

Ah-ha! And a bold lip steps forward. Makeup artist Pat McGrath mixed three hues to create this perfectly matte, pinkish crimson pout, reminiscent of the late great Grace Kelly. Flawless skin with a rosy cheek was the backdrop for the look, and a pretty bronzed eye complemented without taking away or overpowering a simply beautiful face.

Photo source: Style.com

Paul was at nearly every rehearsal – far more hands on than your average ballet composer. He had already been working on an underwater themed symphony when he got the call from Ballet Master in Chief, Peter Martins, to compose a piece for the New York City Ballet. Paul accepted, and created a story and score off of what he had already started. He went back to that workon a computer program he has admittedly become quite obsessed with), with the thought of that sound inspiring dance.

Photo by Jessica Lapidos

McCartney and Martins enter Lincoln Center with a hug. All you need is love, hard work, and the NYC Ballet.

Here, he beholds a Terra Punk – one of the “baddies” as he calls them – in full costume. Stella went along the guidelines of what Dad saw in his mind as he created these characters. He wanted them to be tattooed tribally, so she imprinted the tattoo upon nude dancer’s mesh.

Stella stepped out of her realm of the Stella McCartney brand to create a fantastical skin for the ballet to take place within. After a decade of work with legendary makeup artist  Pat McGrath, in which Stella rarely deviated from the fresh face, she was finally able to let McGrath stretch her theatrical wings and transport these dancers to a kingdom under the sea. She worked with the elite textile printer Dyenamix to create scales out of tie dye, and tattoos out of mesh.

The fabrics she chose fluttered with the movement of water. Part of the ensemble of hand maidens wore tops with a billowing cape behind it, two separate strips of silk attached to the shoulder and waist seams of the shirt. It hit the air like swimming fins.

Three Drunk Lords stumble-danced on stage to a wobbly jazzy sound, in thick multi-color painted striped suits. Perhaps this pattern will find its way onto Stella’s future runways.

The treacherous servent to the Princess Honorata wore a dark rectangular washed silk cape that danced like ribbon around her body, attached to her fingers. See the sketch:

Now see it in action in this gorgeous video by the New York Times.

The harmony of Paul’s bubbling and expressive orchestral musical movements along with Stella’s movement-focused color-blasted underwater mix of breezy chiffons and body suits creates a truly special environment for the ethereal grace of the NYC Ballet.

Who was there last night? Check the gallery.

She's a vision in Oscar de la Renta. That is all.

is more stunning in person than one ever might think. He is baby-faced yet solid built man. Inside sources tell us that Bon Jovi goes to sleep every night at 7:30 PM and wakes up at 3:30 AM to gym it. Werq.

Even skinnier in person than you might imagine, Sarah Jessica Parker (at close range) stunned in Stella McCartney. Gracious she was, and honored to be walking in on the heels of Paul and Stella themselves.

Naomi Watts, Sarah Jessica Parker and Jessica Seinfeld in and with Stella McCartney.

Arriving with Sarah Jessica Parker was Candace Bushnell, without whom we would never have had Carrie, Charlotte, Sam and Miranda in our lives, and also wouldn't have so much trouble getting rid of the continuing movie versions of them.

is only slightly more terrifying than Jack Donaghy. This formidable actor did not miss the opportunity to see Paul's work with the ballet.

looks delighted to be taking the ballet in with his wife, Ricky. There was no need to ask what she was wearing.

our favorite candy girl, and also daughter of Ralph Lauren, was present to witness the work of another power father-daughter combination. Any potential Lauren-Lauren collabs in the future?

contributing editor to Elle Décor and gal about town wore this beaded column piece. With motifs from the world over, this dress stunned. She moved too quickly to catch the designer, but you should see it in its glory.

stunning artist steals the room in Giambatista Valli.

a principle in the New York City Ballet dazzled in a nude Stella McCartney.

the Ballet Master in Chief and his wife share a beautiful moment in the entranceway to Lincoln Center. Martins introduced the ballet with a toast to Paul; a tradition started by the former ballet master George Balanchine, who toasted the likes of Tchaikovsky with a shot of vodka. In honor of Paul McCartney, however, Martins toasted with a cup of English tea.

Taken with a shaky hand at approximately 4 feet's distance, Paul McCartney looks positively giddy with his fiance, Nancy Shevell. Not used to seeing his own work from the audience's view, he was, "extremely excited to sit back and watch the finished production in the knowledge that my work has been done and that I have had such an enjoyable time doing it".

finally gets to see her work in its fullest life. Big congrats to a beautiful feat.

As I sashayed down the red carpet, my mind skipped from the photographers' flashes, to those people who would also be traversing that very stretch of rug. Stella McCartney, of whose visionary costumes I would be soon be in awe, and Sir Paul McCartney, whose life is a tribute to the greatness of man and music. And that is how I got in to snap close photos of the fabulocity that trickled in after me.

Paul McCartney embraces Peter Martins, the ballet's brilliant choreographer. Martins asked Macca if he'd write something for the ballet to benefit the School of American Ballet. From that moment, the two worked closely to bring the vision to fruition.

examines a Terra Punk - one of the "baddies" as Sir Paul calls them - in full costume by Stella McCartney - tattoo pattern over nude mesh.

Paul McCartney takes center stage with Peter Martins and prima ballerina Sara Mearns at the first curtain call of Ocean's Kingdom.

Before: Looking a little tired and boring sans color. Click page two to see the after shot.

Dolce & Gabbana Ultra-Shine Lip Gloss $29 – Pat McGrath, Creative Advisor for Dolce&Gabbana The Make Up, offers her wise words about this ultra-luxurious gloss:  “The golden pearl and iridescent shades can be used to highlight the centre of lips for a fuller looking pout.”

After sharing her cosmetic expertise, Pat answered a few of our burning questions.

On how Dolce & Gabbana’s collections inspire her for The Make Up: It’s incredible because there are so many Dolce & Gabbana collections to pull inspiration from. I work with Domenico and Stefano researching the archives to choose some of our favorite colors for the collections. I use elements I know they are inspired by – rich, Italian color and bright, bold design.

On choosing perfect colors for the collection: For me, when it comes to cosmetics, it’s not about right, it’s about love. Do I love that color? We test each hue multiple times on different models to make sure it works for many diverse looks. But over time, you have a sense of what is right and wrong.

On the must-have makeup trends for summer: I love that brows are back – we’re grooming them and making them fuller. I’m fond of the play on lips this season with the all-or-nothing mentality. You saw everything from the super strong colors all the way to nudes on the runway. Also, using blush and bronzer everywhere – eyes, cheeks, temples, chin and body – for a maximum summertime glow.

I also got to try the infamous Animalier Bronzer and Classic Cream Lipstick in Venere while I was there. One word covers both products – obsession. If these won’t make you feel like summer is here, nothing will.

You can shop for these Dolce&Gabbana The Make Up products and more on Saks.com.

Out of dozens of hopefuls, only seven pedigree pooches made the final cut, along with Zuzanna Bijoch, Daphne Groeneveld, Gertrud Hegelund, Nyasha Matonhodze, Anaïs Pouliot and Fei Fei Sun.

Karl Templer did the styling, Pat McGrath did the make-up and Guido Palau did the hair…at least the human hair. But considering how classy these canines are, they probably had their own glam squad. [WWD]

Going chronologically here, when I arrived at the backstage area, the models were all in run-through mode so there was zero motion by the ready mirrors. This gave me a moment to check out the Anna Sui Beauty Bar - she was showing press like me her signature perfumes, her new shoe collaboration with Hush Puppies, and her collection of spectacles.

I told you I went a little nuts with the glasses, but they’re so fly I had to give you a little show of them.

That was fun, but seriously, back to the real models. Zuzanna Bijoch and Daphne Groeneveld give serious backstage face.

The über talented Pat McGrath was responsible for the cosmetic creation. The aesthetic is perfect natural skin with futuristic lashes and lids. She achieved this look with tons of mascara infused with beeswax for extra thickness and playing with liner above the crease of the lid. Just a very small amount of blush on the apple of the cheek keeps the face nude without looking dead. The light white shimmer on the eye is Snow Blossom by Covergirl.

The famed Garren styled the smooth mod sixties hair that carried the show. He calls the look the “Mod Bardot” with fullness at the crown and full fringe with a center part, “Kind of the way Anna [Sui] wears her hair.” To get that voluminous lift at the root, he used Furterer Volumea. Girls with shorter hair were styled in that curly Twiggy kind of way. He envisions this hairstyle on girls having fun, not taking itself too seriously. And we’ve been forewarned, Garren states more as a fact than a vague prediction, “Fringe will be for Fall.”

I serendipitously crossed paths with Anna Sui on my way to enter the front of house to watch the show (we heard the announcement, FIVE MINUTES!) and I managed to squeeze two questions in:

What are you most excited about for your show?

“I hope people like it, that’s what I’m feeling.”

From what I’ve seen backstage, I’ve noticed a mod theme. Is the whole collection going that way?

“You’ll see. There’s a transition that happens, that’s what I’m trying to express.”

Now, more images for your viewing pleasure:

Yuri Plesken joins in on the action adorned by Pat McGrath‘s dramatic face paint…and little else. How do we feel about this? And is it me or does the image on the right look a bit Marc Jacobs/Juergen Teller-y?

Still I love to see Gisele as Tom Brady sees her: wearing the pants.

Photo: MDC

Marc Jacobs gets interviewed for the latest Louis Vuitton campaign featuring the “plus-sized” Lara Stone. I can’t understand how people consider this girl fat. I’m really loving her lately.

Louis Vuitton Spring/Summer 2010 Ad Campaign
Interview by Marc Jacobs
Model: Lara Stone
Photographer: Steven Meisel
Stylist: Marie-Amélie Sauvé
Hair: Garren
Makeup: Pat McGrath

This trend has been around for ages, but it seems to be recurring. With the fall season well underway, this gives you a whole two seasons to contemplate and allow the Spring/Summer 2009 trend of the baby face to ingrain itself in your brain. I know, I know…you feel naked without your caked on mascara, eyeshadow, foundation and eyeliner. The truth is, and always has been, that the youthful, natural look is what’s in.

Issa’s Spring 2009 models showed the exact youthful aesthetic that Spring 2009 will bring. World renowned makeup artist Pat McGrath told Vogue that ”bronzed cheeks, beautiful pinky highlights and nice healthy skin” were key for Issa’s look. He also added that a smudged, youthful smokey eye and light, glossed lips are big!

Thanks Vogue and STYLE!

Agyness Deyn

Victoria Beckham

Christian Louboutin designs

Alber Elbaz

Serge Normant

Hitting the newsstands is September is Glamour magazine. Normally Glamour is always hitting the right notes; a fun read to divulge into the world of beauty, fashion, news, and tips (not before Fashionindie of course), but we can’t say we agree with one of their articles in the making. Glamour is set to release an article, in their September issue, featuring “Seven People Who Could Change Your Style”. The list is less than impressive. The seven “fashionistas” include Pat McGrath, Victoria Beckham, Christian Louboutin, Alber Elbaz, Takashi Murakami, Serge Normant, and Agyness Deyn. Though many of these men and women have made significant names for themselves, I think it’s a little overboard to say that these seven people would change anyones style. Don’t get me wrong, their individual and unique and they let their clothes speak for themselves, but to say they start the trend? It’s ridiculous!

Thanks to fashionista for the pic!

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