1. Paris Is Burning (1990) Set amidst the backdrop of 80s New York ball culture, Paris Is Burning is an exploration of beauty, race, sexuality, capitalism and the American Dream, all wrapped up in a dragtastic homage to the transformative powers of fashion. Also, where do you think Madonna learned to Vogue? See Also: To Wong Foo -- Thanks for Everything! Julie Newmar (1994) Drag queens, yes; acute social commentary, not so much...but how can you argue with this? Oh, that's right, you can't.

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2. The September Issue (2009) Step inside the hallowed halls of the fashion Bible that is U.S. Vogue. We get a rare glimpse of the woman behind the bob and Chanel sunglasses, as Anna Wintour admits with a palpable hint of regret that the distinguished members of her family think what she does is "quite funny." But it's Grace Coddington's bleeding artistic heart that stays with you throughout. See Also: Bill Cunningham New York (2010) Bill Cunningham, legendary streetstyle photographer for the New York Times has a Puritanical simplicity to his life but a couturier's eye for trends and detail that is documented in this tender portrait, featuring the likes of Wintour, Carmen Dell'Orefice, Anna Piaggi and Michael Kors.

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3. Breakfast at Tiffany's (1961) Though not necessarily a film about fashion, Breakfast at Tiffany's is the quintessential fashion film. Audrey Hepburn as Holly Golightly continues to teach and inspire girls and certain boys everywhere on how to be chic, how to be urbane and how to live fabulously in New York -- or at least how to pretend. And there has never been a more iconic Little Black Dress ever put on screen. See Also: Darling (1965) Darling's Diana Scott is the British, unapologetically wanton version of Holly Golightly. A morally-suspect fashion model who sleeps her way to the top, Diana still manages to come off as a naïve and sympathetic character -- despite exhibiting behavior to the contrary -- thanks to Julie Christie's Oscar-winning portrayal.

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4. Unzipped (1995) Sure, there are other backstage, behind the curtain, beneath the bustle documentaries of fashion designers, but none are as stylish as Isaac Mizrahi's Unzipped. When Isaac was the new, young It designer on the block; when Naomi, Cindy, Christy and Linda ruled the catwalks; when Eartha Kitt was still alive and purring -- Unzipped documents the height of 90s fashion, right before the balloon went bust. See Also: Valentino: The Last Emperor (2008) Whereas Unzipped follows a designer in the earlier stages of his career, The Last Emperor observes a master -- Valentino Garavani -- as he takes his final bow with his partner of 50 years by his side, Giancarlo Giammetti.

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5. Funny Face (1957) Audrey Hepburn makes a return to the list, but this time she is the unlikely model Jo Stockton, a bookworm with an unconventional look that inspires love in photographer Dick Avery, played by Fred Astaire. A fantastic set of photoshoots and gowns by Hubert de Givenchy are the main attractions, but Kay Thompson as salty editrix Maggie Prescott could give Miranda Priestly a run for her money. See Also: The Women (1939) Though Funny Face features a climactic runway show, The Women spared no expense in shooting its nearly 10-minute fashion show in color, despite the entire film being in black and white. Do not mistake this classic with that awful remake Diane English regurgitated a few years ago.

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6. Mahogany (1975) Arguably Diana Ross's greatest cinematic achievement -- if only for this -- Mahogany chronicles the rise of supermodel Mahogany from the slums of Chicago to the runways of Paris and finally to international acclaim as a designer in her own right, only to give it all up for the man she loves...a move Ms. Ross would openly spit upon, but which she plays with considerable believability. See Also: Gia (1998) While Mahogany is a fictional supermodel who dabbles on the dark side, Gia Carangi was the real thing whose excesses eventually got the best of her. The film is best remembered, however, for launching Angelina Jolie to stardom, thus ensuring Jennifer Aniston's lifelong ire.

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7. Clueless (1995) What can one say about Clueless? The perfect teen movie, it's infinitely quotable -- "You're just a virgin...who can't...DROIVE." -- and is there a character with as enviable a closet as Cher Horowitz? Bonus points for first introducing me and perhaps a majority of the world to Azzedine Alaïa. See Also: The 2nd Season of Gossip Girl (2008-2009) With the possible exception of Mean Girls, there hasn't come along a teen movie as smart or as witty as Clueless. But in terms of style, the second season of Gossip Girl rose to the challenge, making fashion icons of Blair Waldorf and Serena Vanderwoodsen, as well as their real-life counterparts, Leighton Meester and Blake Lively.

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8. Blow-Up (1966) Michelangelo Antonioni captures the mod mood of 60s Swinging London as a hedonistic fashion photographer -- played by David Hemmings -- tries to figure out whether or not he accidentally snapped a murder. In the film's most famous scene, 6'1 supermodel Veruschka writhes around the set of a photoshoot as Hemmings makes love to her with his camera. See Also: La Dolce Vita (1960) If Blow-Up swings, La Dolce Vita sways. Federico Fellini's romantic portrait of Rome is as sleek and stylish as protagonist Marcello Rubini's suits.

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9. The Devil Wears Prada (2006) It's a matter of public record that Lauren Weisberger's roman à clef was based on Anna Wintour -- who famously wore Prada to the film's opening -- but what the film accomplishes (okay, let's be real, what Meryl Streep accomplishes) is creating not only one of the greatest villains, but also one of the greatest fashion icons, in modern cinema. See Also: Sex and the City: The Movie (2008) A completely unnecessary production and by the loosest definitions an actual "movie," Sex and the City also benefited from Pat Field's brilliant styling. But unlike The Devil Wears Prada, there was no Oscar nomination for attiring Carrie and Co.

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10.Zoolander (2001) Everything benefits from a parody -- rather, everything benefits from a good parody, Though Zoolander is far from perfect, it's a fun and funny romp through fashion's ridiculous playground; complete with walk-offs, an evil Galliano-esque designer in Jacobim Mugatu and the introduction of Blue Steel into the cultural lexicon. And lucky for us, there's a sequel in the works thus righting everything with the world. See Also: Brüno (2009) Taking off where Ben Stiller catwalked off, Sacha Baron Cohen's flamboyant character traipsed through America, spreading his questionably fashionable and gratuitously gay, booty-shorted self from sea to shining seaman.

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Wilhelmina Cooper (1939-1980) Before starting her own modeling agency in 1967 (yes, that Wilhelmina), the Dutch-born Cooper appeared on some 300 magazine covers, and still holds the record for most covers of American Vogue: 27. Though Gwyneth Paltrow is slowly sneaking up on her.

Photo: The Fashion Spot

Marisa Berenson with many shell headdress is worn to complement the warm Mediterranean make-up up colors, like the different shades of blue circling the eyes. She is also wearing a light blue sheer dress

Karlie joins the ranks of iconic supers Veruschka and Naomi Sims that have graced the legendary pub. Trailed by Revere over the course of four days in July, the 19-year-old’s cover was snapped backstage at Jean Paul Gaultier’s Haute Couture show. Now I’m ready for a Vogue cover, an attempted acting career and general world domination.  [Life]

1. Paris Is Burning (1990)

Set amidst the backdrop of 80s New York ball culture, Paris Is Burning is an exploration of beauty, race, sexuality, capitalism and the American Dream, all wrapped up in a dragtastic homage to the transformative powers of fashion. Also, where do you think Madonna learned to Vogue?

See Also: To Wong Foo — Thanks for Everything! Julie Newmar (1994) Drag queens, yes; acute social commentary, not so much…but how can you argue with this? Oh, that’s right, you can’t.

Wilhelmina Cooper (1939-1980) Before starting her own modeling agency in 1967 (yes, that Wilhelmina), the Dutch-born Cooper appeared on some 300 magazine covers, and still holds the record for most covers of American Vogue: 27. Though Gwyneth Paltrow is slowly sneaking up on her.

Photo: The Fashion Spot

Veruschka (May 14, 1939) The Countess Vera Gottliebe Anna von Lehndorff was forever immortalized in Michelangelo Antonioni‘s 1966 classic Blow Up, writhing around on the floor, turning, giving and generally destroying everything in the room. At 6’1 with size 13 feet, some might say she was tranny…”some” like me. Either way, before Lidna refused to get out of bed for $10,000, Veruschka was making that in a day. Go. Head. Tranny.

Jean Shrimpton (Nov. 7, 1942) Shrimpton was a sensation almost immediately when she started modeling in 1960 and is perhaps the world’s first supermodel, despite Janice Dickinson‘s drunken claim to the title. One of the most iconic faces and bodies of the 1960s (her slim figure earned her the nickname “The Shrimp”) Jean caused a stir in 1965 when she wore a mini-dress on Victoria Derby Day in Melbourne. It was so easy to cause a stir back then; now someone has to smuggle blood diamonds just to get some attention around here.

Naomi Sims (1948-2009) Before there was Naomi, there was Naomi. The first black supermodel, Naomi Sims worked overtime to break into what is still a largely racist industry. With a little help from Wilhelmina Cooper, Sims officially made it when she appeared in an AT&T commercial in 1968 wearing a Bill Blass ensemble. And I bet she never threw her phone at anyone…no, she probably did.

Photo: Life

Twiggy (Sept. 19, 1949) A boyishly short haircut in 1966 shot Leslie Hornby to superstardom as the international supermodel, Twiggy. At 5’6 and only 91 lbs at her discovery, she ushered in a new concept of female beauty and a whole rash of eating disorders. A tradition she continued as a judge on America’s Next Top Model.

Photo: Life

Peggy Moffitt (1939) My personal favorite 60s model, Peggy Moffitt was the original edgy girl. With her dark bangs and dark, Kohl-line eyes, she had one of the most distinctive looks of the decade. As a model, muse and eventual collaborator of Rudi Gernreich, she was immortalized when photographed in his topless bathing suit, the monokini, in 1964. How’s that for a stir, Shrimpton!

Donyale Luna (1945-1979) Peggy Ann Freeman escaped the slums of Detroit for the glitz and glamour of New York City. Here, as Donyale Luna, she was exotic and intriguing whereas in Detroit she “wasn’t considered beautiful or anything.” At 6’2, with her already striking features and ultramarine contacts, she was in high demand, scoring the cover of British Vogue in 1966. Donyale lived like, partied like and dated rock stars and died like one when she OD’d in 1979. Then 6 years later she was reincarnated as a sassy fashion blogger (Ahem!)

Penelope Tree (1950) The ultimate 60s “It” girl, Tree was the daughter of socialite Marietta Tree and British member of Parliament, Ronald Tree. When Diane Arbus took some photos of Penelope, her parents threatened to sue the photographer if the photos were ever published. Nonetheless, The Tree became rival to the Twig and inspired John Lennon, when asked to describe her in three words, to respond: “Hot hot hot! Smart smart smart!” Meanwhile, that’s either 2 or 6 words. Pull it together, Lennon.

Photo: Life

Photo: Life

On Saturday night Another Magazine held a dinner to launch its new autumn issue, coinciding with the start of New York Fashion Week. For the venue, founder Jefferson Hack chose artist Dustin Yellin’s studio in Red Hook, and for the entertainment, modern dance troupe Stephen Petronio Company. Guests at the party, which was sponsored by Bamford, included Craig McDean, Leigh Lezark, Veruschka, and Mark Ronson.

Also in issue 15: Another Magazine embarks on a very special road trip with cover star Scarlett Johansson… takes a fantastic voyage through the archives of the most beautiful woman in the world, Veruschka…. and delves into the brilliant mind of Miuccia Prada via her art collection. Plus a brand new 30-page literary supplement.

Thanks Dazed Digital

When the sixty’s rolled around, Veruschka was a woman on the move. Fleeing Germany, Veruschka thought she was leaving everything behind, but instead, she stumbled into an entirely new life. Before she knew it, Veruschka had walked head-on into a life of fashion, fame, and iconic character. With the blink of an eye, there it was, supermodel success. Veruschka has never failed to keep us biting at our fingertips; who was she about to inspire next? Just how many more Vogue covers was she going to be on? With her superstar stance and over the moon personality, Veruschka has made her way to be the subject of a monograph. The monograph is composed of occurrences throughout Veruschka’s life; photographs, interviews, and more. Veruschka was a woman with a creative mind. Though she was a model, this was no reason for her to be a clothes hanger; she created her own style because it was possible and more importantly, because it was a roaring inspiration. Everything Veruschka wore was representative of the time she fled; all out in the 60′s all of the time. Veruschka says of her fashion, “I was always being different types of women. I copied Ursula Andress, Brigitte Bardot, Greta Garbo. Then I got bored so I painted myself as an animal.”