Edited by Lope Navo, Photographer on

Navo explores the art of Piccinini, better known as the master of the wrinkle. An artist who finds perfection in imperfection, his work has been seen by millions and brings a sense of unreal to the natural folds of age.
Golem of Lord of the Rings Trilogy (2001-2003), The Curious Case of Benjamin Button (2008), and Bram Stoker’s Dracula (1992)

I haven’t seen the Spike Jonze film “Where the Wild Things Are” (2009), but the brilliant work of acclaimed Australian Conceptual Artist Patricia Piccinini (born in 1965 in Freetown, Sierra Leone) reminds of such wrinkly creepers, including the Middle-earth’s Golem of Lord of the Rings Trilogy (2001-2003), New Orleans’ Ben Button in The Curious Case of Benjamin Button (2008), and Transylvania’s Count Dracula in Bram Stoker’s Dracula (1992).
Piccinini explores what she calls the ‘often specious distinctions between the artificial and the natural’. By displaying the similarities and differences between the organic, natural and our constructed material world, Piccinini challenges our classification of life. This inspires her to combine human and animal physiology and technological development in many of her works.
www.patriciapiccinini.com
Location: ?Melbourne, Victoria?, Australia










