- Andrej Pejic perfected his tuck to model a bikini on a rooftop in New York. All in a gay’s work. [Telegraph]

- Wet Hot American Summer 2. Happening. Get into it. [Huff Po]

- Is Barneys broke? The luxury retailer is having some fairly public money woes. Hey, the recession has hit us all in considerable ways. [WWD]

- Seems like I wasn’t the only one who had a rough night. But in all fairness, I didn’t get stuck in an elevator. But then again, I didn’t get to see Chaka Khan. You take the good with the bad, kids. [Racked]

- A history of the front row at fashion shows proves that celebrities have and will always take precedence. See Babs Streisand resigning Richard Avedon to the second row at Chanel in 1960. [The Cut]

- Calvin Klein, class of 1963 donated $2 million to FIT, the biggest donation from an alumnus in the school’s history. [WWD]

Mary Alice Stephenson wears a lot of hats!  Her Facebook followers are in the five figures, she is a media go-to for her red carpet commentating and heart-filled fashion segments, a world renown stylist who has styled for icons such as Avedon, Hiro, Demarchelier, Lindbergh and Richardson as well as serving as a brand ambassador and spokesperson for many Fortune 500 brands.   Oh, and we can’t forget to mention how cool it is that she and Barbie are talking fashion in her “dream” closet for BarbieWow.com next week, while still making time to be the national fashion ambassador for the Make a Wish Foundation.  She gives her time and love for fashion to many charitable organizations all while being a single mom.  She’s our new hero and we think soon to be yours, too!

As a fashion consultant, you get to do something different every day- which days are you favorite?

Every day is different and I love it that way!  It’s such a mix — from red carpet commentating to consulting behind the scenes for Fortune 500 companies, to creative directing, to styling editorial shoots with top photographers. Each week it’s high fashion to mass fashion, it keeps me happy to be in both worlds!  I can reach so many real women all over the world via social media, my followers love that they can get a look into the real world of fashion and learn how they can apply that glamour to their lives in a realistic way.  One day I’m shooting for a European Vogue, doing a fashion segment for the Nate Berkus show or styling a supermodel for Estee Lauder and the next day I could be helping real women get their glam on in a mall in middle America!

Who are young designers that we should be looking to for the future of fashion?

I just had lunch with the talented designers of Cushnie et Ochs, I try to support as many up and coming designers as possible.  I know how tough this business can be and how much support they need to make it.   I love Flora and Alexa from Ohne Titel, Juan Carlos Obando, Joseph Altruzara, Christian Cota, Suno, Frank Tell….  There is so much talent out there right now.  I try to shoot their clothes, or get them on the red carpet as well as talk about their clothes in the media to help get their point of view out to mass America.  The American public needs to know there are more options than just the big brands that can afford to advertise.  It’s still a struggle, for example, there were a wide range of luxury brands seen on the Golden Globe red carpet but where were Erdem, Prabal Gurung, Thakoon, Alexander Wang, Proenza Schouler?  I was happy to see Givenchy, Nina Ricci and Jason Wu, though —  so that is some progress!

For the rest of the interview, click on over to LOOKBOOKS.com!

“When you work with real people, you can’t impose something,” Roitfeld told WWD. She also stressed the importance of casting for male fashion becuase “it’s men who give personality to the clothes they wore.” Where she stands on women and personality is anyone’s guess, but for the cover Carine tapped easy-on-the-eyes French actor Tahar Rahim, shot by Nick Knight. Frequent collaborator and BFF Karl Lagerfeld also stepped behind the lens for the issue, as did Richard Avedon‘s son, Michael, who shot portraits of up-and-coming young actors, including The Hunger Games‘ Alexander Ludwig. Jean Baptiste Mondino snapped hottie bullfighter José María Manzanares and Willy Vandeperre lensed Lima et al for the pin-up calendar.

The Carine Roitfeld-helmed issue of VMAN hits stands on Valentine’s Day. [WWD]

Sorrenti is actually the first Italian to photograph the Pirelli Calendar, whose past lensmen have included Herb Ritts (1994, 1999), Richard Avedon (1995, 1997), Bruce Weber (1998, 2003), Annie Leibovitz (2000), Mario Testino (2001), Peter Lindbergh (1996, 2002), Patrick Demarchelier (2005, 2008), Mert and Marcus (2006), Inez and Vinoodh (2007), Terry Richardson (2010) and last year, Karl Lagerfeld.

For the shoot in Corsica, Sorrenti chose mostly women with whom he had previously worked, including supermodel among supermodels Kate Moss, whom the photographer has known for some 20 years — the two worked together on the iconic Calvin Klein “Obsession” campaign when Sorrenti was just 21 and Moss was practically still in diapers. In the “Making of ” short film that preceded a Q&A with Sorrenti, he remarked that he “couldn’t do this without her.”

Check out all 25 images from the 2012 Pirelli Calendar, featuring Saskia de Brauw, Edita Vilkeviciute, Margareth Madè, Lara Stone, Guinevere Van Seenus, Malgosia Bela, Milla Jovovich, Fontana,  Smalls,Poly and Moss.

Photos: Out Magazine

Photos: The Fashion Spot, Bellazon

Metamorphosis looks at Monroe’s power in front of the still camera, a power that even marveled the greatest of photographers. Richard Avedon said of Monroe: “She understood photography, and she also understood what makes a great photograph. She related to it as it she were giving a performance. She gave more to the still camera than any actress — any woman — I’ve ever photographed.”

Marilyn by Richard Avedon

Monroe’s journey from the girl-next-door model to breathy burgeoning starlet and finally the being known as Marilyn Monroe is detailed through a collection of iconic and rare images.  She willed herself from the abandoned Norma Jeane Mortenson to an international star through the magic of make-up, styling and photography — and a little nose and chin work, but that’s neither here nor there. There were prettier girls than Marilyn Monroe, certainly better actresses, but what continues to captivate is something more ephemeral than beauty: her spirit. Her charm. Her vivacity, which was just another of her creations. It wasn’t just luck that propelled her to superstardom, but a strong work ethic and a sharp intelligence; it took a lot of smarts to play that dumb.

Wilhelmina Cooper (1939-1980) Before starting her own modeling agency in 1967 (yes, that Wilhelmina), the Dutch-born Cooper appeared on some 300 magazine covers, and still holds the record for most covers of American Vogue: 27. Though Gwyneth Paltrow is slowly sneaking up on her.

Photo: The Fashion Spot

Born in Stockholm, Sweden of Dutch and Indonesian descent on August 4, 1968. Schenkenberg was discovered by photog Barry King while rollerskating in Venice Beach in 1989 after which he appeared in ads for Calvin Klein, shot with the legendary Richard Avedon and strutted on catwalks for Versace, Donna Karan and Giorgio Armani. Schenkenberg has managed to survive over 20 years in the modeling game — as well as a stint on Vh1‘s precursor to Celebrity Rehab, The Surreal Life and a much-publicized affair with Pamela Anderson — rightly earning him the title as the World’s First Male Supermodel.

The granddaughter of one of the pillars of Italian couture, Elsa Schiaparelli, Marisa was “invented” by legendary Vogue editor Diana Vreeland at the age of sixteen, and became one of the most prolific models of the 60s and 70s. She graced every cover from Vogue and Harper’s Bazaar to Newsweek and Time and worked with the greatest photographers of the 20th century including Irving Penn, Richard Avedon and Helmut Newton. Then in the 70s, she embarked on a successful film career, along the way becoming, as Yves Saint Laurent dubbed her, “the girl of the seventies.” Featuring an introduction by aspiring popstar Hamish Bowles and a conversation with BFF for the last four decades or so, Diane von Furstenberg, Marisa Berenson: A Life in Pictures, gives insight into one of the most fabulous women to step in front of a camera lens.

What owning this book says about you: “I like my ‘It’ girls the way I like my drugs: pure, uncut and from the 70s.” Marisa Berenson’s rise to “It” status was pre-destined — glamour is literally in her blood — and she did it so effortlessly and so well that any girls aspiring to “It” today are but pale imitations. I’m looking at you, every socialite/DJ with a fashion fixation.

What will people say?!: “Someone loves them some artistic nudes and/or just loves a good boob shot.” True, Marisa Berenson had no problem flaunting what her mother, The Countess Maria Luisa Yvonne Radha de Wendt de Kerlor — a.k.a. Gogo — gave her, though her grandmother certainly did. After seeing a nipple-bearing photo by Arnaud de Rosnay, Schiap, according to Berenson, “was so furious that she practically threw me out of the house and disowned me.” But as DVF so astutely pointed out, “to show your tits was not a big deal at the time. To be young in the seventies was quite different.” Different i.e. awesome.

How this book will make your fashion brain grow: Berenson’s dynamic and daring photos offer a master class in brilliant fashion photography and moreover, in brilliant fashion photographers.

If you like this, you’ll love: Death in Venice (1971), Cabaret (1972), Barry Lyndon (1975) and I Am Love (2009) – Marisa’s work as an actress is almost as impressive as her modeling, particularly her first few films from the 70s. And 2009′s I Am Love proved that, even well into her 60s, she’s still an electrifying and stunning presence.

Lisa Immordino Vreeland, Diana’s granddaughter-in-law, directed the film Diana Vreeland: The Eye Has to Travel, debuting at the Venice Film Festival September 3rd, as well as wrote the similarly-titled coffee-table book, which hits bookstores October 1st.

Featuring contributions from everyone and their mother, including Calvin Klein, Oscar de la Renta, Hubert de Givenchy, Diane von Furstenberg, Richard Avedon, Anjelica Huston and Ali McGraw*, the film is Immordino Vreeland’s first:”As soon as I started research for the book, I said to myself, ‘I should be working on a documentary.’”

Stephanie Seymour (July 23, 1968) As a muse for the late Richard Avedon, Stephanie Seymour created some of the best fashion photographs of the 90s, then upped the iconic ante when she strolled down the aisle as Axl Rose‘s bride (the two were dating at the time) in Guns and Roses‘ classic “November Rain” video. Though supermodels appearing in music videos was nothing new in 1992, very few looked as perfect as Seymour in that epic wedding dress. Perhaps a little too rock & roll for a royal wedding, but I would at least consider it, Kate Middleton.

Claudia Schiffer (Aug. 25, 1970) Reminiscent of a young Bridget Bardot, Claudia Schiffer’s sultry good looks catapulted her to supermodeldom in the early 90s. Though she made a comeback in a series of gorgeous ads for Salvatore Ferragamo in 2007, don’t expect to see Schiffer on a runway anytime soon; the German stunner maintains that she’s “very shy.” I’m the same way until I get a little liquor in me, hence, we just need to booze up Claudia and throw her — heels first — onto that catwalk. ASAP.

Heidi Klum (June 1, 1973) The ultimate Victoria’s Secret Angel, Klum hung up her wings for good in 2010 to focus on her thriving businesses: in addition to producing the Peabody Award-winning Project Runway (yeah, Heidi Klum has a Peabody), Klum has tried her hand at design, acting, painting not to mention re-populating the world with the help of her virile husband Seal…seriously, Heidi’s been pregnant nonstop for like the past ten years. I’m just going to say it, someone needs to separate those two.

Kate Moss (Jan. 16 1974) The kittenish face of “Heroin Chic,” Kate Moss’ arrival in 1990 sparked a sweeping change in the world of modeling. The glamazons of the 80s and early 90s now seemed outdated compared to the 5’7 Moss when she appeared in The Face magazine, shot by the late Corrine Day. Notoriously private — she rarely gives interviews — Kate Moss is still the most ubiquitous face in modeling of the past twenty years. As a regular in ad campaigns and a favorite muse for many photographers, Moss also practically owns the cover of British Vogue. Despite her amazing career, Kate has had her share of ups and downs…both fueled heavily by cocaine.

Photo: Harper's Bazaar

Tyra Banks (Dec. 4, 1973) Tyra Banks started off a rail-thin high fashion model before morphing into a voluptuous swimsuit cover girl, then a Victoria’s Secret Angel, then a fat-ass Emmy-winning talk show host and the professional smizer/creator of the now international Top Model series; in short, she is the ultimate model as mogul. And while I and a generation of other girls have learned everything we know about modeling from Ms. Banks (admittedly it took me a while to figure out how to find my light), she still has a few tricks up her sleeve (or in this case, turban), such as this shot from Vogue Italia’s iconic “Black Issue.”

Gisele (July 20, 1980) The last of the true supermodels, Gisele came along during the wave of Brazilian bombshells in the late 90s. With her athletic body and distinctive horse trot, she’s stayed at the top of the model heap for the past ten years, earning the one-name recognition to which all supers are entitled. Though there are several heirs to the throne (Karlie Kloss, Chanel Iman, Coco Rocha, Hilary Rhoda, Agyness Deyn, Anja Rubik, Jessica Stam, the list goes on and on…), the queen is not abdicating anytime soon.

Photo: Models.com

In her broken English — or badly translated Italian — Sozzani extols the virtues of Yves Saint Laurent‘s nakedness, Stephanie Seymour‘s snatch, and the artistic nudes of Helmut Newton and Richard Avedon.

They knew how to be naked back then!

She then goes on to call Terry Richardson and Juergen Teller trashy and blame them for transforming nudes into “something sexy and crude rather than glossy.” Whatever “glossy” is supposed to mean.

The editrix then goes on to attack the Tom Ford-helmed issue of Vogue Paris, featuring a wide range of exploitation:

“How about little girls? Wearing heavy make up, sexy clothes, posing in poses that are outrageous for their age.”

Sozzani seems to think that the pinnacle of child exploitation was in the 80s Brooke Shields pedo-fest, Pretty Baby, as “the images were actually romantic for the harsh reality [baby prostitution] portrayed in them.”

And as for those naked elderly people, she’d prefer they keep their wrinkly birthday suits covered up, thank you very much.

Franca Sozzani’s point in all of this is that the images being presented should say something and not just shock for the hell of it.  I love a nude male model as much as the next lady, often much much more, but when does it go from being art or fashion and just becomes porn?

Answer: point of insertion.

But beyond that, if a collection just isn’t good, there’s no point in calling it avant-garde. That’s an easy cop-out. If an article of clothing defies categorization or tradition, sure, call it avant-garde. But feel free to listen to Franca when in doubt:

“If what’s beautiful depends on your opinion, what’s ugly just repulses you.”

What do you think? Does Franca Sozzani have a point?

Link Love: Vogue Italia

Name: Nike Fröhling Felldin
Year of Birth: 1991
Nationality: Half Swedish and half German
Based in: Stockholm
Website: http://www.agentbauer.com/#/601
Blog: nikesofiaamorina.blogspot.com
Representation: Agent Bauer

Inspirations / Influences:
I could make a list of one million things that inspire me but that
would probably bore you so visit my blog and you might get a clue!

Three people you would like to work with:
I wish I was born earlier so I could have worked with Alexey
Brodovitch, Richard Avedon and Irving Penn back in the 30s-60s at
Harpers Bazaar.

Who do yo think is one to watch?
Swedish designer Nhu Doung.

LINK LOVE:New Faces // Model + Stylism // Nike Felldin

Nadja Auermann, Christy Turlington, Claudia Schiffer, Cindy Crawford and Stephanie Seymour by Richard Avedon for Versace.

LINK LOVE: Fashion Gone Rogue

There’s nothing like having high quality prints of Irving Penn, Richard Avedon, Helmut Newton, Steven Klein, Annie Leibovitz, Steven Meisel and several other established photographer’s work in the confines of your own home. I had the opportunity to snag a copy of Dolce & Gabbana’s collaborated photo compilation, Extreme Beauty In Vogue, before it hit’s shelves in October, and I must admit, I feel like a child staring at a picture book, completely mesmerized by every photo. Edited by Phyllis Posnick with an essay by Eva Respini, Extreme Beauty In Vogue exposes photographic, stylistic and journalistic perceptions of female beauty and opinions on allure. Featuring two centuries of work, the evolution of cultural attitudes on women is exposed in this coffee-table must have. And for those of you hung up on Vogue’s typical conservatism, there’s enough nipples, asses, bestiality and blood to suit your fancy. Shove your Beatles anthology to the side folks, because this $55 investment is what your dinner guests should be snooping through!

GALLERY: Extreme Beauty In Vogue

For more information, check out Extreme Beauty In Vogue here!

Shot for the New Yorker in 1995 by the legendary Richard Avedon, this creepy shoot seems worthy of a concept for Americas Next Top Model. Featuring gorgeously style models that appear to have no idea that their loves are merely skeletons, Avedon creates many shots of sheer passion and romance. In agreement with WickedHalo, this shoot has a striking resemblance to the Corpse Bride, but with a ‘Corpse Groom.’ As creepy as these decomposed grooms seem, you can’t help but notice the beauty in each shot, and have a hard time looking away from the photos, no matter how gruesome the concept may be. Each shot brings the couple into a different scene, of love or catastrophe. There’s even a sex scene, which could perhaps be followed by the family portrait with the child as a very creepy doll, even more so than the skeleton. A few of the shots seem straight from a horror movie, but the concept overall would do Tim Burton proud.

GALLERY: In Memory of the Late Mr. and Mrs. Comfort

LINKAGE: Wicked Halo

Gallery: Extreme Beauty In Vogue

Thanks Style!

Check out ICP for more information! 

Thanks Nylon for the heads up!