Edited by Lester Brathwaite
The drama of the business, the transcendent beauty of the clothes, and the backstabbing bitchery of the fashion world have always been popular subjects in film. Whether it’s a satanic editor with a taste for Italian couture, a young fashionista dining with diamonds, or a group of disenfranchised queens hoping to set the City of Lights ablaze, these 10 movies are the greatest odes to fashion.
Edited by Lester Brathwaite
From Twiggy and her doe eyes to Veruschka and her neverending gams, these girls of the 60s originally defined what it meant to be a “supermodel.”
Edited by Lester Brathwaite
Remember that time when a 15-year-old girl from Chicago with an alliterative name built for model magic became the greatest supermodel to catwalk onto the scene since Gisele? Well, now you do because Karlie Kloss is having a moment. Gabrielle Revere captured a devastatingly beautiful portrait of Karlie — I excitedly screamed aloud about it for at least a full minute – for a special Fashion Week issue of Life.
Edited by Lester Brathwaite
The drama of the business, the transcendent beauty of the clothes and the backstabbing bitchery of the fashion world have always been popular subjects in film. Whether it’s a satanic editor with a taste for Italian couture, a young fashionista dining with diamonds or a group of disenfranchised queens hoping to set the City of Lights ablaze, these 10 movies are the greatest odes to and about fashion.
Edited by Lester Brathwaite
The supermodel is that most rare of species: the working model who transcends the runway or the pages of magazines and catalogs to become a part of the popular culture. An ageless beauty whose style and personality make up for any shortcomings in talent, or sanity, or choice in men. I was going to create a Top 10 list of the greatest supers, but then I got to thinking, ‘Hey, Lady (that’s what I call my inner self), everyone knows Naomi, Kate, Christy, Linda and Cindy. But what about the ladies of yore; those catwalk pioneers who paved the way in false eyelashes and broken champagne bottles for the supermodels of today?’ So I dove into the past 50 years of modeling and came out dragging the 25 muses who best defined what it meant to be a supermodel. Grace, beauty, versatility, influence and overall fierceness. Let’s start in the swinging 60s!
Edited by Rebecca Alexander
On Saturday night Another Magazine held a dinner to launch its new autumn issue, coinciding with the start of New York Fashion Week. For the venue, founder Jefferson Hack chose artist Dustin Yellin’s studio in Red Hook, and for the entertainment, modern dance troupe Stephen Petronio Company. Guests at the party, which was sponsored by Bamford, included Craig McDean, Leigh Lezark, Veruschka, and Mark Ronson.
Also in issue 15: Another Magazine embarks on a very special road trip with cover star Scarlett Johansson… takes a fantastic voyage through the archives of the most beautiful woman in the world, Veruschka…. and delves into the brilliant mind of Miuccia Prada via her art collection. Plus a brand new 30-page literary supplement.
Thanks Dazed Digital
Edited by Marissa Moshell, Student
When the sixty’s rolled around, Veruschka was a woman on the move. Fleeing Germany, Veruschka thought she was leaving everything behind, but instead, she stumbled into an entirely new life. Before she knew it, Veruschka had walked head-on into a life of fashion, fame, and iconic character. With the blink of an eye, there it was, supermodel success. Veruschka has never failed to keep us biting at our fingertips; who was she about to inspire next? Just how many more Vogue covers was she going to be on? With her superstar stance and over the moon personality, Veruschka has made her way to be the subject of a monograph. The monograph is composed of occurrences throughout Veruschka’s life; photographs, interviews, and more. Veruschka was a woman with a creative mind. Though she was a model, this was no reason for her to be a clothes hanger; she created her own style because it was possible and more importantly, because it was a roaring inspiration. Everything Veruschka wore was representative of the time she fled; all out in the 60′s all of the time. Veruschka says of her fashion, “I was always being different types of women. I copied Ursula Andress, Brigitte Bardot, Greta Garbo. Then I got bored so I painted myself as an animal.”
