Wilhelmina Cooper (1939-1980) Before starting her own modeling agency in 1967 (yes, that Wilhelmina), the Dutch-born Cooper appeared on some 300 magazine covers, and still holds the record for most covers of American Vogue: 27. Though Gwyneth Paltrow is slowly sneaking up on her.

Photo: The Fashion Spot

Karlie joins the ranks of iconic supers Veruschka and Naomi Sims that have graced the legendary pub. Trailed by Revere over the course of four days in July, the 19-year-old’s cover was snapped backstage at Jean Paul Gaultier’s Haute Couture show. Now I’m ready for a Vogue cover, an attempted acting career and general world domination.  [Life]

1. Paris Is Burning (1990)

Set amidst the backdrop of 80s New York ball culture, Paris Is Burning is an exploration of beauty, race, sexuality, capitalism and the American Dream, all wrapped up in a dragtastic homage to the transformative powers of fashion. Also, where do you think Madonna learned to Vogue?

See Also: To Wong Foo — Thanks for Everything! Julie Newmar (1994) Drag queens, yes; acute social commentary, not so much…but how can you argue with this? Oh, that’s right, you can’t.

Wilhelmina Cooper (1939-1980) Before starting her own modeling agency in 1967 (yes, that Wilhelmina), the Dutch-born Cooper appeared on some 300 magazine covers, and still holds the record for most covers of American Vogue: 27. Though Gwyneth Paltrow is slowly sneaking up on her.

Photo: The Fashion Spot

Veruschka (May 14, 1939) The Countess Vera Gottliebe Anna von Lehndorff was forever immortalized in Michelangelo Antonioni‘s 1966 classic Blow Up, writhing around on the floor, turning, giving and generally destroying everything in the room. At 6’1 with size 13 feet, some might say she was tranny…”some” like me. Either way, before Lidna refused to get out of bed for $10,000, Veruschka was making that in a day. Go. Head. Tranny.

Jean Shrimpton (Nov. 7, 1942) Shrimpton was a sensation almost immediately when she started modeling in 1960 and is perhaps the world’s first supermodel, despite Janice Dickinson‘s drunken claim to the title. One of the most iconic faces and bodies of the 1960s (her slim figure earned her the nickname “The Shrimp”) Jean caused a stir in 1965 when she wore a mini-dress on Victoria Derby Day in Melbourne. It was so easy to cause a stir back then; now someone has to smuggle blood diamonds just to get some attention around here.

Naomi Sims (1948-2009) Before there was Naomi, there was Naomi. The first black supermodel, Naomi Sims worked overtime to break into what is still a largely racist industry. With a little help from Wilhelmina Cooper, Sims officially made it when she appeared in an AT&T commercial in 1968 wearing a Bill Blass ensemble. And I bet she never threw her phone at anyone…no, she probably did.

Photo: Life

Twiggy (Sept. 19, 1949) A boyishly short haircut in 1966 shot Leslie Hornby to superstardom as the international supermodel, Twiggy. At 5’6 and only 91 lbs at her discovery, she ushered in a new concept of female beauty and a whole rash of eating disorders. A tradition she continued as a judge on America’s Next Top Model.

Photo: Life

Peggy Moffitt (1939) My personal favorite 60s model, Peggy Moffitt was the original edgy girl. With her dark bangs and dark, Kohl-line eyes, she had one of the most distinctive looks of the decade. As a model, muse and eventual collaborator of Rudi Gernreich, she was immortalized when photographed in his topless bathing suit, the monokini, in 1964. How’s that for a stir, Shrimpton!

Donyale Luna (1945-1979) Peggy Ann Freeman escaped the slums of Detroit for the glitz and glamour of New York City. Here, as Donyale Luna, she was exotic and intriguing whereas in Detroit she “wasn’t considered beautiful or anything.” At 6’2, with her already striking features and ultramarine contacts, she was in high demand, scoring the cover of British Vogue in 1966. Donyale lived like, partied like and dated rock stars and died like one when she OD’d in 1979. Then 6 years later she was reincarnated as a sassy fashion blogger (Ahem!)

Penelope Tree (1950) The ultimate 60s “It” girl, Tree was the daughter of socialite Marietta Tree and British member of Parliament, Ronald Tree. When Diane Arbus took some photos of Penelope, her parents threatened to sue the photographer if the photos were ever published. Nonetheless, The Tree became rival to the Twig and inspired John Lennon, when asked to describe her in three words, to respond: “Hot hot hot! Smart smart smart!” Meanwhile, that’s either 2 or 6 words. Pull it together, Lennon.

On Saturday night Another Magazine held a dinner to launch its new autumn issue, coinciding with the start of New York Fashion Week. For the venue, founder Jefferson Hack chose artist Dustin Yellin’s studio in Red Hook, and for the entertainment, modern dance troupe Stephen Petronio Company. Guests at the party, which was sponsored by Bamford, included Craig McDean, Leigh Lezark, Veruschka, and Mark Ronson.

Also in issue 15: Another Magazine embarks on a very special road trip with cover star Scarlett Johansson… takes a fantastic voyage through the archives of the most beautiful woman in the world, Veruschka…. and delves into the brilliant mind of Miuccia Prada via her art collection. Plus a brand new 30-page literary supplement.

Thanks Dazed Digital

When the sixty’s rolled around, Veruschka was a woman on the move. Fleeing Germany, Veruschka thought she was leaving everything behind, but instead, she stumbled into an entirely new life. Before she knew it, Veruschka had walked head-on into a life of fashion, fame, and iconic character. With the blink of an eye, there it was, supermodel success. Veruschka has never failed to keep us biting at our fingertips; who was she about to inspire next? Just how many more Vogue covers was she going to be on? With her superstar stance and over the moon personality, Veruschka has made her way to be the subject of a monograph. The monograph is composed of occurrences throughout Veruschka’s life; photographs, interviews, and more. Veruschka was a woman with a creative mind. Though she was a model, this was no reason for her to be a clothes hanger; she created her own style because it was possible and more importantly, because it was a roaring inspiration. Everything Veruschka wore was representative of the time she fled; all out in the 60′s all of the time. Veruschka says of her fashion, “I was always being different types of women. I copied Ursula Andress, Brigitte Bardot, Greta Garbo. Then I got bored so I painted myself as an animal.”